COVID-19 Pandemic

2020 vision: Look back and lean forward as we revisit COVID-19 and early scenes of a biological Armageddon





It was a time before social distancing, face masks and coronavirus vaccines. 

March 11, 2020 was a Wednesday. It was also the day the world changed.

On that day, a year ago today, the World Health Organization (WHO) officially declared COVID-19 a pandemic, after the novel coronavirus was detected in more than 100 countries.

That same day, the Dow Jones plummeted into bear market territory, the National Basketball Association (NBA)  abruptly halted its season, then-U.S. President Donald Trump announced a European travel ban in a national address and Tom Hanks and his wife Rita Wilson announced they had contracted the virus while filming in Australia. That was one day: March 11, 2020.

March 2020 was simply the March that never ended. Last March, the calendar may have said 31 days, but in truth it was the month without end. Never mind notions of March coming in like a lamb and going out like a lion, or vice-versa, or beware the Ides of March, that sort of thing. A year ago this month was far more terrifying, yet simultaneously, surreal than anything so pedestrian as lambs, lions and ides.

The National Center for Medical Intelligence (NCMI) at Fort Detrick, Maryland warned as far back as November 2019 that a contagion was sweeping through China’s Wuhan region, changing the patterns of life and business and posing a threat to the population. The report was the result of analysis of wire and computer intercepts, coupled with satellite images. The medical intelligence (MEDINT) cell within Canadian Forces Intelligence Command (CFINTCOM) gave a similar warning in January 2020.

As early as Jan. 23, 2020, I had written here: 

Novel Coronavirus 2019-nCoV [as it was then provisionally known], which “shows signs of being far worse than SARS-CoV, has resulted in lockdowns today in two Chinese cities, Wuhan and Huanggang. The Coronavirus Study Group (CSG) of the International Committee on Taxonomy of Viruses, which is the entity within the International Union of Microbiological Societies, founded in 1927 as the International Society for Microbiology, and responsible for developing the official classification of viruses and taxa naming (taxonomy) of the Coronaviridae family, proposed the naming convention SARS-CoV-2 for COVID-19. The World Health Organization, perhaps finding the recommended name a tad too resonant politically to SARS from the not-so-distant past, opted instead for the official name COVID-19.

“Yi Guan, a Chinese virologist, who played an important role in tracing the development of SARS-CoV, said, ‘I’ve experienced so much and I’ve never felt scared before. But this time I’m scared,’ Nathan Vanderklippe, Asia correspondent for the Globe and Mail, and Alexandra Li, in Beijing, reported today.”

A few paragraphs later, I wrote “2019-nCoV was first detected last month in Wuhan City, Hubei Province, China, and the virus did not match any other known virus. The U.S. Centers for Disease Control and Prevention describes it as ‘an emerging, rapidly evolving situation.'”

Yet that same day – Jan. 23, 2020 – the Geneva-based WHO said that “now is not the time” to call a global health emergency related to a new coronavirus that has left 17 dead and more than 500 others infected in China, according to reports from the Associated PressCTV News Channel, and other media. A “Public Health Emergency of International Concern” (PHEIC) must be an “extraordinary event” that poses a global risk and requires co-ordinated international action, according to the WHO. Global emergencies had been declared before, including for the Zika virus outbreak in the Americas, the swine flu and polio.

That decision would be revisited just a week later on Jan. 30, 2020, when, following the recommendations of its emergency committee, WHO Director General Tedros Adhanom Ghebreyesus declared that the novel coronavirus outbreak constituted a Public Health Emergency of International Concern (PHEIC).

Less than six weeks later, the WHO said a Public Health Emergency of International Concern was now a global pandemic.

The day before COVID-19 was declared a global pandemic, the New York State National Guard were  deployed to the New York City suburb of New Rochelle in Westchester County to enforce a COVID-19 containment area comprising a circle with a radius of about one mile.

In Italy, scenes from the new contagion were apocalyptic by mid-March of last year. “Unfortunately we can’t contain the situation in Lombardy,” said Daniela Confalonieri, a nurse at a hospital in Milan “There’s a high level of contagion and we’re not even counting the dead any more,” she said.

Underscoring the scale of the drama, soldiers transported bodies overnight March 18 and 19, 2020 from the northern town of Bergamo, northeast of Milan, whose cemetery has been overwhelmed.

An army spokesman said 15 trucks and 50 soldiers had been deployed to move coffins to neighbouring provinces. Earlier local authorities had appealed for help with cremations as their own crematorium could not cope with the huge workload.

One of the most chilling things on this side of the Atlantic, and there have been many, that I’ve heard to date during the COVID-19 pandemic, was this audio clip posted on Twitter last March 21. I heard this brief 30-second clip on Twitter March 24, 2020, the day after the “surge” hit New York City. Tim Mak is National Public Radio (NPR’s) Washington investigative correspondent – and an emergency medical technician (EMT), which is how he got the message. Aside from the subject matter, there is something eerie about that electronically-generated voice on the automated message that went out, with this message:

“This an emergency message. This is a priority request for D.C. MRC volunteers (District of Columbia (DC) Medical Reserve Corps (DC MRC)…” (https://twitter.com/i/status/1241471610395267084)

The District of Columbia (DC) Medical Reserve Corps (DC MRC) supports the DC Department of Health (DC Health) in its role as lead for public health and medical emergency preparedness, response and recovery by recruiting, training, and deploying medical and non-medical volunteers to assist with planned events and emergencies.

