Dissed by the secular media and New Catholic Generation’s Catholics Watch, Pure Flix Entertainment rocked the box office with opening of God’s Not Dead 2

The April fool’s joke this year apparently was on the secular skeptics, smarmy and oh-so-hip young Catholic religiös from New Catholic Generation’s Catholics Watch, and myriad other naysaying Nellies. God’s Not Dead 2, which opened in the United States Friday, April 1, rocked the pop culture theater box office with a three-day weekend opening of $7.624 million in box office receipts as of Sunday, April 3, according to Box Office Mojo, the leading online box-office reporting service, operated by Seattle-based Internet Movie Database, (IMDb), which is owned by Amazon.com, and widely considered the number one movie website in the world.

That was a good enough showing for God’s Not Dead 2 to finish fourth that weekend behind Batman v Superman: Dawn of Justice, Zootopia and My Big Fat Greek Wedding 2. All in all, not too shabby, and suggesting some crossover appeal into the ranks of the unchurched. The original God’s Not Dead in 2014 went on to gross more than $60 million in the United States.

Peter Bradshaw, the Guardian’s film critic, huffed in his April 28 review: “The almighty may not be dead, but Nietzsche is rolling in his grave. Angry, smug self-pity is becoming the keynote of the God’s Not Dead Christian movie franchise. This new drama is about how Christians are threatened and oppressed in … well, where do you think? Iraq? Syria? Places where millennia of Christian traditions are genuinely being trashed and their believers in real danger? Erm, no – this film is set in the U.S., where Christians are crushed under the jackboot of sneering liberals and pantomime-villain atheists.” The storyline for God’s Not Dead 2 (you can watch a YouTube trailer here at: https://www.youtube.com/watch?v=Sxz-Y-c2UUc) has public high school history teacher Grace Wesley (played by Melissa Joan Hart) responding to a student’s question about Jesus’ teachings, as they relate to the non-violent teachings of Martin Luther King Jr. and Mahatma Gandhi. The teacher’s response acknowledges that “the writer of the Gospel of Matthew records Jesus as saying, ‘You have heard it said, ‘Love your neighbor and hate your enemy.’ But I tell you, love your enemies, and pray for those who persecute you.” In response to another student’s comment, she adds some additional remarks about those who would die for what they believe.

By the end of the day, the teacher finds herself facing the wrath of the principal, the school board, and her union representative, after a text message from yet another student in the class finds its way to the first student’s parents, who are irate.

Offered the chance to apologize for mentioning Jesus in the classroom, she refuses, asserting that she had done nothing wrong in answering the question. In short order, she is put on leave without pay and a proxy civil action on behalf of the school board by the American Civil Liberties Union (ACLU) follows, as they attempt to have her fired and her teacher’s certificate revoked.

Now, truth be told, I’m a fan of the Guardian. The London-based newspaper is one of the truly serious remaining English-language titles internationally. And Bradshaw’s review is not without merit for pointing out places like Iraq and Syria where Christians are undergoing real persecution today. Point taken. But at the same time it would be naïve to suggest an overt reference to Christianity in American classrooms today is not somehow a potentially high-octane mix that could land a teacher in a major conflagration. So while the point may be overdrawn in God’s Not Dead 2, it, too, has merit and isn’t simply a matter of paranoia on the so-called Christian Right, as some secular liberals would have you believe. The Oberlin Review, established in 1874, and the student newspaper of Oberlin College in Ohio, called God’s Not Dead 2 “a Slice of Trump-Era Propaganda” in a headline for an April 14 review by arts editor Christian Bolles, going on in the piece to call it a “nauseatingly unnecessary follow-up” to the original movie.

In the original God’s Not Dead, released by Pure Flix Entertainment in March 2014 (watch a YouTube trailer here at: https://www.youtube.com/watch?v=bMjo5f9eiX8), Josh Wheaton, an evangelical college student (played by Shane Harper) enrols in a philosophy class taught by Professor Jeffrey Radisson (played by Kevin Sorbo), an atheist, who demands his students sign a declaration that “God is dead” to pass. Josh is the only student who refuses to sign. Radisson requires Josh to debate the topic with him but agrees to let the class members decide the winner.  I admit the cosmology, not to mention the philosophy, is pretty convoluted in places to be fully persuasive as Christian apologetics, but when it comes to evolution versus creationism this is a very old and convoluted debate in America, no matter which side you find yourself on. While the debate over competing theories of Darwinian evolution and biblical creationism was famously showcased during the so-called Scopes Monkey Trial in Tennessee in 1925, the resolution of the matter – much to the surprise of secularists who had thought it settled for 50 years – is no closer today than it was in 1925, or when it reignited around 1975.

If anything, the issue is more contested in more venues in more ways than ever, with “intelligent design” now added to the mix in recent years, much to the dismay of secular scientists, other academics and many public school science teachers.

Evolution is the theory that generations of animal and plant species alter and transform over time in response to changes in their environment and circumstances, a process known as natural selection.

Intelligent design is the proposition that scientific evidence exists to show that life in its multitudinous forms was caused by the direction of a higher intelligence. In 1925, prosecutors charged John Thomas Scopes, a high school science teacher in Dayton, Tenn., with teaching evolution, which had just been outlawed. Represented by the famed defense lawyer, Clarence Darrow, Scopes was found guilty and fined after a high-profile trial, but the conviction was later overturned on a technicality, although the statute prohibiting the teaching of evolution remained on Tennessee’s law books until its repeal in 1967.

