Outer Space, Popular Culture

Killer comets, killer asteroids: Make my day, planet-killers

Nudge it, nuke it, tug it with a gravity tractor, or slow it down with some concentrated sunlight. Make my day, planet-killers.

Those are your choices if a planet-killing comet or asteroid is en route to rather imminently collide with Planet Earth. Asteroid PZ39 shot by the Earth from a distance of more than 3.58 million miles (5.77 million kilometres) earlier this month. It flew towards us at speeds of more than 35,500 mph (57,240 km/h), approaching  just after 11 a.m. GMT two weeks ago on Saturday, Feb 15.

A near-miss? “A little over 9x the distance of the earth to the moon,” Ron Graham helpfully explained. “A near miss is, in fact, an impact,” Kevin Hopton added

Both asteroids and comets are bad to have coming toward you, but comets are worse apparently simply because they can be travelling up to three times faster than Near-Earth asteroids (NEAs) relative to Earth at the time of impact. The energy released by a cosmic collision increases as the square of the incoming object’s speed, so a comet could pack nine times more destructive power than an asteroid of the same mass. But both are considered to be a potentially hazardous object (PHO).

“It would be a much bigger explosion, a much bigger crater, much more damage,” (https://www.space.com/26264-asteroids-comets-earth-impact-risks.html) impact expert Mark Boslough, of Sandia National Laboratories in New Mexico, said in June 2104.

If Boslough says it is so, that’s good enough for me. After all he is the author of this now famous account, dated Dec. 25, 1998, which I wrote approvingly of in a post on Nov. 9, 2014 headlined “‘Edward Baker:’ Thompson, Manitoba’s microwaved telephone company night watchman 1998 urban legend owes its fame to real-life American scientist and a Denver newsman” (https://soundingsjohnbarker.wordpress.com/2014/11/09/edward-baker-thompson-manitoba-s-microwaved-telephone-company-night-watchman-1998-urban-legend-owes-its-fame-to-real-life-american-scientist-and-a-denver-newsman/)

Wrote Boslough back in 1998:

“Telephone relay company night watchman Edward Baker, 31, was killed early Christmas morning by excessive microwave radiation exposure. He was apparently attempting to keep warm next to a telecommunications feedhorn.

“Baker had been suspended on a safety violation once last year, according to Northern Manitoba Signal Relay spokesperson Tanya Cooke. She noted that Baker’s earlier infraction was for defeating a safety shutoff switch and entering a restricted maintenance catwalk in order to stand in front of the microwave dish. He had told coworkers that it was the only way he could stay warm during his twelve-hour shift at the station, where winter temperatures often dip to forty below zero.

“Microwaves can heat water molecules within human tissue in the same way that they heat food in microwave ovens. For his Christmas shift, Baker reportedly brought a twelve pack of beer and a plastic lawn chair, which he positioned directly in line with the strongest microwave beam. Baker had not been told about a tenfold boost in microwave power planned that night to handle the anticipated increase in holiday long-distance calling traffic.

“Baker’s body was discovered by the daytime watchman, John Burns, who was greeted by an odor he mistook for a Christmas roast he thought Baker must have prepared as a surprise. Burns also reported to NMSR company officials that Baker’s unfinished beers had exploded.”

The clues, of course, to the fabricated nature of the story are contained in the names of the participants: the victim, “Baker”; his discoverer, “Burns”; and the spokeswoman, “Cooke.”

Boslough attached his microwaved worker offering to a then-current list of Darwin Award stories for 1998, declared his entry to be that year’s winner, sent it out to a few friends and sat back and watched the inevitable unfold, as veteran Denver Post editor and columnist Dick Kreck was taken in by the hoax, publishing it as the authentic 1998 Darwin Award winner. It seems, at some level, we all want to believe.

Certainly, Kreck, who retired from the paper in June 2007, was no rookie. Born in San Francisco in 1941, Kreck grew up in Glendale, California. After earning a bachelor’s degree in journalism from San Francisco State College, he worked as a reporter and copy editor at the San Francisco Examiner and the Los Angeles Times. He joined The Denver Post in 1968 and held various jobs, writing a city column for 18 years and covering television and radio. His books include Colorado’s Scenic Railroads; Denver in Flames; Murder at the Brown Palace; Anton Woode: The Boy Murderer ; and Smaldone: The Untold Story of an American Crime Family.

