Through the eyes of a hermit: Maine’s North Pond Hermit and the Hermit of Gully Lake in Nova Scotia

Hermits fascinate us. Or maybe it’s just the idea of hermiting that fascinates us, especially after a bad day in civilization. In any event, hermits were back in the news recently with the publication of The Stranger in the Woods by Michael Finkel, which the Guardian had a March 15 online excerpt from at: https://www.theguardian.com/news/2017/mar/15/stranger-in-the-woods-christopher-knight-hermit-maine

Finkel is an immensely talented writer, and in an odd way perhaps the perfect choice really to write Christopher Knight, the North Pond Hermit’s story. Finkel’s also been an outsider and a rule-breaker, which might be considered more praiseworthy than condemnatory, if he wasn’t also something of a fabulist. I’m not sure much other than Finkel’s more polished writing skills and a matter of degree of culpability separate him from such other well-known earlier fabulists as Stephen Glass, who was a staff writer at the New Republic in the late 1990s, or contemporaneously with Finkel’s own work, New York Times reporter Jayson Blair. Perhaps we just need to have faith that time has redeemed Finkel.

In 2002, Finkel was a New York Times Magazine contract writer who wrote the infamous feature story, “Is Youssouf Malé a Slave?” which chronicled the life and work conditions of a young labourer on an Ivory Coast cocoa plantation. Although Youssouf Malé is real person who indeed exists, Finkel built his feature story for the New York Times Magazine around a composite character, combining the stories of several boys, with time sequences and certain other facts falsified. The real Youssouf Malé spent less than a month at the plantation, not a year as Finkel reported. Youssouf’s return to his home and his parents, of which Finkel wrote, was told to him by another boy. A scene from the article in which a psychologist interviews Youssouf Malé never took place. Finkel wrote about what he had done three years later in 2005 in True Story: Murder, Memoir, Mea Culpa, and has pretty much gone onto successfully resume his freelance journalism career over the last decade.

As for the subject of his new book, Maine’s Christopher Knight, one expects that someone who voluntarily disappears from the world and into a hermit’s life from 1986 to 2013, might have some deep philosophical insights with all that away-time from the distractions of the Modern World. You might expect that, but you’d be wrong. It’s not Knight’s story, at least as Finkel tells it here. Still, it is an absorbing story, a compelling read, but you get no sense of Knight being analogous to fellow New Englander Henry David Thoreau and  Walden Pond in Massachusetts, where he goes to journey within, to explore “the private sea, the Atlantic and Pacific Ocean of one’s being.”

Assuming Finkel is a reformed fabulist and not a fabulist of 18th-century English history, aside from Knight’s personal story, I can’t deny being fascinated by the background to the piece, where I learn: “It was believed that hermits radiated kindness and thoughtfulness, so advertisements were placed in newspapers for “ornamental hermits” who were lax in grooming and willing to sleep in caves on the country estates of the aristocracy. The job paid well and hundreds were hired, typically on seven-year contracts. Some of the hermits would even emerge at dinner parties and greet guests.”

Who knew? Not me.

The closest I’ve ever been to a real-life hermit was on the  day of the two H’s in the late fall of 1999. I was assigned by the then Truro bureau chief of the Chronicle Herald to spend a day deep in the woods looking for a hermit near Earltown in Colchester County, on the north slope of the Cobequid Mountains of Nova Scotia.

Or in the alternative, he said, I could spend the day up around Londonderry and the Cobequid Toll Plaza on Highway 104, climbing down highway embankments counting lost hubcaps, as he speculated there was an inordinately large number of same to be found. Either way it was going to be an outdoor day. Hermits or hubcaps: I opted to look for the hermit, Willard Kitchener MacDonald, the so-called “Hermit of Gully Lake,” who had gone AWOL in 1945 after being conscripted and abandoning a troop train during the Second World War. Canada declared an amnesty for army deserters in 1950, but MacDonald, who didn’t like killing people, he said later, retained a lifelong suspicion of government and police, and never came out of the woods.