William Jennings Bryan, a well-known Populist, former Nebraska congressman and three-time candidate for the United States presidency, who delivered one of the most famous and fiery orations in American history almost 30 years earlier in 1896 with his “Cross of Gold” speech at the Democratic national convention in Chicago, denouncing a gold standard monetary policy, argued the prosecution’s case for the State of Tennessee.

Saturday Night Live (SNL), which was perhaps last truly funny around the time it debuted on NBC in 1975 – about the same time the Darwinian evolution and biblical creationism debate reignited – parodied God’s Not Dead 2 last month, which while fair game, came as a surprise probably to exactly no one. Maybe that’s also why SNL last night, 30 years after its debut, brought back former cast member Dana Carvey to resurrect his “Church Lady” sketch, which he performed as character Enid Strict hosting her talk show Church Chat between 1986 and 1993, to deal now with a satanic Ted Cruz and Donald Trump.

New Catholic Generation administrator Renée Shumay, joined by several of her young smirking cohorts, have done at last count at least three Catholics Watch vids on Gods Not Dead 2 since January, two based on trailers, and a more recent one based on the full movie, each being more smarmy than the one before. New Catholic Generation bills itself as a “Catholic teen initiative that uses YouTube to spread the Catholic faith.” God help us. Catholics kids are oh-so-cool don’t you know.  And we wonder why evangelical Protestant Christians sometimes question whether Catholics are really Christians?

Ohio-based vlogger Shumay, who has worked for the last year for Eternal Word Television Network (EWTN), is an alumnus of the proud-to-be-orthodox über Catholic Franciscan University of Steubenville, Ohio, I’m embarrassed as a co-religionist to say. If you are in doubt, check them out for yourself at: https://www.youtube.com/watch?v=AcY_wn_6g7E and https://www.youtube.com/watch?v=c0cu_NXEXuU

It’s a very Catholic Thing, the whole “we’re-the-one-true-Church-and-you’re-not” sort of petty one-upmanship. Unfortunately.

Maybe someone should get the word out to Shumay and her New Catholic Generation hotshots that Protestant-bashing masquerading as pop culture criticism is not so cool in 2016.

While it doesn’t get nearly as much attention as the sex-and-morality hot-button issues of his pontificate, although it does garner some coverage, one of the most interesting facets of Pope Francis in action is to watch is his truly remarkable rapprochement with Protestants, particularly evangelicals of all denominations, including his now famous impromptu iPhone video message two years ago for Kenneth Copeland, and other influential evangelicals, done during a January 2014 three-hour breakfast meeting chat at the Vatican with his close personal friend Bishop Tony Palmer, 48, of the Communion of Evangelical Episcopal Churches, a close personal friend of the Pope’s, dating back to their days in Buenos Aires in Argentina. Tragically, Palmer died about six months later on July 20, 2014 in hospital following hours of surgery after a motorcycle accident.

Pope Francis, along with his meetings in 2014  with Palmer, and Copeland, co-host of Believer’s Voice of Victory, also met with James and Betty Robison, co-hosts of the Life Today television program, Rev. Geoff Tunnicliff, chief executive office of the World Evangelical Alliance; well-known Canadian evangelical leader Brian Stiller, Rev. Thomas Schirrmacher, also from the World Evangelical Alliance, and Rev. John Arnott and his wife, Carol, co-founders of Partners for Harvest ministries in Toronto. That meeting lasted almost three hours and included a private luncheon with Pope Francis.

God’s not dead. But Catholic “we’re-the-one-true-Church-and-you’re-not” sort of petty one-upmanship of those working in the evangelical Protestant Christian filmmaking genre should be. If young Catholics’ big knocks against that Christian movie genre are too many heavy-handed theological scripts, clunky acting or cheesy sets that do little more than preach to the choir, we eagerly await their contributions alongside Pure Flix Entertainment to the movie canon.

Criticize or evangelize?

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Sixth annual Real to Reel Film Festival about to kick off in Winnipeg

Paul Boge gets it. He runs the Winnipeg Real to Reel Film Festival like, well, a film festival. Just because the films are shown in a church and are mainly new offerings on the market from what might be loosely called the Christian movie genre – a hot genre even in secular Hollywood these days – Boge doesn’t give them a free pass, as it were. If your film has copyrighted music or other material subject to copyright protection and you’re a filmmaker, you better have arranged all the necessary copyright clearances, or it won’t be screening this week at North Kildonan Mennonite Brethren Church on Gateway Road in Winnipeg. Boge, a consulting mining engineer and capital project manager with the family firm Boge & Boge Consulting Engineers in Winnipeg, wears many hats, and is a member of the church.

This year’s festival runs on four screens from today through Feb. 21, opening at 7 p.m. with three flicks, including A Matter of Faith, from Rich Christiano’s Five & Two Pictures, where a college classroom clash between a biblical creation-believing freshman and a professor teaching evolution (a popular theme in the last few years, also canvassed in God’s Not Dead and God’s Not Dead 2, being released in April) is showing in Theatre 1. You can watch a YouTube trailer for A Matter of Faith here at: https://www.youtube.com/watch?v=yiRGdJ2uPwk Christiano, a former Catholic from Waterloo, New York, became a born-again Christian in 1980. One of his early influences after his conversion experience was John MacArthur, pastor of Grace Community Church.