Boslough wrote to Kreck in 1999:

“Dear Mr. Kreck:

“Thank you so much for reprinting my Darwin Award hoax in the Denver Post.

“Like you, I am a skeptic and have always very suspicious of these stories. However, I am also a scientist so I decided to do a little experiment. I made up the most outrageous and twisted death-by-stupidity tale I could imagine. I made sure that all the characters in the story had names (Mr. Baker, Mr. Burns, Ms. Cooke) that would give my joke away to any wary reader. I set the story in a location that allowed the company “Northern Manitoba Signal Relay” to have the same acronym as New Mexicans for Science and Reason, our local version of Boulder-based Rocky Mountain Skeptics.

“I took a list of Darwin Awards that somebody sent me and attached my own creation, which I also declared to be this year’s winner. I turned it loose by e-mailing it to a few out-of-state friends on New Year’s Day. Seeing it this week in the Post is a bit like getting a response to a note in a bottle eight months after throwing it into the ocean. It is also a good lesson in why we should all be skeptical of what we see on the Internet … not to mention what we read in the newspaper!

“By the way, NMSR president Dave Thomas – a recent guest speaker at Rocky Mountain Skeptics – is the only person who discovered the hoax and correctly attributed it to me. He had searched for “NMSR” under Deja News and recognized my brand of humor when his search turned up my story.

“Best regards,

“Mark Boslough”

There are, of course, lot of people besides Boslough whose job it is to think about such things on both a theoretical and practical basis. I’m not one of them.

Rafi Letzter, a staff writer for New York-based Live Science wrote earlier this month:

“If a giant object looks like it’s going to slam into Earth, humanity has a few options: Hammer it with a spacecraft hard enough to knock it off course, blast it with nuclear weapons, tug on it with a gravity tractor, or even slow it down using concentrated sunlight ” (https://www.livescience.com/how-to-stop-asteroid-from-hitting-earth.html)

Massachusetts Institute of Technology (MIT) researchers have come up with an 18-page guide titled “Optimization and decision-making framework for multi-staged asteroid deflection campaigns under epistemic uncertainties” (https://www.sciencedirect.com/science/article/abs/pii/S0094576519313700?via%3Dihub), also published earlier this month, in the journal Acta Astronautica, to help, in Letzter’s words, “future asteroid deflectors.”

For those taking the longish catastrophic view, rather than the shortish catastrophic view, here’s something to consider:

“If an approaching asteroid were detected early enough,” the  National Aeronautics and Space Administration (NASA) says, “it could be possible to divert its path using the gravity of a spacecraft (https://www.nasa.gov/content/asteroid-grand-challenge/mitigate/gravity-tractor). “Instead of sending an impactor to ram into an approaching object, a gravity tractor device would fly alongside the asteroid for a long period of time (years to decades) and slowly pull it out of Earth’s path.

Gravity tractors would be most likely to work on any shape or composition of approaching asteroid, even if it were just a pile of rubble. However, gravity tractors might not be effective for the largest asteroids of over 500 meters in diameter which might be the greatest threat to Earth. Gravity tractors offer the greatest control and could perhaps even divert an approaching asteroid to other locations in space where people could theoretically use them for research or commercial purposes. However, these techniques have never been tried and would require decades for building, launching, and carrying out a mitigation mission.”

On March 26, 1997, police in Rancho Santa Fe, California discovered the bodies of 39 members of Heaven’s Gate, an American UFO religious millenarian celibate cult based in San Diego, founded in 1974 and led by Marshall Herff Applewhite and Bonnie Lu Trousdale Nettles. The 39 cult members who died almost 23 years ago took phenobarbital mixed with apple sauce and washed it all down with vodka. Additionally, they secured plastic bags around their heads after ingesting the mix to induce asphyxiation. Authorities found the dead lying neatly in their own bunk beds, faces and torsos covered by a square purple cloth. Each member carried a five-dollar bill and three quarters in their pockets: the five dollar bill was to cover vagrancy fines while members were out on jobs, while the quarters were to make phone calls. All 39 were dressed in identical black shirts and sweat pants, brand new black-and-white Nike Decades athletic shoes, and armband patches reading “Heaven’s Gate Away Team.” Among the dead was Thomas Nichols, brother of actress Nichelle Nichols,  best known for her role as Uhura in the original Star Trek television series.

They had participated in the mass suicide in order to reach what they believed was an extraterrestrial spacecraft following Comet Hale-Bopp, as it approached Earth. They believed an alien spaceship hiding in the tail of a speeding comet was coming to collect their souls.