Well, at least that’s what folks around there said to strangers. When I stopped in at Earltown General Store on Highway 311 up in the Cobequid Mountains between Earltown and Tatamagouche on the North Shore to enquire about MacDonald, I was met with more or less polite silence, although one person allowed it might just be possible the Hermit of Gully Lake just might be known to Canada Post and the occasional piece of mail might arrive for him to be held for general delivery.  And that was the extent of the helpfulness of folks who were protective neighbours solicitous of Mr. MacDonald’s long-held privacy. MacDonald may have been a hermit, but he wasn’t without friends, lest anyone think the two – being a hermit and having friends – were incompatible. Not for all hermits apparently. Reclusiveness is a relative thing.

So  it was then that I spent an unseasonably warm late November day tramping around the sun-dappled woods and sun-reflecting and still unfrozen ponds, squinting and listening, trying to somehow locate the Hermit of Gully Lake. It was a very pleasant gig as daily newspaper assignments went, but I never did find MacDonald. But he may have found me. There were several discretely unsettling moments that afternoon when I had the certain feeling I was being watched from the dense bush and forest by someone. I could feel their eyes on me, although I never saw them. The watcher had become the watched. Little did I know that day near the close of the 20th century and dawn of the new millennium that within a couple of years of my futile late 1999 hunt for MacDonald, the Hermit of Gully Lake would become something of a Nova Scotia folk hero and minor celebrity of sorts during his twilight years.  There were indeed people who knew about his dilapidated, two-metre-by-two-metre shack, where he would sometimes compose music on a homemade guitar.

The Nova Scotia Department of Community Services financed construction of a small cabin for him. He tried it but found it too close to civilization. A forest fire wound up destroying his preferred dilapidated cabin, so he went back to the winterized cabin.

MacDonald, 87, disappeared for good when well-meaning and probably conflicted visitors went to get medical help, against his wishes, after he became ill in late November 2003, almost four years to the day after my one-day quest to find him.

MacDonald had been born in the Bay State, more specifically in Somerville in the Commonwealth of  Massachusetts, on Aug. 13, 1916. Many years later, I, too, would live in Somerville, more specifically West Somerville, near Powder House Circle, between August 1980 and August 1981. It is also known as Powder House Square. Circle, square. Where else but Massachusetts would the two be synonymous? I was 23 and 24 years old at the time. My daily walks often included strolls over the Somerville-Medford-Arlington lines,  passing Tufts University on my walk. Or a bicycle ride over the Cambridge line on my 10-speed CCM Targa up or down nearby Massachusetts Avenue, invariably known locally as “Mass Ave,” the second-most famous Massachusetts Avenue in the United States, trumped only by the street of the same name in Washington, D.C.

But this was our Massachusetts Avenue right in Massachusetts. Harvard Yard in Cambridge in one direction to the southeast and Minute Man National Historical Park at Concord in the other to the northwest. In November 2007, Boston Magazine aptly enough described Mass Ave this way: “Its 16 miles of blacktop run from gritty industrial zones to verdant suburbia, passing gentrified brownstones, college campuses and bustling commercial strips.”

Which makes wonder what Somerville was like in MacDonald’s 1920’s youth? I never got to ask. Willard Kitchener MacDonald’s body was found on June 27, 2004 by more than 100 volunteers searching the Gully Lake area for his remains. Since then, the Truro-based Cobequid Eco-Trails Society has officially named a trail the Willard Kitchener MacDonald Trail. One wonders what MacDonald might think of that.

Pictou County, Nova Scotia songwriter Dave Gunning wrote a song about Willard Kitchener MacDonald in 2004 called “Let Him Be.”

The old cabin’s gone, it burned to the ground
They go looking still to find him but he doesn’t make a sound
60 years of walking down, this long road alone
He’s earned the right to stay and choose how to go

Joan Baxter, a well-respected Nova Scotia author, journalist, development researcher/writer and anthropologist, who now divides her time between Canada and Africa, wrote a biography, The Hermit of Gully Lake: The Life and Times of Willard Kitchener MacDonald, published in 2005. The book was short-listed for the Booksellers’ Choice Award at the 2006 Atlantic Book Awards.