Two of the other feature films showing at this year’s festival are Henline Productions of Loveland, Ohio’s  Polycarp: Destroyer of Gods, based on a novel authored by Pastor Rick Lambert, a co-pastor of Grace Bible Church in Cincinnati, and War Room, from Alex and Stephen Kendrick.

St. Polycarp, one of the three chief Apostolic Fathers, was a second century bishop of Smyrna, one of the new centres for the Christian world after the fall of Jerusalem in 70 AD, and located in modern-day Turkey on the Aegean Sea, was martyred at the age of 86 in 155 AD on the orders of Statius Quadratus, proconsul of Asia.

Born in 69 AD, the real-life Polycarp was an important historical link to that Sub-Apostolic Age, during which it was possible to learn by word of mouth what the Apostles taught from those who had heard them for themselves.

But sorting out fact from fiction when it comes to the life of Polycarp of Smyrna, like so many ancient saints from the Sub-Apostolic Age, is no simple task. Much is simply shrouded in the mists of time and certainties are in short supply. Even the historical fact that Statius Quadratus was the proconsul of Asia at the time who ordered Polycarp’s martyrdom is not beyond dispute, nor is the exact year of Polycarp’s death. Quintus Septimius Florens Tertullianus wrote it was St. John the Apostle himself who made Polycarp a bishop.

The main sources of credible historical information concerning St. Polycarp are the Epistles of St. Ignatius; Polycarp’s own Epistle to the Philippians; sundry passages in St. Irenaaus; and the Letter of the Smyrnwans recounting the martyrdom of St. Polycarp. The Epistle of St. Polycarp was a reply to one from the Philippians, in which they had asked him to address them some words of exhortation.

Four out of the seven genuine epistles of St. Ignatius were written from Smyrna. In two of these – Magnesians and Ephesians – he speaks of Polycarp. The seventh Epistle was addressed to Polycarp.

Just before his martyrdom in 155 AD, Polycarp was urged by Quadratus, or whoever the proconsul was, to curse Christ, leading to Polycarp’s celebrated reply: “Fourscore and six years have I served Him, and He has done me no harm. How then can I curse my King that saved me?”  Polycarp was then burned and stabbed to death.

Henline Productions, formerly J&J Productions, is the brother and sister Protestant evangelical homeschooled filmmaking team of Joe Henline, 20, and Jerica Henline, 22.

In 2010, they entered the five-minute short video No Time in the San Antonio Independent Christian Film Festival and finished as semi-finalists in the competition.

Their next film, The Forgotten Martyr: Lady Jane Grey, shot in 2011 was entered into the 2012 San Antonio Independent Christian Film Festival and won them the Best Young Filmmaker award, and was runner-up in the Short Film category. Awards from other independent Christian film festivals included, Best Young Filmmaker at the GloryReelz Christian Film Festival, Golden Crown Award (Best Student Production) at the International Christian Visual Media Festival and Best Young Filmmaker at The Attic Film Festival.

In their script for Polycarp, a 12-year-old slave girl, Anna, is rescued and adopted by Christians in 2nd century Smyrna and befriended by the aged Polycarp. You can watch a brief 1:52 YouTube trailer for it here at: https://www.youtube.com/watch?v=7IjPlffZVy8

In real life, of course, Polycarp was supposedly born into slavery, purchased as a young boy, and raised by a godly woman in Ephesus.

As Anna is taught by Polycarp and her new family, she struggles to reconcile her beliefs with those of the Christians. When the Roman proconsul demands that all citizens worship Caesar to show their allegiance to Rome, Polycarp and the Christians stand for their faith against the growing threat of persecution, and Anna is forced to choose whom she is willing to live – and die – for.

Polycarp was awarded Best Feature Film, Audience Choice Award and Best Original Music Score at the second Christian Worldview Film Festival last March at Castle Hills First Baptist Church, also in San Antonio.

Tulsa native Garry Nation received the award for Best Lead Actor in a Feature Film for his performance as Polycarp.

A family-friendly drama, War Room is about learning to fight the right kinds of battles. Filled with humor, wit and heart, it follows Tony and Elizabeth Jordan, a middle-class couple, and their daughter, Danielle, as they struggle through personal, marital and spiritual issues. Their lives are forever changed after Elizabeth meets an elderly widow who helps her develop a secret prayer room in her home. You can watch a YouTube trailer for it here at: https://www.youtube.com/watch?v=mIl-XY9t_Lw

The Kendricks, who are both associate pastors on the staff of Sherwood Baptist Church in Albany, Georgia, got their start in 2003 with their first movie Flywheel. They conceived the idea for Flywheel in the spring of 2002 after they saw the results from Barna Research Group demonstrating empirically popular culture movies and television shows are more influential in American society than the Christian church.

Flywheel, which tells the story of a dishonest used car salesman who comes to grips with his need for God, relied on untrained actors from the Sherwood Baptist Church congregation to play all the roles, debuting as an independent film on a single Carmike Theatre screen in Albany, Georgia in April 2003 and ran for six weeks initially, often outdrawing Hollywood films on adjoining screens.

Then came Facing the Giants in 2006 and in 2008 Fireproof, made on a $500,000 budget, but generating more than $33.4 million at the box office, making it the highest-grossing independent film of the year. Their most recent film until the release last summer of War Room, Courageous, was released in September 2011. It was produced with a budget of $2 million and has grossed more than $34.5 million to date. Facing the Giants, which grossed more than $10 million; Fireproof, which grossed more than $33 million; and Courageous have a combined gross of nearly $80 million at the box office, with a combined budget of less than $4 million.