Earth-threatening asteroids might well be movie or book genres of their own. On the movie side, there are such classics as American science fiction disaster film classic Armageddon from 1998, depicting Bruce Willis et al. saving the Earth. The movie has Harry Stamper (Willis) and his oil rig crew (who are mostly losers who have done time in jail) being hired by NASA as astronauts. Their goal is to drill into an asteroid the size of Texas and deploy a bomb to break it into pieces, before the asteroid hits the Earth.

One of my favourite cover versions of the many that have been done over the years of the song Leaving on a Jet Plane is by Winnipeg’s Chantal Kreviazuk from Armageddon, produced by Jerry Bruckheimer, and featuring a heartfelt, if somewhat off-key, opening rendition to the song by Ben Affleck from the movie, leading to the delightful mission control quip: “So, Truman, this is who you found to save the planet.” (https://www.youtube.com/watch?v=bbt2G71uT1M&feature=share&fbclid=IwAR1KgfVHJxTwyayZ-pLStZ2H0RSeinmKhRqhPPGxR3L2HcIFj6j8vXbdj5s).

On the book side, I’m partial to Lucifer’s Hammer by Jerry Pournrelle and Larry Niven. I read the novel an early paperback edition shortly after it was published in 1977, while I was a student at Trent University on a late fall three-hour one-way trip on and old Voyageur Colonial Bus down Highway 7 and back from Peterborough to Ottawa and back on weekend trip. A great page-tuner for a cold late autumn bus ride.

This is also around the time Pournelle, an American polymath: scientist in the area of operations research and human factors research, as well as noted science fiction writer, essayist, journalist, and one of the first bloggers (https://io9.gizmodo.com/rip-jerry-pournelle-a-tireless-ambassador-for-the-futu-1803143871) became perhaps the first writer from any genre to sit and compose at a typewriter connected to a television screen, forerunner of today’s desktop computer, to compose, edit, and revise there, and then to send copy to his publisher.  Jerry Pournelle, early adopter, died in September 2017 at the age of 84.

You can also follow me on Twitter at: https://twitter.com/jwbarker22

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Christian Cinema, Ideas, Popular Culture

Your best life: Life in Christian cinema is often a game of Friday night high school football

 

The problem with sports being a metaphor for life is not that the claim is inaccurate: sports truly is a metaphor for life. The problem is the terrain of what constitutes a metaphor for life is a vast landscape. Within sports, virtually everything can and is described as being a metaphor for life.

When it comes to comparing values and ideals taken from sports and applied cinematically to life, I have a fondness for golf and high school and college football movies. While I don’t play golf (at least not yet) I did play a bit of high school football some many decades ago.

There’s strong evidence that sport strongly reinforces certain personal characteristics such as responsibility, courage, teamwork, mental focus, persistence, humility, commitment and self-discipline.

While there are all kinds of things that can rightly divide secular moviemaking from films made by Christian genre movie producers, high school football is the game field they both play, often scoring box office touchdowns on. Perhaps in no small part because Friday night high school football is in some ways best thought of as a secular religion south of the Mason Dixon Line. High school football teams usually play between eight and 10 games in a season, starting after Labor Day. If teams have successful league seasons, they advance to regional or state playoff tournaments. Some schools in Texas play as many as 15 games if they advance to the state championship game. Most high school teams play in a regional league, although some travel 50 to 100 miles to play opponents.

Among my favourite golf movies are Tin Cup from 1996, starring Kevin Costner and Rene Russo; The Legend of Bagger Vance, with Will Smith, Matt Damon and Charlize Theron, released in 2000; and Seven Days in Utopia, released in 2011, starring Robert Duvall and Lucas Black, based on the book Golf’s Sacred Journey: Seven Days at the Links of Utopia by Dr. David Lamar Cook, a psychologist who lives in the Hill Country of Texas, where the book and movie are set.

As for American high school football movies, Ranker, the social consumer web platform launched in August 2009, designed around collaborative linked datasets, individual list-making and voting, which attracts 20 million unique visitors per month, in fact, has a category simply called “The Best High School Football Movies.”

Ranked number one is Friday Night Lights the 2004 film directed by Peter Berg, which documents the coach and players of the 1988 season Permian High School Panthers football team in Odessa, Texas and their run for the state championship, based on the 1990 book, Friday Night Lights: A Town, a Team, and a Dream by H. G. Bissinger. The film won the Best Sports Movie ESPY Award.

