Universities

The Long and Winding Road toward degrees Ordinary and Beyond: ‘Rise, Master of Arts’

My longtime friend, Paul Mason, from my first round of undergraduate days and nights at Trent University in Peterborough, Ontario from 1976 to 1979, wrote earlier today:

“If I had the power to re-order university education in Ontario – and it’s probably just as well I haven’t – I would bring back university entrance exams. They would not measure whether students had mastered bodies of information, however, so much as whether they could read, write and reason: I’d confront them with four pieces of writing of some substance, and set them questions which sought to determine whether they had understood them, and whether they could say something intelligent about them. (And, yes, the pieces of writing could be delivered via audio file for those with learning disabilities, and their responses could be dictated.)

“Students would then embark on a two-year program designed to equip them with an Associate Degree. Each year would require them to take four courses: five is too many if students can reasonably be expected to do all the required readings. So in a Liberal Arts program, the first year course line-up might be, say, History, Politics, French and Biology; or English, Religious Studies, Geography and Astronomy; or Psychology, Sociology, Philosophy and Art History; or Music Theory, Calculus, Italian and Freshwater Ecosystems … But there would be strenuous encouragement for students to plunge into the extracurricular life of the university – singing in choirs, participating in theatrical productions, volunteering for after school childcare programs, playing a sport, attending public lectures in subjects outside their own disciplines.

“Second year would permit greater specialization. And then – graduation! With an Associate Degree! And the university would say, go! Go out into the world! Work! Because now you’ve gained some independence from your families – or so one hopes – but you need to gain some life experience so that you have something to bring back, something to offer, when you convert your Associate Degree into an Honours BA. We’ll see you when you’re 25, 26, 27 – 30, even. We’ll see you when you have a better sense of who you are, and when you are able to better understand the value of what we’re offering you … and to have something to offer yourselves.”

“Yeah, I’m just thinking aloud. Interested, as always, to see what other folk have to say.”

It took me almost 17 years to complete my Honours B.A. in History from Trent University between September 1976 and June 1993. When I arrived at Trent in 1976, I lived in Champlain College D-17, an upper floor single room on the staircase. There were co-ed washrooms on the winding staircase floors, and the sauna was co-ed. Colour me 19 years old in paradise. Did I say how much I came to like saunas? In deference to parental comfort, the dons helpfully made sure there were temporary paper signs designating “Mens” and “Womens” washrooms on the staircase for the September Sunday mom and dad delivered their first-year progeny to residence.

It was a very different time. To paraphrase the British writer, L.P. Hartley, the past is a foreign country and we did things differently there. The AIDS epidemic was still almost five years away and officially began on June 5, 1981, when the U.S. Centers for Disease Control and Prevention in its Morbidity and Mortality Weekly Report newsletter reported unusual clusters of Pneumocystis pneumonia (PCP) caused by a form of Pneumocystis carinii in five homosexual men in Los Angeles. Cecil County, Maryland bluegrass singer Zane Campbell’s haunting song Post-Mortem Bar in 1990, in the movie Longtime Companion, captured the poignancy of those days in the early 1980s when Campbell Scott, son of the legendary actor George C. Scott, and then a 28-year-old actor at the time, playing the character “Willy,” observed in the movie’s final scene, “It seems inconceivable, doesn’t it, that there was ever a time before this, when we didn’t wake up every day wondering who’s sick now, who else is gone?” as Post-Mortem Bar is heard in the background. If you read the comments from viewers on a YouTube clip linked to here you get some idea of the power of the ending and how some 25 years on it resonates with people still as the moment that AIDS was brought home for them and was no longer just a problem for some queers in San Francisco. You can listen to it and watch it on YouTube here at: https://www.youtube.com/watch?v=dukIb4UU094

But the 80s were still in the future when I arrived at university as an undergraduate. There was a time before all this. In 1976, Bacchus ruled at Trent University. 

As I finally walked across University Court in front of the Thomas J. Bata Library that convocation day in June 1993 to receive my four-year Honours B.A., and then Registrar Alf (A.O.C.) Cole was handing me my degree, then President and Vice-Chancellor John Stubbs, an historian by trade, grinned, shook my hand, and said to me, “Nice to see you finally take the walk.” Queen’s University in Kingston was a tad more formal in October 1995 when I received my master’s degree at the hands of Chancellor Agnes McCausland Benidickson. I had to kneel in front of her until she tapped me on the right shoulder, and spoke the words, “Rise, master of arts.” Fortunately, as a cradle Catholic, I had a deeply instilled love of ritual and tradition, which served me well that fall day.