The Kendicks wrapped up principal photography on their fifth movie, War Room, in July 2014 in and around Charlotte, North Carolina. It is their first project independent of Sherwood Pictures, the movie ministry of Sherwood Baptist Church. It being produced  by Kendrick Brothers Productions with Provident Films and AFFIRM Films in distribution partnership. Provident Films, a division of Provident Music Group, develops, produces and markets faith-based films. Nashville-based Provident Music Group is a division of Sony Music Entertainment. AFFIRM Films is a division of Sony Pictures Worldwide Acquisitions (SPWA), a Sony Pictures Entertainment (SPE) company, which is a subsidiary of Sony Entertainment Inc., which in turn is a subsidiary of Tokyo-based Sony Corporation.

It is also the first Kendrick brothers project shot outside their hometown of Albany, Georgia. It drew more than 1,000 volunteers from 85 churches in the Charlotte area who stepped up and reached across denominational lines to support the production. The Kendricks remain associate pastors at Sherwood Baptist Church in Albany, Georgia.

Each Kendrick brothers film explores a subject important to Christians and the Christian life: personal integrity in Flywheel; resilient faith in Facing the Giants; loving marriages in Fireproof and heroic parenting in Courageous. War Room’s focus on prayer strategically highlights a subject of interest to a majority of Americans. According to a National Opinion Research Center survey on frequency of prayer, nearly 90 per cent of Americans claim to pray regularly. Some 60 per cent say they pray at least once a day – for Christians, that number grows to 84 per cent, according to a U.S. News and Beliefnet online poll. Almost 80 per cent of American Christians say they pray most often at home.

One of the most frequently asked questions that filmmakers ask about the festival, according to the online FAQ on Winnipeg Real to Reel Film Festival’s website is: “Does my movie have to be a Christian movie?”

The answer is, “No. While there are varying definitions of ‘Christian’ movies, WR2R is interested in both Christian movies and also movies that are not expressly Christian but feature challenging, encouraging themes that highlight interesting stories.”

The festival is a mix of larger budget films from some of the bigger American players in the Christian movie-making genre – such as Pure Flix Entertainment, Sherwood Pictures, Kendrick Brothers Productions and Provident Films – and local made-in-Manitoba efforts, including Winnipeg teenager Joshua Hood’s six-episode Shaw Cable TV-produced television project called Millworth, which takes a look at life inside Winnipeg’s worst fictional high school, and is entered in the Short Films 2 category screening Saturday at 6 p.m. and again Sunday at 1:30 p.m. with the filmmakers present.

Boge’s FireGate Films made the 2006 feature-length movie Among Thieves, with Boge writing, directing and producing the film, which explores the possibility the end is in sight for the United States dollar as the world’s reserve currency, as Gulf Arab countries including Saudi Arabia, Abu Dhabi, Kuwait and Qatar have contemplated ending dollar dealings for oil and moving to a basket of currencies including the euro and Chinese yuan or renminbi. The last Middle East oil producer to sell its oil in euros rather than U.S. dollars was Saddam Hussein’s Iraq in 1990.

Perhaps at least partially as a result of making Among Thieves, Boge has an interest in young filmmakers, who may be long on promise but short on cash. The festival FAQ notes: “My film is low budget. Do I stand a chance?”

The reply: “YES!!! Story trumps budget. If you have a great story but not a lot of cash you will be considered for the festival.”

Among the documentaries airing is Mully, directed by Austin, Texas-born director, playwright and actor Scott Haze. Mully premiered at the Austin Film Festival last November.

Charles Mulli was a poor abandoned six-year-old Kenyan boy who grew up to become successful, powerful and very rich, but decided to sell all he had to rescue street children whose condition reflected his own childhood. Saving one child has turned into rescuing thousands for Mulli.

The story has remained near and dear to Boge’s own heart.  He has travelled to Kenya and done volunteer teaching with Mulli’s organization and written two books about his African experiences: Father to the Fatherless: The Charles Mulli Story; Hope for the Hopeless: The Charles Mulli Mission; and most recently, The Biggest Family in the World, chronicling the life of Charles Mulli in an illustrated children’s book and published in December 2014. Faye Hall, administrative assistant for Winnipeg Juno-winning singer-songwriter Steve Bell’s Signpost Music and IncarNATION Ministries, spent two years creating 32 paintings that capture Mulli’s life for Boge’s The Biggest Family in the World.

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True stories: Pastor Ted Goossen’s behind the scenes contributions to the long-running Nickel Belt News’ ‘Spiritual Thoughts’ column

Ted and Mary Goossen, U-Haul truck packed, decamped from Thompson, Manitoba yesterday to begin their new and richly-deserved retirement in Saskatoon closer to their children and grandchildren.

Fortuitously, their home on Riverside Drive, after many months on the market, sold over their last weekend here, with the realtor informing them just before Ted arrived at Christian Centre Fellowship Sunday morning to preach his last sermon as pastor there for the last decade.

Ted’s younger brother, Gareth Goossen, who is also a pastor and lives in Breslau in southwestern Ontario, aptly observed in a Facebook posting: “Awesome! Praise the Lord! I continually am amazed at how Jesus answers our prayers at the last possible moment!!!”