A year later, in September 2007, Toronto-based filmmaker Amy Goldberg’s Willard: The Hermit of Gully Lake, a documentary on the by then famous recluse, debuted at the Atlantic Film Festival in Halifax.

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Dissed by the secular media and New Catholic Generation’s Catholics Watch, Pure Flix Entertainment rocked the box office with opening of God’s Not Dead 2

The April fool’s joke this year apparently was on the secular skeptics, smarmy and oh-so-hip young Catholic religiös from New Catholic Generation’s Catholics Watch, and myriad other naysaying Nellies. God’s Not Dead 2, which opened in the United States Friday, April 1, rocked the pop culture theater box office with a three-day weekend opening of $7.624 million in box office receipts as of Sunday, April 3, according to Box Office Mojo, the leading online box-office reporting service, operated by Seattle-based Internet Movie Database, (IMDb), which is owned by Amazon.com, and widely considered the number one movie website in the world.

That was a good enough showing for God’s Not Dead 2 to finish fourth that weekend behind Batman v Superman: Dawn of Justice, Zootopia and My Big Fat Greek Wedding 2. All in all, not too shabby, and suggesting some crossover appeal into the ranks of the unchurched. The original God’s Not Dead in 2014 went on to gross more than $60 million in the United States.

Peter Bradshaw, the Guardian’s film critic, huffed in his April 28 review: “The almighty may not be dead, but Nietzsche is rolling in his grave. Angry, smug self-pity is becoming the keynote of the God’s Not Dead Christian movie franchise. This new drama is about how Christians are threatened and oppressed in … well, where do you think? Iraq? Syria? Places where millennia of Christian traditions are genuinely being trashed and their believers in real danger? Erm, no – this film is set in the U.S., where Christians are crushed under the jackboot of sneering liberals and pantomime-villain atheists.” The storyline for God’s Not Dead 2 (you can watch a YouTube trailer here at: https://www.youtube.com/watch?v=Sxz-Y-c2UUc) has public high school history teacher Grace Wesley (played by Melissa Joan Hart) responding to a student’s question about Jesus’ teachings, as they relate to the non-violent teachings of Martin Luther King Jr. and Mahatma Gandhi. The teacher’s response acknowledges that “the writer of the Gospel of Matthew records Jesus as saying, ‘You have heard it said, ‘Love your neighbor and hate your enemy.’ But I tell you, love your enemies, and pray for those who persecute you.” In response to another student’s comment, she adds some additional remarks about those who would die for what they believe.

By the end of the day, the teacher finds herself facing the wrath of the principal, the school board, and her union representative, after a text message from yet another student in the class finds its way to the first student’s parents, who are irate.

Offered the chance to apologize for mentioning Jesus in the classroom, she refuses, asserting that she had done nothing wrong in answering the question. In short order, she is put on leave without pay and a proxy civil action on behalf of the school board by the American Civil Liberties Union (ACLU) follows, as they attempt to have her fired and her teacher’s certificate revoked.

Now, truth be told, I’m a fan of the Guardian. The London-based newspaper is one of the truly serious remaining English-language titles internationally. And Bradshaw’s review is not without merit for pointing out places like Iraq and Syria where Christians are undergoing real persecution today. Point taken. But at the same time it would be naïve to suggest an overt reference to Christianity in American classrooms today is not somehow a potentially high-octane mix that could land a teacher in a major conflagration. So while the point may be overdrawn in God’s Not Dead 2, it, too, has merit and isn’t simply a matter of paranoia on the so-called Christian Right, as some secular liberals would have you believe. The Oberlin Review, established in 1874, and the student newspaper of Oberlin College in Ohio, called God’s Not Dead 2 “a Slice of Trump-Era Propaganda” in a headline for an April 14 review by arts editor Christian Bolles, going on in the piece to call it a “nauseatingly unnecessary follow-up” to the original movie.