I’m especially fond, however, of my 1992 three-year B.A. (Ordinary). What better reminder could one hope for in the academic world for instilling humility than a degree that has the word “ordinary” written on it? I think the three-year B.A. went from being an “Ordinary” at Trent to “General.” How prosaic. I’m not sure if a three-year B.A. by any name even exists any longer at Trent.

Technically you were supposed to “surrender” your three-year Ordinary B.A. to receive your four-year Honours B.A. If you’re looking down from the Great Registrar’s Office In-The-Sky, Alf, my apologies. I seem to have overlooked that at the time.

I really love some of the quirks of academic life. Marion Fry, in the Summer of 1978, when she was serving as acting president, had me in her office one morning to explain to me the finer distinctions between “rustication” and “debarment” (one year in academic exile, versus three for repeat offenders). The Committee on Undergraduate Standings and Petitions (CUSP) thought I was a worthy candidate for the former. Professor Fry, who just turned 90, and moved back to Peterborough after retiring as president and vice-chancellor of the University of King’s College in Halifax, the city where she was born, said to me at the time, “It’s not like we’d literally send you off in the wilderness for a year to be a rustic, John.”

I appealed the CUSP decision and the Special Appeals Committee, the impartial adjudicative appeal body of last resort for students on academic matters at Trent, overturned the CUSP decision and I carried on with my studies . My appeal, I thought, was based on a novel, albeit lame-sounding then and even now almost 44 years later argument: I had “failed” all five full-time courses for the 1977-78 academic year, true, but because I had not gone to almost any classes, and was then too busy with student politics and journalism to get myself over to the registrar’s office in time for the voluntary withdrawal deadline, I argued that my five Fs really said nothing about my academic ability in those particular circumstances, and shouldn’t be given too much weight. Certainly, not enough to rusticate me anyway. It is hard to imagine I delivered this argument before the committee in person with a straight face. Frankly, their more-than-generous verdict was a gift of unmerited grace, and I have been forever grateful. I was an indifferent student between 1976 and 1978, easily distracted from academics by student politics, the ARTHUR, Trent Radio, girls, parties, bootleg Molson Brador malt liquor from Hull, Québec, and Canadian Club rye whisky.

To this day, I believe, my Trent University permanent transcript notes I have five F’s from 1978 and an Ontario Graduate Scholarship (OGS) from 1993.

The role of the Special Appeals Committee “is to judge whether the application of university regulations, policies or practices has caused undue hardship on any student who appeals. Where undue hardship is found to have occurred, the committee has the authority to prescribe appropriate relief.” Jim Jury, a professor in the Physics Department, chaired the Special Appeals Committee at the time.

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COVID-19 Pandemic

2020 vision: Look back and lean forward as we revisit COVID-19 and early scenes of a biological Armageddon





It was a time before social distancing, face masks and coronavirus vaccines. 

March 11, 2020 was a Wednesday. It was also the day the world changed.

On that day, a year ago today, the World Health Organization (WHO) officially declared COVID-19 a pandemic, after the novel coronavirus was detected in more than 100 countries.

That same day, the Dow Jones plummeted into bear market territory, the National Basketball Association (NBA)  abruptly halted its season, then-U.S. President Donald Trump announced a European travel ban in a national address and Tom Hanks and his wife Rita Wilson announced they had contracted the virus while filming in Australia. That was one day: March 11, 2020.

March 2020 was simply the March that never ended. Last March, the calendar may have said 31 days, but in truth it was the month without end. Never mind notions of March coming in like a lamb and going out like a lion, or vice-versa, or beware the Ides of March, that sort of thing. A year ago this month was far more terrifying, yet simultaneously, surreal than anything so pedestrian as lambs, lions and ides.

The National Center for Medical Intelligence (NCMI) at Fort Detrick, Maryland warned as far back as November 2019 that a contagion was sweeping through China’s Wuhan region, changing the patterns of life and business and posing a threat to the population. The report was the result of analysis of wire and computer intercepts, coupled with satellite images. The medical intelligence (MEDINT) cell within Canadian Forces Intelligence Command (CFINTCOM) gave a similar warning in January 2020.

