End of an era for Thompson, Manitoba as Nickel Belt News to cease publication April 22

By now it is no big surprise to read or hear that a newspaper is ceasing publication. That’s been old news now for a very long time. Still, when a newspaper’s birth very much mirrored the birth of a community, I think it is worth noting before it (the newspaper) passes into history forever.

Both W.H. “Duke” DeCoursey’s Thompson Citizen, first published on Friday, June 3, 1960, and Grant and Joan Wright’s Nickel Belt News, which came off the press for the first time less than a year later on March 24, 1961, have played an important, indeed vital, role, in chronicling Thompson for more than 60 years.

DeCoursey, who was based in Dauphin in 1960, through his Parkview Publishing Limited, formed in May 1960, first produced the Thompson Citizen from there. Grant Wright himself described DeCoursey as “the pioneer publisher in Thompson.” DeCoursey would become proprietor of the Northlander, Thompson’s first confectionary store, and located both the candy and newspaper operations originally in the basement of the Strand Theatre building.  Wright’s Nickel Belt News was first published out of The Northern Mail in The Pas, and later on Kelsey Bay here in Thompson, underneath what is now the front entrance of the City Centre Mall.

The two families merged ownership of their weeklies in 1967 as the Precambrian Press Ltd., with the Thompson Citizen becoming a paid circulation daily for a time, while the Nickel Belt News remained weekly but became free distribution. DeCoursey served as the first editor of the combined publications. The papers moved to their current Commercial Place home in 1970. DeCoursey had retired in 1969, selling his interest in the business to Joan Wright, who repaid him within 20 years, and moved to British Columbia.

Glacier Media Inc. of Vancouver bought both publications from the Wright family in January 2007.

The Northern Manitoba newspaper pioneering DeCoursey and Wright families had American roots. Duke DeCoursey was born in Montana. Grant Wright was born Flin Flon to Molly and Orson Wright, who were lawyers. Orson Wright was Crown Attorney for the Northern region. He was born in Dayton, Ohio. As well as serving as Crown Attorney, he was a prominent local Liberal Party member, who also served as mayor of Flin Flon between 1941 and 1943, and became a district coroner in 1942.

Grant Wright attended Brandon College and the University of Winnipeg where he graduated with a Bachelor of Arts degree. He then moved to Columbia, Missouri to study journalism at the University of Missouri School of Journalism, founded in 1908, and one of the oldest and best formal journalism schools in the world. But Wright dropped out a few credits short of obtaining his degree, and came home to Manitoba to marry his childhood sweetheart, Joan Brownell. After their marriage, the couple moved to The Pas, where Grant became editor of The Pas Herald. After a year, they moved to Thompson in 1961 to make their millions on the “three-year plan,” like so many other Northerners who have stayed and raised their families in the North.

As a teenager, Grant, who died in 2002, contracted polio. He wore braces and used crutches for the rest of his life, remaining fiercely independent – perhaps even cantankerous at times – some might say. He was a proud Rotarian.

There were several key dates in Thompson’s early history: Borehole 11962 – the so-called “Discovery Hole” at Cook Lake, a diamond drill exploration hole – was collared Feb. 5, 1956 and assayed positive for nickel. The City of Thompson and the main orebody of Inco’s Manitoba operations (now owned by Vale) were named after John Fairfield Thompson, the chairman of INCO when Borehole 11962 was collared and assayed. There’s also the Dec. 3, 1956 signing of the founding 33-page typewritten double-spaced agreement creating Thompson between the Province of Manitoba’s F.C. Bell, minister of mines and natural resources, and International Nickel Company of Canada Limited’s Ralph Parker, vice-president and general manager, and secretary William F. Kennedy. And there was Manitoba Liberal-Progressive Premier Douglas Campbell driving the last spike in the Canadian National Railway (CNR) 30-mile branch line from Sipiwesk to Thompson Oct. 20, 1957.

Thompson, originally a townsite within the newly-created 975-square-mile Local Government District (LGD) of Mystery Lake, within the Dauphin Judicial District, from 1956 to 1966, became a town on Jan. 3, 1967 and a city just 3 years later on July 7, 1970.

The Nickel Belt News came into existence on March 24, 1961 – one day before Manitoba Progressive Conservative Premier Duff Roblin “cut the nickel ribbon to officially open the town” of 3,800 residents, Wright wrote a few days later on March 29, 1961 in only the second edition of our sister paper. Roblin and a who’s who of government and mining crème de la crèmes – opened the $185-million smelter and refinery, the world’s first fully integrated nickel operation and second in size in the “free world” only to Inco’s Sudbury operations. Coincidence? Hardly. Without the smelter and refinery and its 1,800 employees on that long ago day in 1961, there would likely never have been a Nickel Belt News – ditto for a lot of other businesses that would arrive in Thompson in the years to follow.