Last March 30, I wrote on Facebook: “Consider this. Ordered earlier this month to “lean forward,” a military term familiar to those who serve in the United States Navy, meaning the willingness to be aggressive, to take risks, the U.S.Navy hospital ship USNS Comfort (T-AH-20), homeported at Naval Station Norfolk, Virginia, sailed from port up the Atlantic seaboard Saturday and arrived in New York Harbor this morning.

“The Comfort will provide relief for New York hospitals by taking on non-COVID-19 cases and allowing the hospitals to focus on the most critical patients suffering from the virus.

“Picture this.

“What those sailors, military doctors and nurses, officers, enlisted personnel and civilians aboard the USNS Comfort (T-AH-20) must have been thinking as they answered the call of duty and sailed north into a Biological Armageddon.”

The following day, on March 31, 2020, I posted again on Facebook, “Waking up every morning in March 2020: ‘Red alert. All hands stand to battle stations’” (https://www.youtube.com/watch?v=wV30YwXaKJg).

Since Feb. 6, 2020, COVID-19 has killed more than 530,000 people in the United States, more than influenza has in the last five years, notes the Johns Hopkins Bloomberg School of Public Health.in Baltimore. COVID-19 has a higher severe disease and mortality rate than influenza in all age groups, except perhaps children under the age of 12. “Influenza is a significant burden on the population, but COVID-19 has had a vastly larger effect,” Johns Hopkins says.


You can also follow me on Twitter at: https://twitter.com/jwbarker22


 

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Pandemics

The fire this time? Pandemic prose, and waiting and watching for the ‘big one’

The fire this time?

Next time?

Are we just waiting and watching for the “big one,” knowing it is just a matter of time, or as a headline on Laurie Garrett’s story in Foreign Policy put it so succinctly last September: “The World Knows an Apocalyptic Pandemic Is Coming.”

Garrett, a former senior fellow for global health at the Council on Foreign Relations, Pulitzer Prize winning science writer, and author of the landmark 1994 book, The Coming Plague: Newly Emerging Diseases in a World Out of Balance, argued some 26 years ago now that human disruption of the global environment, coupled with behaviours that readily spread microbes between people and from animals to humans, guaranteed a global surge in epidemics, even an enormous pandemic.

How quickly we could we make a trip back to a modern-day equivalent to the Dark Ages of the 5th to 11th centuries?

Mathematician and complexity scientist John Casti’s 2012 book, X-Events: The Collapse of Everything looked at scientific modelling and prediction computer simulation as to how social “mood” can affect future trends and extreme events, sounds a clarion warning as to how easy it would be to slip suddenly into a new Dark Ages, and how the global food supply system could collapse (https://soundingsjohnbarker.wordpress.com/2015/12/12/what-if-the-22nd-century-means-staying-at-home-with-long-distance-travel-a-thing-of-the-past/). Or the “digital darkness” that would come from a widespread and prolonged failure of the internet. Or what a continent-wide electromagnetic pulse (EMG) would do to electronics, and how we may have reached peak oil in 2000, and how any of those scenarios leave us vulnerable in overly complex technological societies to an “X-event” that would send us back to a pre-modern world – and again, a world without air or other long-distance travel – virtually overnight.

New York City writer Emily St. John Mandel’s post-apocalyptic Station Eleven, her fourth novel, published in 2014, is centred around the fictional but not so implausible in the-world-after-Severe acute respiratory syndrome (SARS-CoV) in 2003, and the novel influenza A (H1N1) pandemic of 2009. “Georgia Flu,” is a flu pandemic so lethal, named after the former Soviet republic, that within weeks, most of the world’s population has been killed.

Station Eleven, which was a finalist for a National Book Award and the PEN/Faulkner Award, won the 2015 Arthur C. Clarke Award for best science fiction novel of the year for the British Columbia-born writer. It all begins when the character of 51-year-old Arthur Leander has a fatal heart attack while on stage performing the role of King Lear at Toronto’s Elgin Theatre.

As the novel picks up some 20 years later, “there is no more Toronto,” Sigrid Nunezsept noted in the Sept. 12, 2104 New York Times book review “Shakespeare for Survivors.” In fact, “There is no Canada, no United States. All countries and borders have vanished. There remain only scattered small towns.”

Airplanes are permanently grounded and used as cold storage facilities. There are no hospitals or clinics.

But there is the “Travelling Symphony” made up of “20 or so musicians and actors in horse-drawn wagons who roam from town-to-town in an area around the shores of Lakes Huron and Michigan,” Nunezsept writes. “At each stop the Symphony entertains the public with concerts and theatrical performances – mostly Shakespeare because, as the troupe has learned, this is what audiences prefer.”