As early as Jan. 23, 2020, I had written here: 

Novel Coronavirus 2019-nCoV [as it was then provisionally known], which “shows signs of being far worse than SARS-CoV, has resulted in lockdowns today in two Chinese cities, Wuhan and Huanggang. The Coronavirus Study Group (CSG) of the International Committee on Taxonomy of Viruses, which is the entity within the International Union of Microbiological Societies, founded in 1927 as the International Society for Microbiology, and responsible for developing the official classification of viruses and taxa naming (taxonomy) of the Coronaviridae family, proposed the naming convention SARS-CoV-2 for COVID-19. The World Health Organization, perhaps finding the recommended name a tad too resonant politically to SARS from the not-so-distant past, opted instead for the official name COVID-19.

“Yi Guan, a Chinese virologist, who played an important role in tracing the development of SARS-CoV, said, ‘I’ve experienced so much and I’ve never felt scared before. But this time I’m scared,’ Nathan Vanderklippe, Asia correspondent for the Globe and Mail, and Alexandra Li, in Beijing, reported today.”

A few paragraphs later, I wrote “2019-nCoV was first detected last month in Wuhan City, Hubei Province, China, and the virus did not match any other known virus. The U.S. Centers for Disease Control and Prevention describes it as ‘an emerging, rapidly evolving situation.'”

Yet that same day – Jan. 23, 2020 – the Geneva-based WHO said that “now is not the time” to call a global health emergency related to a new coronavirus that has left 17 dead and more than 500 others infected in China, according to reports from the Associated PressCTV News Channel, and other media. A “Public Health Emergency of International Concern” (PHEIC) must be an “extraordinary event” that poses a global risk and requires co-ordinated international action, according to the WHO. Global emergencies had been declared before, including for the Zika virus outbreak in the Americas, the swine flu and polio.

That decision would be revisited just a week later on Jan. 30, 2020, when, following the recommendations of its emergency committee, WHO Director General Tedros Adhanom Ghebreyesus declared that the novel coronavirus outbreak constituted a Public Health Emergency of International Concern (PHEIC).

Less than six weeks later, the WHO said a Public Health Emergency of International Concern was now a global pandemic.

The day before COVID-19 was declared a global pandemic, the New York State National Guard were  deployed to the New York City suburb of New Rochelle in Westchester County to enforce a COVID-19 containment area comprising a circle with a radius of about one mile.

In Italy, scenes from the new contagion were apocalyptic by mid-March of last year. “Unfortunately we can’t contain the situation in Lombardy,” said Daniela Confalonieri, a nurse at a hospital in Milan “There’s a high level of contagion and we’re not even counting the dead any more,” she said.

Underscoring the scale of the drama, soldiers transported bodies overnight March 18 and 19, 2020 from the northern town of Bergamo, northeast of Milan, whose cemetery has been overwhelmed.

An army spokesman said 15 trucks and 50 soldiers had been deployed to move coffins to neighbouring provinces. Earlier local authorities had appealed for help with cremations as their own crematorium could not cope with the huge workload.

One of the most chilling things on this side of the Atlantic, and there have been many, that I’ve heard to date during the COVID-19 pandemic, was this audio clip posted on Twitter last March 21. I heard this brief 30-second clip on Twitter March 24, 2020, the day after the “surge” hit New York City. Tim Mak is National Public Radio (NPR’s) Washington investigative correspondent – and an emergency medical technician (EMT), which is how he got the message. Aside from the subject matter, there is something eerie about that electronically-generated voice on the automated message that went out, with this message:

“This an emergency message. This is a priority request for D.C. MRC volunteers (District of Columbia (DC) Medical Reserve Corps (DC MRC)…” (https://twitter.com/i/status/1241471610395267084)

The District of Columbia (DC) Medical Reserve Corps (DC MRC) supports the DC Department of Health (DC Health) in its role as lead for public health and medical emergency preparedness, response and recovery by recruiting, training, and deploying medical and non-medical volunteers to assist with planned events and emergencies.

Last March 30, I wrote on Facebook: “Consider this. Ordered earlier this month to “lean forward,” a military term familiar to those who serve in the United States Navy, meaning the willingness to be aggressive, to take risks, the U.S.Navy hospital ship USNS Comfort (T-AH-20), homeported at Naval Station Norfolk, Virginia, sailed from port up the Atlantic seaboard Saturday and arrived in New York Harbor this morning.

“The Comfort will provide relief for New York hospitals by taking on non-COVID-19 cases and allowing the hospitals to focus on the most critical patients suffering from the virus.