Number two on Ranker’s list is Remember the Titans, made in 2000, and based on the true story of African-American coach Herman Boone, portrayed by Denzel Washington as he tries to introduce a racially diverse team at recently but voluntarily integrated T. C. Williams High School in Alexandria, Virginia in 1971. It was produced by Jerry Bruckheimer.

In 2006, Alex and Stephen Kendrick, who are both associate pastors on the staff of Sherwood Baptist Church in Albany, made Facing the Giants, their second Sherwood Pictures movie, about high school football and resilient faith. While the movie is admired and often still shown 11 years after it was made at Christian church movie nights, secular cinema critics have been less effusive in their praise.  Still, two scenes stand out for me, and are widely available on YouTube. The first is lineman and Shiloh Eagles team captain Brock Kelley’s 100-plus yard blindfolded “Death Crawl” (https://www.youtube.com/watch?v=-sUKoKQlEC4) with his 160-pound teammate Jeremy Johnson on his back, and soccer kicker turned placekicker David Childers’ 51-yard game-winning field goal in the Eagle’s 24-23 victory over the Richmond Giants (https://www.youtube.com/watch?v=4uCj5_a3nbw).

When the Game Stands Tall was released in 2014. It stars Jim Caviezel, best known for portraying Jesus in Mel Gibson’s blockbuster 2004 film The Passion of the Christ, here playing Catholic De La Salle High School Spartans’ football coach Bob Ladouceur (with Laura Dern as his wife, Bev Ladouceur), and telling the story of what comes after the record-setting 151-game 1992–2003 winning streak by De La Salle, a Catholic boys’ high school in Concord, California, just east of San Francisco. The movie is an adaptation of the 2003 book of the same name by Neil Hayes, then a columnist with the Contra Costa Times.  The movie was filmed in Louisiana.

Released a year later in 2015 is Woodlawn is also a true story and in some ways a faith-based version of Remember the Titans, although Woodlawn is set slightly later (two years) and is situated in at Woodlawn High School in Birmingham, Alabama in 1973, a decade after Birmingham had Bull Connor as commissioner of public safety in 1961 when the civil rights “Freedom Riders” bused to the South, and where on Sept. 15, 1963 a bomb exploded before Sunday morning services at the 16th Street Baptist Church, with a predominantly black congregation that served as a meeting place for civil rights leaders. Four young girls were killed and many other people injured.

Woodlawn opens with a prologue set three years earlier on Sept. 12, 1970 where legendary University of Alabama football coach Paul “Bear” Bryant, the Crimson Tide’s iconic fedora-wearing legend, well played by Jon Voight, tries to ease tensions by inviting John McKay and his University of Southern California (USC) Trojans team to play at Legion Field in Birmingham, marking the first time a fully integrated team had come to play Alabama in the South. The Crimson Tide had one black player at the time. The game was a 42-21 Trojans rout.

Cut to three years later, when Woodlawn High School becomes integrated, with football coach Tandy Gerelds, played by Nic Bishop, welcoming the arrival of such talented black players as Tony Nathan, played by Caleb Castille.

Hank Erwin, played by Sean Astin, just sort of shows up at Woodlawn High School, introducing himself as a “sports chaplain” and asking to address the team. Tandy Gerelds reluctantly agrees. In his impassioned speech Hank asks the players to “choose Jesus” and, much to the coach’s amazement, most of the players agree, including Tony Nathan, who would go onto become a tailback for Alabama and later the Miami Dolphins. Erwin’s sons, Birmingham brothers Jon and Andrew Erwin, directed Woodlawn.

To understand the somewhat enigmatic self-proclaimed sports chaplain Hank Erwin, it is helpful to know something of the “Jesus movement,” which began on the west coast of the United States in the late 1960s and early 1970s, spreading primarily throughout North America, Europe, and Central America. Members of the movement were often called “Jesus people,” or “Jesus freaks.”

Its predecessor, the charismatic movement, had already been in full swing for about a decade. It involved mainline Protestants and Roman Catholics who testified to supernatural experiences similar to those recorded in the Acts of the Apostles, especially speaking in tongues. Both these movements were calling the church back to what they called early Christianity and recovery of the gifts of the Spirit.