I first got to know Ted in 2008, a few months after I arrived in Thompson to edit the Thompson Citizen and Nickel Belt News. We were kicking around the idea of adding some fresh columns and columnists and one of the ideas that was floated during the summer of 2008 was to have some sort of religion column.

Some of the initial discussion I had, mainly via e-mail, was with Rev. Leslie-Elizabeth King, who retired in May 2014 as minister of the Lutheran-United Church of Thompson on Caribou Drive, but at the time was pastor of St. John’s United Church, before the neighbouring congregations of Advent Lutheran and St. John’s United formally joined together in 2013, after starting a dialogue about their respective futures in 2008.

The old Advent Lutheran Church building was demolished last fall and is the future site of what will be the second Thompson Gas Bar Co-operative store in town.

King had also pastored St. Simon’s Anglican Church in Lynn Lake, a shared ecumenical ministry of the United and Anglican churches, having travelled to St. Simon six times a year since 1998 to administer the sacraments, so she had some broad and candid insights into how religion was done in Northern Manitoba.

Bea Shantz was also originally involved in some of those preliminary discussions I had in the summer and fall of 2008. Shantz was a member of Thompson United Mennonite Church until it closed in July 2006. One of the first churches in Thompson, the Thompson United Mennonite Church formed in 1961. The congregation called its first pastor, John Harder, and built its house of worship at 365 Thompson Dr. in 1963. The Thompson Boys and Girls Club eventually bought the former church.

After it closed, Shantz went to St. John’s United Church and the Lutheran-United Church of Thompson, with the merger of the two churches.

Shantz, originally from southwestern Ontario, lived in Thompson for more than 30 years before she, and her husband, Dale, moved to Winnipeg in June. Shantz was well-known for being an active volunteer in numerous areas, but especially in more recent years with Thompson’s Communities in Bloom committee, as well as the annual Ten Thousand Villages sale of fair trade products from developing countries held every November. She received the 2013 Volunteer of the Year award from the City of Thompson and  YWCA of Thompson Women of Distinction award last April.

But in December 2008, it would be Pastor Ted Goossen, who was still pretty much unknown to me, whose name would surface as the co-ordinator of what was to be a new “Spiritual Thoughts” column, which with the exception of one hiatus of a few months after running for several years, has run and continues to run in the Nickel Belt News for going on seven years now.

While the column belongs to the paper, the co-ordination of getting authors to write for it on an almost weekly basis, was delegated from the beginning, under my tenure anyway, to the Thompson Christian Council, and from 2008 until at least my departure in 2014, and from what I’ve been told, beyond, to Pastor Ted Goossen, whose Christian Centre Fellowship is a member of the council.

While most of the columnists in the rotation have overwhelmingly been local clergy who are members of the council over the years, not all have. Pastors whose churches are not members of the Thompson Christian Council, lay people, and on occasion non-Christian perspectives and writers, have also appeared in the column space from time-to-time, a plurality of views I insisted on. For their part, in my experience the Thompson Christian Council always graciously respected the fact while the “Spiritual Thoughts” column was a useful vehicle for evangelizing, at the end of the day it was not theirs, and in some cases not reflective of their views collectively or individually.

More than once, as Ted tried to put together six-month writing rosters for the “Spiritual Thoughts” column in those early days, I would quip to him, often in an e-mail, that organizing such a roster must be something like “herding cats.” While Sunday (or Saturday for Seventh-day Adventists) preaching may the most visible part of what most pastors do, there’s also plenty to do on the other days of the week, such as visiting the sick and burying the dead, and comforting those left behind, or marriage preparation or marriage counseling. Lots to do in other words beside a writing a free column for a newspaper, as heretical as that notion may seem in some journalism circles.

It was about three months after the “Spiritual Thoughts” column started that I had my first social invitation from Ted and Mary to visit Christian Centre Fellowship for an event. Every February or March, the church holds a family enrichment weekend that usually kicks off with a banquet and featured speaker on the Friday night (occasionally the banquet has been on Saturday) and wraps up with a movie night Sunday evening. In February 2009, Jeanette and me found ourselves seated at a table with Tricia Kell, the featured speaker for the weekend, Majors Grayling and Jacqueline Crites from the Thompson Corps of the Salvation Army, a couple that I knew about as well as Ted at that time, and Ted and Mary (when Mary wasn’t working in back in the kitchen.)

Kell is the author of two books, one of which is Chain of Miracles, the 2004 story of how she said the “power and love of God can change a chain of tragedies into a chain of miraculous victories.”

The book described how “God walked her through the abusive relationship and tragic death of her first husband to the accidents that left two of her children both physically and mentally challenged – to another horrifying incident that nearly killed her current husband.”

Kell was born in Halifax and raised as a Roman Catholic. A self-described “air force brat,” she lived in both Europe and Canada growing up. Later, she said, she “developed, owned and managed a successful clothing design company along with other companies.”

She described in Chain of Miracles how her first husband, Jeffrey, with a gun in the vehicle and their three-month-old son, J.J., threw them from a car into a ditch between Ponton and Thompson.
Kell, and her current husband, Gord, live in Winnipeg with their three adult children.

Her second book, Attitude Determines Altitude, was a humorous book, she said, “still based on my everyday life but tells how I beat my fear of flying.” It was published in 2008.

The following year we received a return invitation to share dinner with Paul Boge, the Winnipeg engineer-author-filmmaker.