“Picture this.

“What those sailors, military doctors and nurses, officers, enlisted personnel and civilians aboard the USNS Comfort (T-AH-20) must have been thinking as they answered the call of duty and sailed north into a Biological Armageddon.”

The following day, on March 31, 2020, I posted again on Facebook, “Waking up every morning in March 2020: ‘Red alert. All hands stand to battle stations’” (https://www.youtube.com/watch?v=wV30YwXaKJg).

Since Feb. 6, 2020, COVID-19 has killed more than 530,000 people in the United States, more than influenza has in the last five years, notes the Johns Hopkins Bloomberg School of Public Health.in Baltimore. COVID-19 has a higher severe disease and mortality rate than influenza in all age groups, except perhaps children under the age of 12. “Influenza is a significant burden on the population, but COVID-19 has had a vastly larger effect,” Johns Hopkins says.


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Pandemics

The fire this time? Pandemic prose, and waiting and watching for the ‘big one’

The fire this time?

Next time?

Are we just waiting and watching for the “big one,” knowing it is just a matter of time, or as a headline on Laurie Garrett’s story in Foreign Policy put it so succinctly last September: “The World Knows an Apocalyptic Pandemic Is Coming.”

Garrett, a former senior fellow for global health at the Council on Foreign Relations, Pulitzer Prize winning science writer, and author of the landmark 1994 book, The Coming Plague: Newly Emerging Diseases in a World Out of Balance, argued some 26 years ago now that human disruption of the global environment, coupled with behaviours that readily spread microbes between people and from animals to humans, guaranteed a global surge in epidemics, even an enormous pandemic.

How quickly we could we make a trip back to a modern-day equivalent to the Dark Ages of the 5th to 11th centuries?

Mathematician and complexity scientist John Casti’s 2012 book, X-Events: The Collapse of Everything looked at scientific modelling and prediction computer simulation as to how social “mood” can affect future trends and extreme events, sounds a clarion warning as to how easy it would be to slip suddenly into a new Dark Ages, and how the global food supply system could collapse (https://soundingsjohnbarker.wordpress.com/2015/12/12/what-if-the-22nd-century-means-staying-at-home-with-long-distance-travel-a-thing-of-the-past/). Or the “digital darkness” that would come from a widespread and prolonged failure of the internet. Or what a continent-wide electromagnetic pulse (EMG) would do to electronics, and how we may have reached peak oil in 2000, and how any of those scenarios leave us vulnerable in overly complex technological societies to an “X-event” that would send us back to a pre-modern world – and again, a world without air or other long-distance travel – virtually overnight.

New York City writer Emily St. John Mandel’s post-apocalyptic Station Eleven, her fourth novel, published in 2014, is centred around the fictional but not so implausible in the-world-after-Severe acute respiratory syndrome (SARS-CoV) in 2003, and the novel influenza A (H1N1) pandemic of 2009. “Georgia Flu,” is a flu pandemic so lethal, named after the former Soviet republic, that within weeks, most of the world’s population has been killed.

Station Eleven, which was a finalist for a National Book Award and the PEN/Faulkner Award, won the 2015 Arthur C. Clarke Award for best science fiction novel of the year for the British Columbia-born writer. It all begins when the character of 51-year-old Arthur Leander has a fatal heart attack while on stage performing the role of King Lear at Toronto’s Elgin Theatre.

As the novel picks up some 20 years later, “there is no more Toronto,” Sigrid Nunezsept noted in the Sept. 12, 2104 New York Times book review “Shakespeare for Survivors.” In fact, “There is no Canada, no United States. All countries and borders have vanished. There remain only scattered small towns.”

Airplanes are permanently grounded and used as cold storage facilities. There are no hospitals or clinics.

But there is the “Travelling Symphony” made up of “20 or so musicians and actors in horse-drawn wagons who roam from town-to-town in an area around the shores of Lakes Huron and Michigan,” Nunezsept writes. “At each stop the Symphony entertains the public with concerts and theatrical performances – mostly Shakespeare because, as the troupe has learned, this is what audiences prefer.”

Sadly, novel influenzas, unidentified forms of pneumonia, and other respiratory illnesses, incubating in the reservoir of wet markets, live poultry markets and farms in cities in both mainland China and Hong Kong is not a new story, but rather one that dates back at least to May 1997. The relevant questions are always the same, including how bad is it and when will we know that truth?