TIME magazine had a 1966 cover asking “Is God Dead?” They had another cover story in 1971 on “The Jesus Revolution.” And just one year later, in June 1972, more than 80,000 high school and college students gathered in the Cotton Bowl Stadium in Dallas for Explo ’72, organized by Campus Crusade for Christ (now known as Cru) to celebrate the person of Christ and mobilize youth to take the Good News to friends and family when they returned to their hometowns. Bill Bright, founder of Campus Crusade for Christ, led the initiative and Billy Graham, now 98, and the most important Christian crusade and revival evangelist of the latter half of the 2oth century, preached at it. And Hank Erwin was there for it.

The dramatic tension on and off the field is elevated by events such as Nathan refusing to shake Alabama governor George Wallace’s hand during an awards dinner, citing Wallace’s opposition to school integration, and Tandy getting in trouble with the local school board because of the team’s religious activities, including Hank Erwin getting the microphone plug pulled while delivering the Lord’s Prayer before the history-making 1973 game that attracted 42,000 spectators (another 20,000 were turned away), only to have the thousands of spectators spontaneously recite it for him.

Peter J. Leithart, a teaching elder in the Presbyterian Church in America, who lives in Birmingham, Alabama, and is president of the Theopolis Institute, wrote in a review in September 2015, after an advance screening of the film in Birmingham, in the Catholic journal First Things that “the acting is good, especially Jon Voight as Bear Bryant, Nic Bishop as Woodlawn’s coach, Tandy Gerelds, and Caleb Castille who plays Nathan in his first film. Technically, evangelical films have come a long way.”

Caleb Castille was originally hired as a stunt double for the British actor who was picked to play Tony Nathan, but visa complications left the Erwins scrambling to find a last-minute replacement. Only then did they discover Caleb’s audition tape.

Caleb Castille won two national championship rings with the University of Alabama before he sensed God was calling him out of football to pursue an acting career instead. His father, Jeremiah Castille, played with Tony Nathan on the 1979 Alabama Crimson Tide national championship team.

Still, Leithart was left dissatisfied by Woodlawn. “I think there are a number of reasons for that dissatisfaction, but at base the problem is theological (ain’t it always).

“Evangelicalism is a word religion. I’m a big fan of words, but even talking pictures aren’t fundamentally about words. It’s no accident that the hall of fame for directors has a large share of Catholics (Fellini, Hitchcock, Scorsese), Orthodox (Tarkovsky, Eisenstein), and sacramental Protestants (Bergman, Malick). This can’t be the whole story, of course, since aniconic Judaism has produced some of the world’s great filmmakers. But there’s something to it: Evangelical films over-explain, over-talk. They don’t trust the images to do the work.

“I suspect a more sacramentally oriented evangelicalism, an evangelicalism more attuned to types and symbols in scripture, would make better films.

“Evangelicalism is also a conversionist faith. The key crisis of life is the moment of commitment to Christ. In Woodlawn, most of the characters convert early in the film, necessarily so because the story is about the effect of the revival on race relations. But that means that the line of character development is flat. The really crucial character development has taken place in the moment of conversion. The main exception is Coach Gerelds, and not surprisingly, it’s Coach Gerelds who ends up being the dramatic focus of the film, the character whose emotions and motivations we get to know best.

“Theologically speaking, character development is ‘sanctification.’ A conversionist form of Christianity places less emphasis on sanctification than on conversion and justification. In films, that translates into drastic oversimplification of human psychology. For evangelicals, there are only two sets of motivations, as there are two kinds of people: Saved and unsaved. While that is ultimately true, it is not the whole story.”

Woodlawn, distributed by Pure Flix Entertainment, owned by David. A.R. White, raised in a small Mennonite farming town outside of Dodge City, Kansas, brothers Kevin and Bobby Downes, and Michael Scott, did impressively better perhaps with the very secular Rotten Tomatoes, which is by no means always kind to either evangelical or high school football films, and is the leading online aggregator of movie reviews from a mix of professional critics and its community of users, with an overall score of 77 per cent, and an audience score of 82 per cent (earning a “full popcorn bucket”) meaning the movie received 3.5 stars or higher by Flixster and Rotten Tomatoes users. Rotten Tomatoes noted under “Critics consensus: No consensus yet.” Rotten Tomatoes is part of Fandango’s portfolio of digital properties.