Sadly, novel influenzas, unidentified forms of pneumonia, and other respiratory illnesses, incubating in the reservoir of wet markets, live poultry markets and farms in cities in both mainland China and Hong Kong is not a new story, but rather one that dates back at least to May 1997. The relevant questions are always the same, including how bad is it and when will we know that truth?

The Huanan Seafood Market in  Wuhan is where Chinese officials believe the latest coronavirus outbreak may have originated in a wild animal sold at the food emporium, which sold live foxes, crocodiles, wolf puppies, giant salamanders, snakes, rats, peacocks, porcupines, koalas and game meats, the Daily Mail and South China Morning Post report. The market has since been closed and has been labelled ‘ground zero’ by local authorities.

We now also have time-lapse tracking of the transmission and evolution of Influenza A (H7N9), the most deadly flu on Earth, which has been circulating in China for the last five years or so. It has a mortality rate of 40 per cent, making it about 200 times more deadly than this season’s Influenza A (H3N2) flu virus circulating in Canada is expected to be. Nextstrain is an open-source project to harness the scientific and public health potential of pathogen genome data (https://nextstrain.org/flu/avian/h7n9/ha?dmax=2019-04-06&dmin=2012-03-23&fbclid=IwAR0uzebD_Fpv1UGNP3tybCf8txl3m1dpm8O7CqOkhhnXmfdQILbtQszb-bA&l=radial)

Not all pandemic news is necessarily bad news, at least in retrospect historically speaking, some academics have suggested in recent years.

In May 2014, a study in PLOS ONE, an international peer-reviewed journal, located in Levi’s Plaza (as in Levi Strauss & Co. jeans) in San Francisco, and authored by University of South Carolina anthropologist Sharon DeWitte, suggested that people who survived the medieval plague, commonly known then, as the Black Death, lived significantly longer and were healthier than people who lived before the epidemic struck in 1347. The Black Death killed tens of millions of people, an estimated 30 to 50 per cent of the European population, over just four years between 1347 and 1351, which, it turns out, may not have been such a bad thing after all (https://soundingsjohnbarker.wordpress.com/2014/09/03/black-death-not-so-bad/).

“The Black Death Actually Improved Public Health,” read the headline at the Smithsonian, the official journal published by the Smithsonian Institution in Washington, D.C. When it comes to science, you don’t get much more prestigious than the Smithsonian. On the more populist end of the online spectrum, AOL Inc., based in nearby Dulles, Virginia, went with “Black Death may have improved European health” on its AOL.com website.

DeWitte’s study of the Black Death suggested it was not an indiscriminate killer, but instead targeted frail people of all ages and that survivors experienced improvements in health and longevity, with many people afterwards living to ages of 70 or 80 years old. While improvements in survival post-Black Death didn’t necessarily equate to good health over a lifespan, it did demonstrate a hardiness to endure disease, either directly or indirectly, powerfully shaped mortality patterns for generations after the epidemic ended, she argues.

The skeletal samples for DeWitte’s study came from medieval London cemeteries and are curated at the Museum of London Centre for Human Bioarchaeology.

The pre-Black Death samples came from St. Mary Spital, Guildhall Yard and St. Nicholas Shambles, dating to the 11th and 12th centuries, based on stratigraphic and documentary data and artifacts. The post-Black Death samples came from the cemetery associated with the Cistercian Abbey of St. Mary Graces, which was established in London in 1350, as the Black Death was about to end, and it was in use until the Protestant Reformation in 1538.

As it happens, I find the particular subject of La moria grandissima fascinating. Way back on July 14, 2008, I fired off an e-mail to Sheena Spear at the Thompson Public Library, trying to borrow a copy of John Hatcher’s The Black Death: An Intimate History of the Plague on inter-library loan. Alas, as it had just been published a month earlier in June 2008, that wasn’t happening.

But on Oct. 13, 2011, Megan O’Brien was able to tell me she could bring in on inter-library loan a copy of The Great Mortality: An Intimate History of the Black Death, the Most Devastating Plague Of All Time by John Kelly, published in 2005. Good enough.

The Black Death swept across Europe, killing a third of the population. As Kelly, and others have pointed out, it proved a major challenge to the Church, striking down both believers and non-believers alike, testing religious faith. If anything priests were at higher risk than most, as they were called onto minister to those gravely ill.

Infected rats aboard Genoese sailing ships piloted by Italian sailors, returning from the Far East and docking in Sicily, carried fleas that spread the disease when they bit humans. Think Ground Zero.

The plague is caused by the bacterium Yersinia pestis. Pneumonic plague is characterized by lung infection and spitting blood and occurs when Y. pestis infects the lungs. This type of airborne plague can spread from person-to-person through the air. Transmission can take place if someone breathes in aerosolized bacteria.

Bubonic plague is characterized by swollen lymph glands, known as buboes, a type of boil, and is the most common form of plague. It occurs when an infected flea bites a person or when materials contaminated with Y. pestis enter through a break in a person’s skin. Patients develop swollen, tender lymph glands, called buboes, and fever, headache, chills, and weakness. Bubonic plague does not spread from person to person.

A third type of plague, septicemic plague occurs when plague bacteria multiply in the blood. It does not spread from person-to-person.