The newspaper, the City of Thompson, many businesses, and mining in Northern Manitoba have all fallen to various degrees on hard times in recent years. In 2007, nickel briefly sold on the London Metal Exchange (LME) that May for a then record high of $25.51 per pound. And in November 2007, Vale announced a $750-million expansion of its mining, milling, smelting and refining operations here, aimed at boosting Thompson production by about 36 percent over the coming decade. The cost of the refinery modernization project over five years was estimated to be about $116 million.

The Thompson Citizen had 11 full-time staff in the Summer of 2007.

Rather than expanding smelting and refining operations here, Vale would wind up closing both the smelter and refinery in 2018.

The Thompson Citizen now has three full-time staff. When the Nickel Belt News ceases publication April 22, the free-circulation Thompson Citizen will move from its Wednesday publication day to the Nickel Belt News‘ old publication day of Friday. The two papers have been publishing a merged edition on Wednesdays since 2020.

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Season six: Home Routes House Concert tonight in Thompson with Deep Cove, Nova Scotia area country bluesman Morgan Davis

Country bluesman Morgan Davis is in Thompson tonight for a 7:30 p.m. show to kick-off season six of Home Routes house concerts at  Tim and Jean Cameron’s place at 206 Campbell Dr. Tickets are $20 at the door and the coffee will be on, says Tim Cameron, now in his third season of organizing Thompson stops on the tour. For more information give Tim or Jean a call at 204-677-3574 or send them an e-mail at: cameron8@mymts.net

Home Routes, then hosted by Lisa Evasiuk, a youth counsellor for school-based programs for the Addictions Foundation of Manitoba in Thompson, had at its original venue Thompson venue in the Basement Bijou at Thompson Public Library, kicking off in here on Sept. 22, 2009 with a show by Corin Raymond and Sean Cotton, who make up The Undesirables. Today marks five years and a day since Home Routes arrived in Thompson. Evasiuk, originally from Dauphin, had lived here since 1985, but retired and left town in August 2012 to travel the world, although there have been occasional sightings of her locally over the last two years on a visit back.

All the money goes to the performers, some of whom would likely never pass through Thompson without the concert series. Performers typically do 11 shows in 14 days at their stops along Home Routes Borealis Trail circuit in Northern Saskatchewan and Manitoba, which Thompson is part of . Other stops on the Borealis Trail beside Thompson include Flin Flon, The Pas and Minitonas and Swan River Valley in Manitoba and in Saskatchewan, Buena Vista, Annaheim, Prince Albert, Napatak, Melfort and Greenwater Lake Provincial Park. Other circuits on Home Routes include the Yukon Trail; Salmon-Berry in British Columbia; Cherry Bomb and Blue Moon in British Columbia and Alberta; Chautauqua Trail in Saskatchewan and Alberta; CCN SK in Saskatchewan; Central Plains in Saskatchewan and Manitoba; Jeanne Bernardin in Manitoba, Agassiz in Manitoba and Ontario; Estelle-Klein in Ontario and Québec and the Maritimes in New Brunswick, Nova Scotia and Prince Edward Island.

Davis “called last night from The Pas and is having a great time on the tour. He is looking forward to his Thompson concert tonight,” Cameron said in an e-mail this morning. Davis, a Nova Scotia resident since 2001 and Juno award-winner is here to bring his brand of country blues to Northern Manitoba. Davis lives north of Deep Cove, on the Aspotogan Peninsula, along the Lighthouse Route of Nova Scotia’s South Shore.The Aspotogan Peninsula is in the eastern part of Lunenburg County, situated between St. Margarets Bay in the east from Mahone Bay in the west.  Davis is a regular weekend performer at the legendary Bearly’s House of Blues and Ribs, established in 1987, on Barrington Street in south end downtown Halifax.

Two more Home Routes house concerts follow at the Cameron’s place in October and November and then resume in February following a Christmas holiday hiatus.

Tim and Jean Cameron moved here from Ashern three years ago. The Camerons were also Home Routes hosts in Ashern for three years before coming here. Tim’s day job is as a uniformed armed peace officer with Manitoba Conservation and Water Stewardship – the province’s chief natural resource officer. Jean Cameron is the Canadian Imperial Bank of Commerce (CIBC) branch manager here.