In the original God’s Not Dead, released by Pure Flix Entertainment in March 2014 (watch a YouTube trailer here at: https://www.youtube.com/watch?v=bMjo5f9eiX8), Josh Wheaton, an evangelical college student (played by Shane Harper) enrols in a philosophy class taught by Professor Jeffrey Radisson (played by Kevin Sorbo), an atheist, who demands his students sign a declaration that “God is dead” to pass. Josh is the only student who refuses to sign. Radisson requires Josh to debate the topic with him but agrees to let the class members decide the winner.  I admit the cosmology, not to mention the philosophy, is pretty convoluted in places to be fully persuasive as Christian apologetics, but when it comes to evolution versus creationism this is a very old and convoluted debate in America, no matter which side you find yourself on. While the debate over competing theories of Darwinian evolution and biblical creationism was famously showcased during the so-called Scopes Monkey Trial in Tennessee in 1925, the resolution of the matter – much to the surprise of secularists who had thought it settled for 50 years – is no closer today than it was in 1925, or when it reignited around 1975.

If anything, the issue is more contested in more venues in more ways than ever, with “intelligent design” now added to the mix in recent years, much to the dismay of secular scientists, other academics and many public school science teachers.

Evolution is the theory that generations of animal and plant species alter and transform over time in response to changes in their environment and circumstances, a process known as natural selection.

Intelligent design is the proposition that scientific evidence exists to show that life in its multitudinous forms was caused by the direction of a higher intelligence. In 1925, prosecutors charged John Thomas Scopes, a high school science teacher in Dayton, Tenn., with teaching evolution, which had just been outlawed. Represented by the famed defense lawyer, Clarence Darrow, Scopes was found guilty and fined after a high-profile trial, but the conviction was later overturned on a technicality, although the statute prohibiting the teaching of evolution remained on Tennessee’s law books until its repeal in 1967.

William Jennings Bryan, a well-known Populist, former Nebraska congressman and three-time candidate for the United States presidency, who delivered one of the most famous and fiery orations in American history almost 30 years earlier in 1896 with his “Cross of Gold” speech at the Democratic national convention in Chicago, denouncing a gold standard monetary policy, argued the prosecution’s case for the State of Tennessee.

Saturday Night Live (SNL), which was perhaps last truly funny around the time it debuted on NBC in 1975 – about the same time the Darwinian evolution and biblical creationism debate reignited – parodied God’s Not Dead 2 last month, which while fair game, came as a surprise probably to exactly no one. Maybe that’s also why SNL last night, 30 years after its debut, brought back former cast member Dana Carvey to resurrect his “Church Lady” sketch, which he performed as character Enid Strict hosting her talk show Church Chat between 1986 and 1993, to deal now with a satanic Ted Cruz and Donald Trump.

New Catholic Generation administrator Renée Shumay, joined by several of her young smirking cohorts, have done at last count at least three Catholics Watch vids on Gods Not Dead 2 since January, two based on trailers, and a more recent one based on the full movie, each being more smarmy than the one before. New Catholic Generation bills itself as a “Catholic teen initiative that uses YouTube to spread the Catholic faith.” God help us. Catholics kids are oh-so-cool don’t you know.  And we wonder why evangelical Protestant Christians sometimes question whether Catholics are really Christians?

Ohio-based vlogger Shumay, who has worked for the last year for Eternal Word Television Network (EWTN), is an alumnus of the proud-to-be-orthodox über Catholic Franciscan University of Steubenville, Ohio, I’m embarrassed as a co-religionist to say. If you are in doubt, check them out for yourself at: https://www.youtube.com/watch?v=AcY_wn_6g7E and https://www.youtube.com/watch?v=c0cu_NXEXuU

It’s a very Catholic Thing, the whole “we’re-the-one-true-Church-and-you’re-not” sort of petty one-upmanship. Unfortunately.

Maybe someone should get the word out to Shumay and her New Catholic Generation hotshots that Protestant-bashing masquerading as pop culture criticism is not so cool in 2016.

While it doesn’t get nearly as much attention as the sex-and-morality hot-button issues of his pontificate, although it does garner some coverage, one of the most interesting facets of Pope Francis in action is to watch is his truly remarkable rapprochement with Protestants, particularly evangelicals of all denominations, including his now famous impromptu iPhone video message two years ago for Kenneth Copeland, and other influential evangelicals, done during a January 2014 three-hour breakfast meeting chat at the Vatican with his close personal friend Bishop Tony Palmer, 48, of the Communion of Evangelical Episcopal Churches, a close personal friend of the Pope’s, dating back to their days in Buenos Aires in Argentina. Tragically, Palmer died about six months later on July 20, 2014 in hospital following hours of surgery after a motorcycle accident.