Novel influenza A(H1N1) hit parts of Northern Manitoba hard in 2009, especially south of Thompson, in places like the Island Lake First Nations of Wasagamack, St. Theresa Point, Red Sucker Lake and Garden Hill.

The novel H1N1 influenza pandemic, which started in Mexico in March 2009, albeit with relatively mild symptoms in most cases, was the first pandemic since the Hong Kong Flu of 1968. It originated in Guangdong Province in southeast China, but the first record of the outbreak was in Hong Kong on July 13, 1968.

By the end of July, extensive outbreaks were reported in Vietnam and Singapore. By September 1968, Hong Kong Flu reached India, Philippines, northern Australia and Europe. That same month, the virus entered California via returning Vietnam War troops but did not become widespread in North America until December 1968.

A vaccine became available in 1969 one month after the Hong Kong flu pandemic peaked in North America. About a million people died worldwide in what are described as “excess” death beyond what be expected in a normal flu season, but still only half the mortality rate of the Asian flu a decade earlier. H1N1 swine flu is the first worldwide influenza pandemic since the Hong Flu of 1968-69.

A decade earlier, the Asian Flu pandemic of 1957 was an outbreak of avian-origin H2N2 influenza that originated in China in early 1956 and lasted until 1958. It originated from mutation in wild ducks combining with a pre-existing human strain. The virus was first identified in Guizhou and spread to Singapore in February 1957, reaching Hong Kong by April and the United States and Canada by June 1957. Estimates of worldwide deaths caused by the Asian Flu pandemic vary, but the World Health Organization believes it is about two million.

The Asian Flu strain later mutated through antigenic drift into H3N2, resulting in the milder Hong Kong Flu pandemic of 1968 and 1969.

Three subtypes of haemagglutinin (H1, H2 and H3) and two subtypes of neuraminidase (N1 and N2) are recognized among influenza A viruses that have caused widespread human disease, says the Public Health Agency of Canada. “Since 1977 the human H3N2 and human H1N1 influenza A subtypes have contributed to influenza illness to varying degrees each year.”

Influenza B viruses have evolved into two antigenically distinct lineages since the mid-1980s, represented by B/Yamagata/16/88-like and B/Victoria/2/87-like viruses. Viruses of the B/Yamagata lineage accounted for the majority of isolates in most countries between 1990 and 2001. Viruses belonging to the B/Victoria lineage were not identified outside of Asia between 1991 and 2001, but in March 2001 they re-emerged for the first time in a decade in North America. Since then, viruses from both the B/Yamagata and B/Victoria lineages have variously contributed to influenza illness each year.

In Canada, the Public Health Agency of Canada (PHAC) reports:

  • Influenza A(H3N2), A(H1N1) and B continue to co-circulate;
  • Influenza A remains the predominant circulating type and influenza B continues to circulate at higher levels than usual;
  • A(H1N1) and A(H3N2) are circulating in almost equal proportions. For the season to date, there is a slight majority (53 per cent) of A(H1N1), due to an increase in detections in recent weeks;
  • The highest cumulative hospitalization rates are among children under five years of age and adults 65 years of age and older.

Although influenza A remains the predominant laboratory-confirmed circulating type, influenza B continues to circulate at higher levels than usual. In addition, while A(H3N2) remains the predominant subtype for the season to date, the proportion of A(H1N1) appears to be increasing.

Differences in the predominant circulating type/subtype by age-group are observed. The majority (90 per cent) of sentinel site hospitalizations among adults are associated with influenza A, while pediatric sentinel hospitalizations are a mix of influenza A (46 per cent and B (54 per cent).

Influenza A viruses are classified into subtypes based on two surface proteins: haemagglutinin (HA) and neuraminidase (NA).

Of these, the influenza A viruses that have caused widespread human disease over the decades are:

Three subtypes of HA (H1, H2 and H3)

Two subtypes of NA (N1 and N2)

Influenza B has evolved into two lineages:

B/Yamagata/16/88-like viruses

B/Victoria/2/87-like viruses

Over time, antigenic variation (antigenic drift) of strains occurs within an influenza A subtype or B lineage. The ever-present possibility of antigenic drift requires seasonal influenza vaccines to be reformulated annually. Antigenic drift may occur in one or more influenza virus strains.

The global mortality rate from the 1918/1919 “Spanish Flu” pandemic is not known, but it is estimated that 10 to 20 per cent of those who were infected died.

2019-nCoV is a novel coronavirus, the first such outbreak in eight years.

Middle East Respiratory Syndrome (MERS-CoV), was first reported in Saudi Arabia, but later retrospectively identified and traced to the first known index case of MERS-CoV having occurred on the Arabian Peninsula in Jordan in April 2012; most people infected developed severe respiratory illness, including fever, cough, and shortness of breath. About three or four of every 10 patients reported with MERS-CoV died, a 30 to 40 per cent mortality rate.