Tim is also known as a guitar-playing folkie from the late 1980s, whose talents were on display at the long-defunct Thompson Folk Festival, during an earlier stint working and living here in his 20s. Tim picked up a guitar for a few songs after the Randy Noojin show last Nov. 22, joining local musician Russell Peters and Noojin for a Hank Williams kitchen party sing-along. Attendance for shows in their mobile home venue over the last two years ranged from a low of 22 to a very cozy, getting-to-know-you better 45.

Originally from Detroit, Davis grew up listening to a mix of rhythm and blues and the likes of Jimmy Reed, Ike and Tina Turner, Chuck Berry and Fats Domino. He later moved to California with his family, and then in 1968 left for Canada, where he lived at the now-iconic counter-culture Rochdale College, Toronto’s mecca for the subculture of the late 1960s, where he immersed himself in the study of Delta Blues, especially the music of Robert Johnson, he says.

It was in the early 1970’s Toronto music scene that Davis  made the journey from apprentice to musical journeyman, having the opportunity to see and play with such legendary performers as Bukka White, Johnny Shines, Sunnyland Slim, Snooky Pryor, Hubert Sumlin, and John Hammond, who, he says, were “encouraging supporters.”

Davis hit the road with the Rhythm Rockets, The Knights of The Mystic Sea, and David Wilcox’s first band, David Wilcox and the Teddy Bears, before eventually forming his own trio. He has since performed in full bands, trios and mainly as a solo artist. Over the years, Davis has opened for Willie Dixon, John Lee Hooker, Albert King, Hammond, Albert Collins and Eric Bibb.

Home Routes Inc. (also known as Home Routes/Chemin Chez Nous) is a national non-profit arts organization incorporated in February 2007 to create new performance opportunities for Canadian musicians and audiences, in the homes of volunteer house concert presenters organized in touring circuits through rural and urban, French and English communities in Canada. A national volunteer board of directors operates the arts-service and arts-delivery organization, along with a small professional staff in Winnipeg and more than 200 volunteer house concert hosts across Canada.

Home Routes says it “owes its existence to the theoretical footprint of the Chautauqua travelling shows of the late 19th and 20th century.”

The Chautauqua movement was named after the Chautauqua Lake Sunday School Assembly founded in New York State in 1874 as an educational experiment in out-of-school, vacation learning. It was broadened almost immediately beyond courses for Sunday school teachers to include academic subjects, music, art and physical education.

“In the time before radio the Chautauqua was the cultural conduit between the urban east and the rest of North America. Traveling by horse and wagon, the Chautauqua was ‘The Medicine Show’ bringing the latest in show tunes, science, the gospel, fashion, snake oil and whatever was the latest invention for the modern kitchen. Almost every community had a ‘Chautauqua Society’ laying the groundwork locally and producing the show. The arrival in any rural community of the annual Chautauqua was a big event that was celebrated across the continent and even today, almost a hundred years later, the word “Chautauqua” still reverberates in existing concert venues and in cultural and educational institutions.

The travelling shows disappeared as radio and the movies grew in prominence and those mini extravaganzas became a wistful lingering memory in North American history.

“The modern folk music ‘House Concert’ was born out of necessity in the early 1950’s just at the time when the folk ‘boom’ began. In 1952 The Weavers had a number one radio hit with Leadbelly’s ‘Irene Goodnight’ and the song ignited a mini folk song revival; suddenly folk music was popular. City people started buying banjo’s and guitars and fiddles and began to learn the folklore that country people were born with and they began to create new songs about the world as they saw it then and ever since. There simply weren’t enough places to play for all the young and enthusiastic men and women who decided that being folk musicians was for them and so the grass roots invented a grass roots solution to the problem. People discovered that their living rooms made fine venues for acoustic music and began what has turned out to be a long tradition of home based intimate presentations of folk music.

What has been consistent has been the extraordinary level of excellence.

“Home Routes is a rough amalgam of these two historical approaches formulated and delivered with respect for all the work that went before we came along and re-kindled these excellent ideas. The volunteer hosts, like the Chautauqua Societies before them, play the role of community cultural animator. The musicians, like musicians and vaudevillians have for all time, get to work and play for these very special networks of vibrant committed people. The inter relationship between performer and host provides community after community with access to a brilliant array of artists. There is a trade off inherent between the parties, the artist brings their musical skills and the host contributes the effort to bring out an audience. One doesn’t work without the other. The thought of “circuits” of house concerts flows logically from the experience of the Chautauqua and equally from the current needs of the communities and of the artists.”

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