Boge is an award-winning author who has written The Urban Saint: The Harry Lehotsky Story; Father to the Fatherless: The Charles Mulli Story; Hope for the Hopeless: The Charles Mulli Mission; and most recently, The Biggest Family in the World, chronicling the life of Charles Mulli in an illustrated children’s book published last December.

He has also written two novels in a potential trilogy, The Chicago Healer in 2004, and The Cities of Fortune in 2006.

In 2010, Boge talked about his then recently published book, The Urban Saint: The Harry Lehotsky Story, which explored the life of old west end Winnipeg inner city pastor Harry Lehotsky, who died of pancreatic cancer in 2006 at age 49.

Boge won Word Guild’s best new Canadian author award in 2003 for his first book, The Chicago Healer, published the following year.

In addition to being an author, Boge, is a consulting mining engineer and capital project manager with the family firm Boge & Boge Consulting Engineers in Winnipeg, and no stranger to Thompson. He lived and worked here for nine months in 2003, five months in 2005 and for another 10 months in 2007, while working on three separate surface projects for Vale, and doing much of his writing in his apartment at night.

Boge is also behind FireGate Films, an independent Winnipeg company that made the 2006 feature-length movie Among Thieves, with Boge writing, directing and producing the film, which explores the possibility the end is in sight for the United States dollar as the world’s reserve currency, as Gulf Arab countries including Saudi Arabia, Abu Dhabi, Kuwait and Qatar have contemplated ending dollar dealings for oil and moving to a basket of currencies including the euro and Chinese yuan or renminbi. The last Middle East oil producer to sell its oil in euros rather than U.S. dollars was Saddam Hussein’s Iraq in 1990.

Boge is also the co-ordinator for the annual Winnipeg Real to Reel Film Festival at North Kildonan Mennonite Brethren Church in mid-February. He is a member of the church.

Five years later, Boge returned as the keynote speaker again this year for the  Feb. 27 to March 1 weekend, sharing about his work and how he integrates his faith into his work environment. We’ve kept in touch by e-mail here and there over the last five years and we saw him briefly in Winnipeg in February 2012 at the Real to Reel Film Festival.

Paul’s a great guy and fun to hang around with. So this year, in a bit of a break from tradition, where we had only attended the kick-off banquet or sometimes the Sunday chili dinner and movie night, Jeanette and me ventured out to Nick DiVirgilio’s NC Crossroad Lanes upstairs at his North Centre Mall on Station Road for some Saturday afternoon five-pin bowling. We wound up on a team with Paul. Never let it  be said Christians can’t be competitive.

Besides the annual family enrichment weekend, over the last seven years, I’ve dropped by the odd Sunday morning to check out a worship service, usually with Jeanette, but sometimes on my own when she’s been away at International Music Camp in  Dunedin, North Dakota. And over this past year I attended every other Saturday at 9 a.m. for their men’s fellowship breakfast, which wrapped up for the season June 13.

How I wound up going to the breakfasts was through a typical Ted invitation. Last Oct. 17, at 7:41 p.m. on a Friday evening I received an e­-mail Ted:  “We’re having men’s breakfast tomorrow 9 am @ Christian centre.

“You’re welcome to join us.

“Ted.”

Truth be told, the invitation was Mary’s idea. For these mainly, but not exclusively, Mennonite Brethren to invite a third-­degree member of Knights of Columbus Thompson Council #5961 from St. Lawrence Roman Catholic Church parish here to break bread with them struck me somewhat irreverently perhaps as in keeping with Jesus telling Zacchaeus the tax collector he was coming over for dinner. It also struck me as the kind of invitation my current supreme pontiff, Pope Francis, wouldn’t hesitate to accept. Before I moved to Manitoba in 2007, I knew next to nothing about Mennonites. What little I knew living and working mainly in Southern Ontario was shaped by images of the Old Order Mennonites of St. Jacobs, Ontario. Or was that the Old Order Amish of Lancaster County, Pennsylvania? Who knew? While I may not have sorted it all out or ever will, I’m pretty sure the Mennonite Brethren I had breakfast with were not Old Order, although I have encountered Old Order-­like Mennonites here in Thompson (I once asked a group caroling at Christmas when I was editor of the Thompson Citizen if they would mind me taking their photograph in one of those “duh­-what­-was­-I­-thinking” moments. Their leader graciously told me while his salvation wasn’t going to depend on whether or not I took his picture, out of deference to their religious beliefs, he’d rather I didn’t.)

Now Protestant evangelicals are sola scriptura or the “People of the Book,” while Catholic theology relies on the rule of faith-based scripture, plus apostolic tradition, as manifested in the teaching authority of the magisterium of the Catholic Church. Catholics, outside of the seminary or Catholic scholarship, at the rank-­and-­file lay level in the pews, are generally not catechesized to know the Bible as well as Protestants do. That’s a plain and simple fact. So I appreciated the indulgence of my Protestant brothers during biblical discussions. I still chuckle when I recall the Saturday morning I was attempting to illustrate some point by referring to the Apostle Paul before the Areopagus, where some of the assembled said, “We shall hear you again concerning this,” but I could not quite place where it was in the Bible, and pilot Reg Willems, since decamped to Flin Flon, sitting beside me at the table, said gently, “That would be in Acts, John.”