Almost 10 years earlier, in November 2002, the first known case of an atypical pneumonia, later identified as Severe acute respiratory syndrome (SARS–CoV) occurred in Foshan City, Guangdong Province, China. According to the World Health Organization (WHO), a total of 8,098 people worldwide became sick with SARS during the 2002-2003 outbreak. Of these, 774 died. Since 2004, there have not been any known cases of SARS reported anywhere in the world, but on Oct. 5, 2012, the Federal Select Agent Program, a national registry program jointly comprised of the U.S. Centers for Disease Control and Prevention/Division of Select Agents and Toxins, and the Animal and Plant Health Inspection Service/Agriculture Select Agent Services, published a final rule declaring SARS coronavirus a select agent. A select agent is a bacterium, virus or toxin that has the potential to pose a severe threat to public health and safety. The program oversees the possession, use and transfer of biological select agents and toxins, which have the potential to pose a severe threat to public, animal or plant health or to animal or plant products.

2019-nCoV, which shows signs of being far worse than SARS-CoV, has resulted in lockdowns today in two Chinese cities, Wuhan and Huanggang.

Yi Guan, a Chinese virologist, who played an important role in tracing the development of SARS-CoV, said, “I’ve experienced so much and I’ve never felt scared before. But this time I’m scared,” Nathan Vanderklippe, Asia correspondent for the Globe and Mail, and Alexandra Li, in Beijing, reported today.

“’Conservative estimates suggest that the scale of infection may eventually be 10 times higher than SARS,’ said Dr. Guan, director of the State Key Laboratory of Emerging Infectious Diseases at the University of Hong Kong, told China’s Caixin media group on Thursday,” the Toronto-based paper reported. Dr. Guan spent two days in Wuhan this week.

2019-nCoV was first detected last month in Wuhan City, Hubei Province, China, and the virus did not match any other known virus. The U.S. Centers for Disease Control and Prevention describes it as “an emerging, rapidly evolving situation.” Elizabeth Cohen, CNN’s senior medical correspondent, reports that a single patient, what’s called a “super spreader” or “super shredder,” has infected 14 health care workers (https://www.cnn.com/2020/01/23/health/wuhan-virus-super-spreader/index.html?).

The Geneva-based World Health Organization said earlier today that “now is not the time” to call a global health emergency related to a new coronavirus that has left 17 dead and more than 500 others infected in China, according to reports from the Associated Press, CTV News Channel, and other media.

The World Health Organization made the announcement in Geneva at a press conference after the second meeting this week of a WHO emergency advisory committee on the new virus.

It was “a bit too early to consider that this event is a public health emergency of international concern,” said Didier Houssin, the chair of the emergency advisory committee, noting that there remained strong divisions during discussions.

“The emergency committee members were very divided, almost 50-50,” he said. Some felt the severity of the disease and increase in cases warranted a global health emergency, he added.

“Several others say that it is too early because of limited number of cases abroad and also considering the efforts which are presently made by Chinese authorities in order to try to contain the disease,” he continued. “Declaring a public health emergency of international concern is an important step in the history of an epidemic.”

A “public health emergency of international concern” (PHEIC) must be an “extraordinary event” that poses a global risk and requires co-ordinated international action, according to WHO. Global emergencies have been declared before, including for the Zika virus outbreak in the Americas, the swine flu and polio.

Key to the announcement were recent extraordinary precautions already in place around China. Beijing announced it would cancel public celebrations of Lunar New Year, which is typically one of the busiest travel seasons of the year.

“They’re making a very concerted effort in China to try and contain things. We’re making efforts worldwide. That’s the most important thing,” said Susy Hota, the medical director of Infection Prevention and Control at the University Health Network in Toronto, on CTV News Channel. The committee was likely attempting to strike a “balance” to avoid negative consequences, Hota added.

Global health emergencies often prompt foreign governments to restrict travel and trade to affected countries. In 2003, WHO issued travel warnings for Toronto during the outbreak of severe acute respiratory syndrome (SARS), which impacted the Greater Toronto Area economy at the time. Hotels in the area lost $39 million in revenue in one month, according to the Canadian Tourism Commission.

“It would be very similar for China,” said infectious disease physician Michael Gardam on CTV’s Your Morning. “People would definitely avoid the country.”

There are still a number of “unknowns” to be probed, the WHO said at the Thursday press conference, including the possible animal source of the virus, its mode of transmission and the quality of containment measures.

The WHO announcement was encouraging for Neil Rau, an infectious disease specialist and assistant professor at the University of Toronto.

“If they had said it was an emergency, it would mean they were more concerned,” he said, adding that the announcement underscored the fact that the committee still needs more information on two key things:

First, how deadly is the virus? “What percentage of people who get this infection actually die from it? Based on my calculations it looks like it’s only about two per cent.”

Second, how contagious is the virus? “It’s looking right now that there are no chains of transmission beyond what we call a secondary chain,” he said. “In other words, a person has it, then a person in close contact with them gets it, but it doesn’t keep transmitting person-to-person after that.”

The committee added Thursday that they would be prepared to convene again “as soon as necessary” as more information emerges.

A global health emergency likely would not have changed much in Canada, according to Gardam, much in thanks to 17 years of preparation for another outbreak after SARS.

“We learned a lot from SARS. We also went through the H1N1 pandemic in 2009. So there’s been a lot of preparation done quietly in the background,” he said.