Pope Francis, along with his meetings in 2014  with Palmer, and Copeland, co-host of Believer’s Voice of Victory, also met with James and Betty Robison, co-hosts of the Life Today television program, Rev. Geoff Tunnicliff, chief executive office of the World Evangelical Alliance; well-known Canadian evangelical leader Brian Stiller, Rev. Thomas Schirrmacher, also from the World Evangelical Alliance, and Rev. John Arnott and his wife, Carol, co-founders of Partners for Harvest ministries in Toronto. That meeting lasted almost three hours and included a private luncheon with Pope Francis.

God’s not dead. But Catholic “we’re-the-one-true-Church-and-you’re-not” sort of petty one-upmanship of those working in the evangelical Protestant Christian filmmaking genre should be. If young Catholics’ big knocks against that Christian movie genre are too many heavy-handed theological scripts, clunky acting or cheesy sets that do little more than preach to the choir, we eagerly await their contributions alongside Pure Flix Entertainment to the movie canon.

Criticize or evangelize?

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Canada’s ‘other’ national spy agency, the Communications Security Establishment, used its Internet cable-tap program Atomic Banjo for HTTP metadata monitoring and collection from ‘Free File Upload’ (FFU) file-sharing sites in a covert behaviour-based target discovery project codenamed LEVITATION

News today that Canada’s Communications Security Establishment (CSE) used its Internet cable-tap program Atomic Banjo through its CSE Web Operations Centre (CWOC) to track 10 to 15 million user uploads and downloads daily and analyze the records in its needle-in-a-haystack effort to stumble upon extremist plots and suspects, and has been monitoring and collecting HTTP metadata for 102 known “Free File Upload” (FFU) file-sharing sites, commonly used to share videos, photographs, music, and other files, is well … not so surprising. Canada is a  partner in the so-called “Five Eyes” electronics communications intelligence partnership, which also includes the United States, Britain, New Zealand and Australia.

The three FFU file-sharing sites specifically named are RapidShare, SendSpace, and the defunct MegaUpload – based on a 21-slide CSE Microsoft PowerPoint tradecraft presentation in 2012 compiled by a three-member Canadian team and shared with its Five Eyes partners titled, “LEVITATION and the FFU Hypothesis.” CSE said in the presentation three years ago they “only care about the 2,200 URLs [Uniform Resource Locators] that point to documents of interest,” citing the example of a SendSpace file titled, “How to make a gas bomb.” CSE said they were “finding about 350 interesting download events per month” back then. Levitation is the codename also for the larger Communications Security Establishment covert behaviour-based target discovery project, as well as the presentation.

The “LEVITATION and the FFU Hypothesis” CSE presentation comes from the cache of Edward Snowden. The 31-year-old American computer specialist, a former Central Intelligence Agency (CIA) employee and former National Security Agency (NSA) contractor for Booz Allen Hamilton, who had lived in Kunia, Hawaii, went AWOL almost three years ago, eventually landing in Moscow, and since June 2013 has disclosed more than 200,000 classified documents to the press, a fraction of the cache of  about 1.7 million NSA intelligence files he downloaded, and the biggest theft of U.S. secrets in history, the Pentagon said in January 2014.

Branded as either a patriot or traitor, largely depending on the politics of whoever is doing the branding, Snowden faces criminal prosecution in the United States and was granted temporary asylum in August 2013 in Russia.

The “LEVITATION and the FFU Hypothesis” story was reported collaboratively today by reporter Ryan Gallagher and co-founding editor Glenn Greenwald of First Look Media’s The Intercept, an online publication created and funded by eBay founder Pierre Omidyar last February, and Amber Hildebrandt, Michael Pereira and Dave Seglins of CBC News. The Intercept lists its short-term mission as providing “a platform to report on the documents previously provided by NSA whistleblower Edward Snowden.”