I learned a lot through those discussions with Ted and Reg, Lloyd Penner, Jason Winship, Dustin Winker, Trevor Giesbrecht, Barry Little, Keith Hyde, Gord Unger, Ken Giesbrecht, Keith Derksen, Claude Pratte, Cohle Bergen, Peter Gosnell, Bill Lennox, Jim Cohan, Wei Wei, Adam Morin and Nick Yoner  (with Keith, Gord and Dustin usually doing the cooking). Thanks, guys.

I also learned something about accountability in friendship through Ted these past seven years, as he wouldn’t hesitate to call you on something, if need be.

Two examples from our “Spiritual Thoughts” column collaborative efforts come to mind. The first occurred near the beginning of our work together in 2009, the other near the end in 2014.

In the first case, Jordan McLellan, who was the assistant pastor at the Thompson Pentecostal Assembly, focusing on youth ministry from mid-2007 until he left for Saskatoon to take a position at Lawson Heights Pentecostal Assembly in early 2010, had missed a couple of his submissions for the column without explanation.

I recall fuming to Ted in a telephone call that if McLellan missed a third contribution in such a manner, I was going to “irrevocably” drop him from the column rotation. Perhaps it was the word irrevocably that did it, but Ted didn’t miss a beat with his response, replying that he was glad then that I wasn’t the “good Lord.” Point taken. And never forgotten.

Just over a year ago, young Richard Sheppard, group leader of the Thompson Seventh-day Adventist Congregation, asked to join the “Spiritual Thoughts” rotation. At the time, the local Seventh-day Adventists weren’t part of the Thompson Christian Council (they were admitted by a unanimous vote this past spring) but that wasn’t in itself a bar to Sheppard writing, nor was Seventh-Day Adventist theology. By virtue of their valid baptism, and their belief in Christ’s divinity and in the doctrine of the Trinity, Seventh-day Adventists are both ontologically and theologically Christians. The real problem was perceived to be Sheppard himself, who is off this fall to a Seventh-day Adventist post-secondary school in Lacombe, Alberta.

Richard is a controversialist, by design or evolution, I’m not sure which. He’s zealous. He’s in-your-face. In short, he’s everything management of the Nickel Belt News did not want to see in the pages of the paper in what had been a pretty safe and non-controversial column space.

Management was adamant. That is until Ted outflanked us from the left – for probably the first and only time in his life.

When I sent Ted an e-mail relaying the news that Sheppard wouldn’t be joining the roster, he replied with his own hard-hitting e-mail pointing out that several years earlier when we had briefly run a columnist in that space whose views were anathema to most of the clergy on the council, they had swallowed hard and realized newspapers are supposed to be about free speech.

What happened to that notion, Ted wondered?

Essentially, he accused of us pre-publication censorship and betraying our free speech principles.

What Richard needed was a good editor to work with him and perhaps tone him down a bit in places, not to spike the column entirely, Ted argued.

I shared Ted’s response with my boss, and observed how professionally embarrassing it was to be lectured on free speech and the role of a newspaper by an evangelical pastor who at that moment had truth very much on his side, and was making us look like moral cowards and far more conservative than any views he held.

Ted’s argument prevailed, and Richard Sheppard’s first “Spiritual Thoughts” column, critiquing the popular Christian movie Heaven is for Real, which in Richard’s words was “a spellbinding tale about a young toddler in a clerical family who ostensibly dies on an operating table, visits heaven and comes back with mystifying facts from ‘beyond the grave’ that his own father finds hard not to accept,” ran on June 20, 2014 in the Nickel Belt News, albeit toned down a tad from the original submission, where (and I’m paraphrasing only slightly here, I believe, from memory) Richard suggested the movie was an exercise in necromancy, not a word we saw in a lot of column submissions, and which was excised from what appeared in print – but the entire column did not need to be axed, which was part of Ted’s point.

To my knowledge the particular column generated no complaints. And last I counted, Richard had gone onto write at least five more “Spiritual Thoughts” columns for the paper.

I ran into Richard in person in early April and told him he had Ted to thank for making it into the column rotation. He seemed pleasantly surprised. Nice kid, really.

Safe travels, Ted. Manitoba’s loss is Saskatchewan’s gain.

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The indefatigable Paul Boge, a Winnipeg engineer-author-filmmaker with a heart for Kenya, back in Thompson Feb. 27

Charles Mulli, left, Paul Boge, right
Paul Boge, the Winnipeg engineer-author-filmmaker with a heart for Kenya, will make a return visit to Thompson Feb. 27 to March 1 as guest speaker at this year’s annual Thompson Christian Centre Fellowship’s Family Enrichment weekend, says Pastor Ted Goossen.

“He will speak at the Friday night banquet sharing about his work and how he integrates his faith into his work environment,” Goossen said. “Saturday morning brunch Paul will share about his newly released children’s book  – The Biggest Family in the World  – an illustrated book on the Charles Mulli orphanage in Kenya.”

Mulli was a poor abandoned six-year-old Kenyan boy who grew up to become successful, powerful and very rich, but decided to sell all he had to rescue street children whose condition reflected his own childhood. Saving one child has turned into rescuing thousands for Mulli.

Faye Hall, administrative assistant for 54-year-old Winnipeg Juno-winning singer-songwriter Steve Bell’s Signpost Music and IncarNATION Ministries, who is herself an increasingly noticed artist, spent two years creating 32 paintings that capture Mulli’s life for Boge’s The Biggest Family in the World. “She has done an indescribable work,” Boge blogged last Sept. 8.  “I could not even dream of the paintings being this good.”