In Canada, travellers from Wuhan are screened, others are put in isolation who have symptoms, and hospitals have stockpiled necessary equipment for an outbreak. Those procedures would continue, said Gardam. It’s possible that a broader screening process to include travellers from Beijing or China in general may be implemented, he added. But that is less about the declaration from WHO, and more about where the virus is linked to in China.

“We may start to broaden our screening criteria. As we do that, we’re going to start screening a lot more people,” he said.

On the ground, that process would have a major impact for health care workers. “That’s going to be quite disruptive for the running of our hospitals,” he said. “We’re already pretty full dealing with all the other respiratory viruses.”

You can also follow me on Twitter at: https://twitter.com/jwbarker22

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Christianity, Movies, Popular Culture and Ideas

The Devil, Prince of this World, is not surprisingly about to get his pop culture due on Fox Television as Lucifer Morningstar, recently retired as Lord of Hell and running a piano bar in Los Angeles, the City of Angels

lucAWalkTo

Some movie film buffs are attracted to 1940’s and 1950’s Hollywood film noir, the stylish but low-key black-and-white German expressionist influenced flicks that emphasize cynicism and sex as motivations for murder and other deadly sins (not necessarily in that order). Think Howard Hawks’ The Big Sleep in 1946, with Lauren Bacall and Humphrey Bogart, based on Raymond Chandler’s 1939 novel of the same name. Or perhaps the 1950 classic, D.O.A., starring Edmond O’Brien and Pamela Britton.

Both are fine films, as are many others of the genre. But I wouldn’t say I am quite an aficionado of film noir. Rather, I appreciate it on its artistic merits.

The same is true for TV series science fiction or sci-fi. While I am a sucker for a good story with elements of time travel or parallel universes (“The City on the Edge of Forever,” the second to last episode of the first season of Star Trek, first broadcast on Thursday, April 6, 1967, which was awarded the 1968 Hugo Award for Best Dramatic Presentation, remains in a league of its own in my mind), I’m not  quite a diehard Trekkie, although I think the original series, which ran on NBC Television for three seasons from 1966 to 1969 is superb, albeit cheesy. But cheesy is OK. Popular culture is made up of a rich cornucopia of cheesy television and movies that almost require a mandatory bowl of Cheetos® to consume such classics as the black-and-white a double-bill of The Brain That Wouldn’t Die, also known as The Head That Wouldn’t Die, a 1959 science-fiction-horror film, directed by Joseph Green (made for $62,000 but not released until 1962), and Plan 9 from Outer Space, the 1959 American science-fiction thriller film, written and directed by Ed Wood on a $60,000 budget, and dubbed by some critics as the worst movie ever made.

While it took me a while to warm up to it, I also came to like Star Trek: The Next Generation, which aired from 1987 to 1994. I’ve also seen most, although probably not all, of the movies from the seemingly endless Star Trek-spawned movie franchise.

Three additional Star Trek spin-offs, Star Trek: Deep Space Nine, Star Trek: Voyager, and Star Trek: Enterprise; well, I could probably count on the fingers of one hand how many episodes of the combined series I’ve ever watched, although knowing Star Trek: Enterprise, which aired originally between 2001 and 2005 and was titled simply as Enterprise for its first two seasons, features Scott Bakula of Quantum Leap fame as Capt. Jonathan Archer, and there is a recurring plot device based on the Temporal Cold War, in which a mysterious entity from the 27th century uses the Cabal, a group of genetically upgraded Suliban, to manipulate the timeline and change past events, I probably will have to give in and start watching its 98 episodes at some point.

Then there is the Christian movie genre. We discover things where we discover them. While I had seen The Rapture, a rather odd but interesting movie starring Mimi Rogers and David Duchovny, later of The X-Files and Californication fame, on VHS videotape cassette in Durham, North Carolina shortly after it was released in 1991, for me, my first real introduction into what I would call the Christian movie genre took place a decade later in Yellowknife, of all places (when I lived in Yellowknife a standard observation was that there were more bars than churches, although that’s hardly unique to Yk).

I remember seeing A Walk to Remember, an American coming-of-age teen romantic drama, when it was released in 2002 downtown at the Capitol Theatre on 52 Street, starring Shane West and Mandy Moore as Landon Carter and Jamie Sullivan, based on the 1999 novel of the same name by the Catholic romance fiction writer Nicholas Sparks. That would be the Nicholas Sparks whose earlier 1996 book, The Notebook, was released as a movie of the same name in 2004, two years after A Walk to Remember came to film screens. I can’t recall exactly how I came to find myself in the Capitol Theatre to watch A Walk to Remember. I don’t recall any of my colleagues going with me, although more than one expressed incredulity the next day when they asked me and I said I enjoyed the movie. I saw it again a couple of years ago for the first time on DVD, and I still enjoyed it.

I won’t spoil the plot for you; the summary is on the Internet and easy enough to find and the ideas, to be honest, are not exactly original. Cheesy? You bet. Pass the Cheetos®. But I’m happy to say the movie was made for about $11 million and has taken in about $47.5 million at the box office. Not a particularly big budget film and far from record box office, but OK.