A series of exposés, based on Snowden’s  leaks, began being published in June 2013, revealing Internet surveillance programs such as PRISM, XKeyscore and Tempora, as well as the interception of telephone metadata from U.S. allies, including Canada, around the world. The Canadian government was alleged to have engaged in economic espionage involving Brazil’s Ministério de Minas e Energia.

Snowden’s release of National Security Agency (NSA) material was called in 2013 the most significant leak in U.S. history by American defense analyst Daniel Ellsberg, who knows the territory well enough, one supposes, having himself leaked the 7,000-page Pentagon Papers to the New York Times, which were published by the paper beginning in June 1971.

Only a small percentage of the documents purloined by Snowden have been published to date. Since 2013, Snowden has been what Julian Assange’s WikiLeaks were to 2010. As is the case now with Snowden, at the same time stolen classified material was published by WikiLeaks, it was also being published collaboratively across various portals and platforms in three of the world’s most prestigious daily newspapers – the New York Times in the United States, the Guardian in Britain and Der Spiegel in Germany.

On July 25, 2010, Assange’s WikiLeaks, a non-profit Swedish website started in December 2006, posted an unprecedented 91,731 mostly classified documents, the so-called “War Logs,” and most with a middling “secret” clearance level – from United States military databanks relating to the war in Afghanistan – on the Internet.

The documents made it possible to compare the mainly dismal frontline reality on the battlefield with the political propaganda coming from the higher-ups.

While some – including Assange – compared the War Logs to the leaking of the Pentagon Papers, the War Logs and Pentagon Papers were different in kind, as Ellsberg noted himself in interviews in July 2010.

“There is a very real drama because of the size of the release and it’s an important step, but these are low-level field reports while the Pentagon Papers were a high-level analysis about the origins of the war,” Ellsberg said. “Still, it’s a very important moment because this is a war that is taking place right now and what WikiLeaks has done could change how people think about it.”

The Communications Security Establishment (CSE) is Canada’s national cryptologic agency with a National Defence Act mandate that includes foreign signals intelligence (SIGINT) interception and analysis, including cryptanalysis or codebreaking, of communications and other electronic signals. CSE  is prohibited by law from targeting Canadians or anyone in Canada under the signals intelligence part of their mandate, but can, if requested, with proper warrants or other lawful authority held by the requesting agency, provide technical and operational assistance to federal law enforcement and security agencies in the performance of their lawful duties under what is known as CSE’s “assistance mandate.”

Its new $1.2 billion dollar headquarters at 1929 Ogilvie Rd., completed last July, was dubbed “Camelot” in official Department of National Defence documents and is the most expensive federal building ever constructed in Canada, located next door to the only slightly better known Canadian Security Intelligence Service (CSIS), which also has its headquarters in Gloucester in east-end Ottawa.

The centrepiece of the new CSE complex on Ogilvie Road is equivalent to a 90-storey skyscraper turned on its side.

The old CSE headquarters was the five-storey Sir Leonard Tilley Building at 719 Heron Rd., near Carleton University, well known to the intelligence community as “The Farm,” and  located at the corner of Riverside Drive and Heron Road, within the boundaries of the federal government’s Confederation Heights campus, in Ottawa. The Sir Leonard Tilley Building was built in 1961 and custom designed for use by intelligence services. The building’s exterior elevations conceal specialized features linked to intelligence gathering such as the design of “slippers” beneath the floor plates and the electrical and mechanical systems.

The Communications Security Establishment’s predecessor was the Communications Branch of the National Research Council of Canada (CBNRC), which began work in September 1946. The CBNRC was formed at the end of the Second World War by combining the two wartime cryptologic offices; the civilian Examination Unit (XU) and the military Joint Discrimination Unit (JDU), made up by 1945 of what had been the disparate SIGINT collection units of the Navy, Army and Air Force. The Examination Unit  was Canada’s first civilian office that was solely dedicated to the encryption and decryption of communications signals traffic content. Until then, signals intelligence (SIGINT) was entirely within the purview of the military.

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