Boge, 41, is an award-winning author and has also written The Urban Saint: The Harry Lehotsky Story; Father to the Fatherless: The Charles Mulli Story; Hope for the Hopeless: The Charles Mulli Mission; and most recently, The Biggest Family in the World, chronicling the life of Charles Mulli in an illustrated children’s book published last December.

He has also written two novels in a potential trilogy, The Chicago Healer in 2004, and The Cities of Fortune in 2006.

Boge was last the keynote guest speaker at Thompson Christian Centre Fellowship’s annual family enrichment weekend five years ago in 2010, when he talked about his then recently published book, The Urban Saint: The Harry Lehotsky Story, which explored the life of old west end Winnipeg inner city pastor Harry Lehotsky, who died of pancreatic cancer in 2006 at age 49.

Boge won Word Guild’s best new Canadian author award in 2003 for his first book, The Chicago Healer, published the following year.

In addition to being an author, Boge, is a consulting mining engineer and capital project manager with the family firm Boge & Boge Consulting Engineers in Winnipeg, and no stranger to Thompson. He lived and worked here for nine months in 2003, five months in 2005 and for another 10 months in 2007, while working on three separate surface projects for Vale, and doing much of his writing in his apartment at night.

Boge is also behind FireGate Films, an independent Winnipeg company that made the 2006 feature-length movie Among Thieves, with Boge writing, directing and producing the film, which explores the possibility the end is in sight for the United States dollar as the world’s reserve currency, as Gulf Arab countries including Saudi Arabia, Abu Dhabi, Kuwait and Qatar have contemplated ending dollar dealings for oil and moving to a basket of currencies including the euro and Chinese yuan or renminbi. The last Middle East oil producer to sell its oil in euros rather than U.S. dollars was Saddam Hussein’s Iraq in 1990.

Boge is also the co-ordinator for the fifth annual Winnipeg Real to Reel Film Festival at North Kildonan Mennonite Brethren Church, running this year from Feb. 17-22. He is a member of the church.

On March 1, the Sunday night wrap up for Thompson Christian Centre Fellowship’s  Family Enrichment weekend will include the traditional free chili dog supper.

Following the chili dog supper, there will be a free showing of the 2003 movie Flywheel.  Alex and Stephen Kendrick, who are both associate pastors on the staff of Sherwood Baptist Church in Albany, Georgia, conceived the idea for Flywheel in the spring of 2002 after they saw the results from Barna Research Group demonstrating empirically popular culture movies and television shows are more influential in American society than the Christian church.

Flywheel, which tells the story of a dishonest used car salesman who comes to grips with his need for God, relied on untrained actors from the Sherwood Baptist Church congregation to play all the roles, debuting as an independent film on a single Carmike Theatre screen in Albany, Georgia in April 2003 and ran for six weeks initially, often outdrawing Hollywood films on adjoining screens.

Then came Facing the Giants in 2006 and in 2008 Fireproof, made on a $500,000 budget, but generating more than $33.4 million at the box office, making it the highest-grossing independent film of the year. Their most recent film, Courageous, was released in September 2011. It was produced with a budget of $2 million and has grossed more than $34.5 million to date. Facing the Giants, which grossed more than $10 million; Fireproof, which grossed more than $33 million; and Courageous have a combined gross of nearly $80 million at the box office, with a combined budget of less than $4 million.

The Kendicks wrapped up principal photography on their fifth movie, War Room, last July in and around Charlotte, North Carolina. It is their first project independent of Sherwood Pictures, the movie ministry of Sherwood Baptist Church. It being produced  by Kendrick Brothers Productions with Provident Films and AFFIRM Films in distribution partnership. Provident Films, a division of Provident Music Group, develops, produces and markets faith-based films. Nashville-based Provident Music Group is a division of Sony Music Entertainment. AFFIRM Films is a division of Sony Pictures Worldwide Acquisitions (SPWA), a Sony Pictures Entertainment (SPE) company, which is a subsidiary of Sony Entertainment Inc., which in turn is a subsidiary of Tokyo-based Sony Corporation.

It is also the first Kendrick brothers project shot outside their hometown of Albany, Georgia. It drew more than 1,000 volunteers from 85 churches in the Charlotte area who stepped up and reached across denominational lines to support the production. Pre-production began in 2013 and the movie is in post-production currently and scheduled to be released Aug. 28. The Kendricks remain associate pastors at Sherwood Baptist Church in Albany, Georgia.

Each Kendrick brothers film explores a subject important to Christians and the Christian life: personal integrity in Flywheel; resilient faith in Facing the Giants; loving marriages in Fireproof and heroic parenting in Courageous. War Room’s focus on prayer strategically highlights a subject of interest to a majority of Americans. According to a National Opinion Research Center survey on frequency of prayer, nearly 90 per cent of Americans claim to pray regularly. Some 60 per cent say they pray at least once a day – for Christians, that number grows to 84 per cent, according to a U.S. News and Beliefnet online poll. Almost 80 per cent of American Christians say they pray most often at home.

A family-friendly drama, War Room is about learning to fight the right kinds of battles. Filled with humor, wit and heart, it follows Tony and Elizabeth Jordan, a middle-class couple, and their daughter, Danielle, as they struggle through personal, marital and spiritual issues. Their lives are forever changed after Elizabeth meets an elderly widow who helps her develop a secret prayer room in her home.

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