I wrote a piece here in soundingsjohnbarker (https://soundingsjohnbarker.wordpress.com/2014/09/15/flying-largely-under-the-mainstream-cinematic-radar-christian-movie-genre-is-hot/) last Sept. 15 headlined, “Flying largely under the mainstream cinematic radar: Christian movie genre is ‘hot’” where I mentioned just a few of last year’s Christian movie offerings, including The Giver, starring three-time Academy award winner Meryl Streep and Jeff Bridges, which is set in a fictional post-war 2048 where the community has decided to get rid of colors and, as a consequence, different races and feelings. All citizens have had the memories from before erased from their minds.

I also talked a bit about Heaven Is for Real, directed by Randall Wallace and written by Christopher Parker, based on Pastor Todd Burpo and Lynn Vincent’s 2010 book of the same name, and starring Greg Kinnear, Kelly Reilly, Jacob Vargas and Nancy Sorel, which tells the story of  three-year-old Imperial, Nebraska, native Colton Burpo, the son of Pastor Burpo, and what he says he experienced heaven during emergency surgery; and When the Game Stands Tall, starring Jim Caviezel, best known for portraying Jesus in Mel Gibson’s blockbuster 2004 film The Passion of the Christ, now playing Catholic De La Salle High School Spartans’ football coach Bob Ladouceur (with Laura Dern as his wife, Bev Ladouceur), and telling the story of the record-setting 151-game 1992–2003 winning streak by De La Salle of Concord, California, just east of San Francisco. The movie is an adaptation of the 2003 book of the same name by Neil Hayes, then a columnist with the Contra Costa Times.  The movie was filmed in Louisiana.

As well, I mentioned Tim Chey’s movie, Final: The Rapture, released in 2013 in theatres, but on DVD just last November, starring Jah Shams, Mary Grace, Carman, Masashi Nagadoi and Dave Edwards. While there have been generally cheesy church-sponsored, Halloween “Hell Houses” videos in the past, Final: The Rapture is an unusual sub-genre of Christian horror movie or Christian disaster movie. The movie’s poster promise, “When the Rapture strikes … all of hell will break loose.”

Chey said his purpose is “to scare the living daylights out of nonbelievers … If it means I have to make a horror film to make it realistic to win people to Christ, then so be it.”

Online Maranatha News of Toronto calls Final: The Rapture “the scariest Christian movie ever.”

Final: The Rapture depicts the apocalyptic chaos that ensues for four nonbelievers – an African-American, an Asian, a Hispanic and a Caucasian man living in Los Angeles, Tokyo, Buenos Aires and on a South Pacific island, after the Rapture occurs. “In Los Angeles, Colin Nelson desperately attempts to flee to Bora Bora. Keenly aware that he’s in the Tribulation period, his only hope is in a mysterious man. In Tokyo, a journalist, Masashi, tries to unravel the disappearance of millions of people as the government closes in on him. In Buenos Aires, Marie searches for her final relative as time runs out. And on a deserted island in the South Pacific, Tom Wiseman, an avowed atheist, attempts to be rescued after his plane goes down.”

The film was shot in six countries over five months for about $7 million, Final: The Rapture, raised the necessary production money across a spectrum of investors, ranging from faith-based to hedge funds.

Just in passing, I wrote about God’s Not Dead with Kevin Sorbo; Noah with Russell Crowe; Son of God, produced by evangelical Mark Burnett from Survivor, and his Catholic wife, Roma Downey (whose A.D.: The Bible Continues miniseries based on the early church, as described in the first 10 chapters of the Acts of the Apostles is airing on NBC currently); and the “new” Left Behind movie about the Rapture by Paul Lalonde and Stoney Lake Entertainment, with Nicolas Cage starring as Rayford Steele, and Civil Twilight’s song “Letters from the Sky” being used in the trailer, released in North American theatres last October.

The interesting thing is if I was to revisit the genre today nine months later for a comprehensive update, I’d be saying the Christian movie genre is not just hot, it is on fire, churning out television miniseries and movies at a pace that would be better suited to a book than a blog post.

Mind you, the devil, Prince of this World, is not surprisingly about to get his due as well. Such is the nature of the supernatural and spiritual warfare.

A new DC Comics-based Fox TV high-concept genre series Lucifer where Lucifer Morningstar “bored and unhappy as the Lord of Hell, resigns his throne and abandons his kingdom for the gorgeous, shimmering insanity of Los Angeles, where he opens an exclusive piano bar called Lux” is set to air on Fox next year.

It gives new meaning to the dangers of glamorizing evil, something we Catholics get a refresher course in every Easter through the renewal of our baptismal promises where the priest asks us, “Do you renounce Satan and all his works, and all his empty show; do you renounce the glamour of evil, and refuse to be mastered by sin; do you renounce Satan, the author and prince of sin?”

The production of Lucifer is incredibly slick and well done. That said, watching a three-minute trailer on YouTube (https://www.youtube.com/watch?v=X4bF_quwNtw), I couldn’t help laughing near the end of the trailer when Lucifer, played by Tom Ellis, baffled, asks the female L.A.P.D. homicide detective, Chloe Dancer (played by Lauren German) who unlike almost all the other women who are charmed by him, while she isn’t, “Did my father send you?”