Next up for me perhaps is the college football movie from 2006, We are Marshall, which depicts the aftermath of the Nov. 14, 1970 airplane crash that killed 37 football players on the Huntington, West Virginia Marshall University Thundering Herd, along with five coaches, two athletic trainers, the athletic director, 25 boosters, and a crew of five. New coach Jack Lengye, played by Matthew McConaughey, arrives on the scene four months later in March 1971, determined to rebuild Marshall’s Thundering Herd and heal a grieving community in the process (https://www.youtube.com/watch?v=YU4QBR-V79I).

You can also follow me on Twitter at: https://twitter.com/jwbarker22

 

 

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Christian Cinema, Popular Culture and Ideas

Woodlawn is a potent mix of Deep South high school football set against a backdrop of racial tension and the early 1970s Jesus movement

ironwoodlawn

While there are all kinds of things that can rightly divide secular moviemaking from films made by Christian genre movie producers, high school football is the game field they both play, often scoring box office touchdowns on. Perhaps in no small part because Friday night high school football is in some ways best thought of as a secular religion south of the Mason Dixon Line. High school football teams usually play between eight and 10 games in a season, starting after Labor Day. If teams have successful league seasons, they advance to regional or state playoff tournaments. Some schools in Texas play as many as 15 games if they advance to the state championship game. Most high school teams play in a regional league, although some travel 50 to 100 miles to play opponents.

Ranker, the social consumer web platform launched in August 2009, designed around collaborative linked datasets, individual list-making and voting, which attracts 20 million unique visitors per month, in fact, has a category simply called “The Best High School Football Movies.”

It’s a pretty impressive list.

Ranked number one is Friday Night Lights the 2004 film directed by Peter Berg, which documents the coach and players of the 1988 season Permian High School Panthers football team in Odessa, Texas and their run for the state championship, based on the 1990 book, Friday Night Lights: A Town, a Team, and a Dream by H. G. Bissinger. The film won the Best Sports Movie ESPY Award.

Number two on Ranker’s list is Remember the Titans, made in 2000, and based on the true story of African-American coach Herman Boone, portrayed by Denzel Washington as he tries to introduce a racially diverse team at recently but voluntarily integrated T. C. Williams High School in Alexandria, Virginia in 1971. It was produced by Jerry Bruckheimer.

Woodlawn, released last October, is also a true story and in some ways a faith-based version of Remember the Titans, although Woodlawn is set slightly later (two years) and is situated in at Woodlawn High School in Birmingham, Alabama in 1973, a decade after Birmingham had Bull Connor as commissioner of public safety in 1961 when the civil rights “Freedom Riders” bused to the South, and where on Sept. 15, 1963 a bomb exploded before Sunday morning services at the 16th Street Baptist Church, with a predominantly black congregation that served as a meeting place for civil rights leaders. Four young girls were killed and many other people injured.

Woodlawn opens with a prologue set three years earlier on Sept. 12, 1970 where legendary University of Alabama football coach Paul “Bear” Bryant, the Crimson Tide’s iconic fedora-wearing legend, well played by Jon Voight, tries to ease tensions by inviting John McKay and his University of Southern California (USC) Trojans team to play at Legion Field in Birmingham, marking the first time a fully integrated team had come to play Alabama in the South. The Crimson Tide had one black player at the time. The game was a 42-21 Trojans rout.

Cut to three years later, when Woodlawn High School becomes integrated, with football coach Tandy Gerelds, played by Nic Bishop, welcoming the arrival of such talented black players as Tony Nathan, played by Caleb Castille.

Hank Erwin, played by Sean Astin, just sort of shows up at Woodlawn High School, introducing himself as a “sports chaplain” and asking to address the team. Tandy Gerelds reluctantly agrees. In his impassioned speech Hank asks the players to “choose Jesus” and, much to the coach’s amazement, most of the players agree, including Tony Nathan, who would go onto become a tailback for Alabama and later the Miami Dolphins. Erwin’s sons, Birmingham brothers Jon and Andrew Erwin, directed Woodlawn.

To understand the somewhat enigmatic self-proclaimed sports chaplain Hank Erwin, it is helpful to know something of the “Jesus movement,” which began on the west coast of the United States in the late 1960s and early 1970s, spreading primarily throughout North America, Europe, and Central America. Members of the movement were often called “Jesus people,” or “Jesus freaks.”

Its predecessor, the charismatic movement, had already been in full swing for about a decade. It involved mainline Protestants and Roman Catholics who testified to supernatural experiences similar to those recorded in the Acts of the Apostles, especially speaking in tongues. Both these movements were calling the church back to what they called early Christianity and recovery of the gifts of the Spirit.