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Murder Mystery

It may be fiction, but it’s still nice to see evangelical authors Randy Alcorn and Frank Peretti haven’t given up completely on journalists and the secular media

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I say bravo to Randy Alcorn and Frank Peretti for offering us characters such as Jake Woods and Marshall Hogan in books like Deadline and This Present Darkness.

Alcorn, who lives in Gresham, Oregon, is the founder and director of Eternal Perspective Ministries (EPM), a nonprofit ministry. Alcorn, who holds bachelor of theology and master of arts in biblical studies degrees from Multnomah University, served as a pastor at Good Shepherd Church in rural Boring, Oregon for 14 years before he started Eternal Perspective Ministries in 1990, after a writ of garnishment for Alcorn’s wages was served  on Good Shepherd Church on May 4, 1990, where he was pastor of missions, ordering the church to surrender a portion of his wages.

In 1989, Portland police, as Tim Stafford later noted in an April 1, 2003 piece for Christianity Today, had arrested Alcorn “several times for blocking the doors of several abortion clinics. One of the clinics had sued him and other ‘rescuers,’ winning a small judgment plus attorney’s fees. Alcorn had refused to pay, believing it would violate his conscience to write a check to an abortion clinic.”

As Stafford tells the story, “Some time before the suit, Alcorn and his wife, Nanci, had placed all their assets in her name – house, car, and bank account. Alcorn had given away or sold the copyrights to his five published books. At a debtor’s hearing he was able to state truthfully that he owned nothing of value. An opposing lawyer went so far as to ask about the gold band he was wearing on his left hand.

“Alcorn held up the ring, milking the drama of the moment. ‘I’m not sure what it’s worth today, but I paid $12.50 for it at Kmart four years ago.'”

“Alcorn had not anticipated having his wages garnished, however. This implicated not just Alcorn’s conscience, but also that of his church. If the church refused to pay, serious legal complications could follow. Many church members had grave doubts about the wisdom of Alcorn’s protests.”

So Alcorn resigned two days later from Good Shepherd Church, which he had co-founded, and was the only church he had ever pastored.

Deadline,  written in 1994, was Alcorn’s first novel after writing five non-fiction books. It tells the story of three old friends, whose friendships date back to childhood and their service in Vietnam: Jake Woods, a liberal and largely secular journalist who is an award-winning syndicated columnist for the Oregon Tribune; Dr. Greg “Doc” Lowell, chief of surgery at the local hospital, and a diehard atheist and humanist; and Finnegan “Finney” Keels, a  devout Christian and the owner of a computer software business – represent two conflicting worldviews that Jake has to choose between after a halftime Kansas City Chiefs and Seattle Seahawks football-watching Sunday afternoon pizza-and-Coors beer run to Gino’s in Lowell’s cherry-red Suburban ends in tragedy, leaving Woods as the sole survior of what may not be an accident, as it first appears, but rather a double homicide.

In endorsing Deadline,  Frank Peretti  wrote: “Randy Alcorn is a walking resource library guided by godly wisdom. Like his  nonfiction,  this  novel  is  for  clear  thinkers  who  enjoy  a  good  argument.  There  can  be  no  mistaking – and  there  should  be  no  ignoring – the  vital message of this book.”

Trumpeted in both TIME and Newsweek as the creator of the crossover Christian thriller, Lethbridge, Alberta-born Peretti now lives in northern Idaho (he spent from 1978 to 1984 as a factory ski maker working at the K2 ski company on Vashon Island in Washington State’s Puget Sound) wrote two of the best-selling spiritual warfare novels in recent times – This Present Darkness, published in 1986 and Piercing the Darkness, published in 1989.

He also played the banjo in a bluegrass band called Northern Cross.

This Present Darkness was not an immediate publishing phenomenon, but gradually word began to spread, and the book remained on the Christian Booksellers Association’s Top 10 bestsellers list for over 150 consecutive weeks. It has sold over two million copies worldwide. This Present Darkness and Piercing the Darkness, popularized the idea of territorial spirits ruling over specific geographical areas, vividly portraying demons, commanded by Rafar, and angels – led by Tal, captain of the heavenly host – engaging in fierce aerial battles over schools, churches, towns and territories, have combined sales of more than 3.5 million copies.

And one of the unlikely heroes of This Present Darkness? The fictional editor of the local small town weekly newspaper, the Ashton Clarion, former big city reporter and skeptic Marshall Hogan.

Deadline, which remained on various bestsellers lists for 36 months, was the first in Alcorn’s Ollie Chandler collection of novels to date, featuring Chandler as a brilliant and quick-witted homicide detective who lives by Ollies’ First Law: “Things are not what they appear.”  Dominion followed Deadline in 1996, and a third book, Deception, was published in 2007.

Alcorn spent time with Portland homicide detectives, Tom Nelson, a now retired detective sergeant and certified forensics computer examiner from the Portland Police Bureau, and columnists at the Oregonian, as well as observing editorial meetings at the Indianapolis Star, so he could accurately create the Deadline’s storyline, setting and characters.

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