TIME magazine had a 1966 cover asking “Is God Dead?” They had another cover story in 1971 on “The Jesus Revolution.” And just one year later, in June 1972, more than 80,000 high school and college students gathered in the Cotton Bowl Stadium in Dallas for Explo ’72, organized by Campus Crusade for Christ (now known as Cru) to celebrate the person of Christ and mobilize youth to take the Good News to friends and family when they returned to their hometowns. Bill Bright, founder of Campus Crusade for Christ, led the initiative and Billy Graham, now 97, and the most important Christian crusade and revival evangelist of the latter half of the 2oth century, preached at it. And Hank Erwin was there for it.

The dramatic tension on and off the field is elevated by events such as Nathan refusing to shake Alabama governor George Wallace’s hand during an awards dinner, citing Wallace’s opposition to school integration, and Tandy getting in trouble with the local school board because of the team’s religious activities, including Hank Erwin getting the microphone plug pulled while delivering the Lord’s Prayer before the history-making 1973 game that attracted 42,000 spectators (another 20,000 were turned away), only to have the thousands of spectators spontaneously recite it for him.

Peter J. Leithart, a teaching elder in the Presbyterian Church in America, who lives in Birmingham, Alabama, and is president of the Theopolis Institute, wrote in a review last September after an advance screening of the film in Birmingham in the Catholic journal First Things that “the acting is good, especially Jon Voight as Bear Bryant, Nic Bishop as Woodlawn’s coach, Tandy Gerelds, and Caleb Castille who plays Nathan in his first film. Technically, evangelical films have come a long way.”

Caleb Castille was originally hired as a stunt double for the British actor who was picked to play Tony Nathan, but visa complications left the Erwins scrambling to find a last-minute replacement. Only then did they discover Caleb’s audition tape.

Caleb Castille won two national championship rings with the University of Alabama before he sensed God was calling him out of football to pursue an acting career instead. His father, Jeremiah Castille, played with Tony Nathan on the 1979 Alabama Crimson Tide national championship team.

Still, Leithart was left dissatisfied by Woodlawn. “I think there are a number of reasons for that dissatisfaction, but at base the problem is theological (ain’t it always).

“Evangelicalism is a word religion. I’m a big fan of words, but even talking pictures aren’t fundamentally about words. It’s no accident that the hall of fame for directors has a large share of Catholics (Fellini, Hitchcock, Scorsese), Orthodox (Tarkovsky, Eisenstein), and sacramental Protestants (Bergman, Malick). This can’t be the whole story, of course, since aniconic Judaism has produced some of the world’s great filmmakers. But there’s something to it: Evangelical films over-explain, over-talk. They don’t trust the images to do the work.

“I suspect a more sacramentally oriented evangelicalism, an evangelicalism more attuned to types and symbols in scripture, would make better films.

“Evangelicalism is also a conversionist faith. The key crisis of life is the moment of commitment to Christ. In Woodlawn, most of the characters convert early in the film, necessarily so because the story is about the effect of the revival on race relations. But that means that the line of character development is flat. The really crucial character development has taken place in the moment of conversion. The main exception is Coach Gerelds, and not surprisingly, it’s Coach Gerelds who ends up being the dramatic focus of the film, the character whose emotions and motivations we get to know best.

“Theologically speaking, character development is ‘sanctification.’ A conversionist form of Christianity places less emphasis on sanctification than on conversion and justification. In films, that translates into drastic oversimplification of human psychology. For evangelicals, there are only two sets of motivations, as there are two kinds of people: Saved and unsaved. While that is ultimately true, it is not the whole story.”

Woodlawn, distributed by Pure Flix Entertainment, owned by David. A.R. White, raised in a small Mennonite farming town outside of Dodge City, Kansas, brothers Kevin and Bobby Downes, and Michael Scott, did impressively better perhaps with the very secular Rotten Tomatoes, which is by no means always kind to either evangelical or high school football films, and is the leading online aggregator of movie reviews from a mix of professional critics and its community of users, with an overall score of 77 per cent, and an audience score of 82 per cent (earning a “full popcorn bucket”) meaning the movie received 3.5 stars or higher by Flixster and Rotten Tomatoes users. Rotten Tomatoes noted under “Critics consensus: No consensus yet.” Rotten Tomatoes is part of Fandango’s portfolio of digital properties.

You can also follow me on Twitter at: https://twitter.com/jwbarker22

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