The Huanan Seafood Market in  Wuhan is where Chinese officials believe the latest coronavirus outbreak may have originated in a wild animal sold at the food emporium, which sold live foxes, crocodiles, wolf puppies, giant salamanders, snakes, rats, peacocks, porcupines, koalas and game meats, the Daily Mail and South China Morning Post report. The market has since been closed and has been labelled ‘ground zero’ by local authorities.

We now also have time-lapse tracking of the transmission and evolution of Influenza A (H7N9), the most deadly flu on Earth, which has been circulating in China for the last five years or so. It has a mortality rate of 40 per cent, making it about 200 times more deadly than this season’s Influenza A (H3N2) flu virus circulating in Canada is expected to be. Nextstrain is an open-source project to harness the scientific and public health potential of pathogen genome data (https://nextstrain.org/flu/avian/h7n9/ha?dmax=2019-04-06&dmin=2012-03-23&fbclid=IwAR0uzebD_Fpv1UGNP3tybCf8txl3m1dpm8O7CqOkhhnXmfdQILbtQszb-bA&l=radial)

Not all pandemic news is necessarily bad news, at least in retrospect historically speaking, some academics have suggested in recent years.

In May 2014, a study in PLOS ONE, an international peer-reviewed journal, located in Levi’s Plaza (as in Levi Strauss & Co. jeans) in San Francisco, and authored by University of South Carolina anthropologist Sharon DeWitte, suggested that people who survived the medieval plague, commonly known then, as the Black Death, lived significantly longer and were healthier than people who lived before the epidemic struck in 1347. The Black Death killed tens of millions of people, an estimated 30 to 50 per cent of the European population, over just four years between 1347 and 1351, which, it turns out, may not have been such a bad thing after all (https://soundingsjohnbarker.wordpress.com/2014/09/03/black-death-not-so-bad/).

“The Black Death Actually Improved Public Health,” read the headline at the Smithsonian, the official journal published by the Smithsonian Institution in Washington, D.C. When it comes to science, you don’t get much more prestigious than the Smithsonian. On the more populist end of the online spectrum, AOL Inc., based in nearby Dulles, Virginia, went with “Black Death may have improved European health” on its AOL.com website.

DeWitte’s study of the Black Death suggested it was not an indiscriminate killer, but instead targeted frail people of all ages and that survivors experienced improvements in health and longevity, with many people afterwards living to ages of 70 or 80 years old. While improvements in survival post-Black Death didn’t necessarily equate to good health over a lifespan, it did demonstrate a hardiness to endure disease, either directly or indirectly, powerfully shaped mortality patterns for generations after the epidemic ended, she argues.

The skeletal samples for DeWitte’s study came from medieval London cemeteries and are curated at the Museum of London Centre for Human Bioarchaeology.

The pre-Black Death samples came from St. Mary Spital, Guildhall Yard and St. Nicholas Shambles, dating to the 11th and 12th centuries, based on stratigraphic and documentary data and artifacts. The post-Black Death samples came from the cemetery associated with the Cistercian Abbey of St. Mary Graces, which was established in London in 1350, as the Black Death was about to end, and it was in use until the Protestant Reformation in 1538.

As it happens, I find the particular subject of La moria grandissima fascinating. Way back on July 14, 2008, I fired off an e-mail to Sheena Spear at the Thompson Public Library, trying to borrow a copy of John Hatcher’s The Black Death: An Intimate History of the Plague on inter-library loan. Alas, as it had just been published a month earlier in June 2008, that wasn’t happening.

But on Oct. 13, 2011, Megan O’Brien was able to tell me she could bring in on inter-library loan a copy of The Great Mortality: An Intimate History of the Black Death, the Most Devastating Plague Of All Time by John Kelly, published in 2005. Good enough.

The Black Death swept across Europe, killing a third of the population. As Kelly, and others have pointed out, it proved a major challenge to the Church, striking down both believers and non-believers alike, testing religious faith. If anything priests were at higher risk than most, as they were called onto minister to those gravely ill.

Infected rats aboard Genoese sailing ships piloted by Italian sailors, returning from the Far East and docking in Sicily, carried fleas that spread the disease when they bit humans. Think Ground Zero.

The plague is caused by the bacterium Yersinia pestis. Pneumonic plague is characterized by lung infection and spitting blood and occurs when Y. pestis infects the lungs. This type of airborne plague can spread from person-to-person through the air. Transmission can take place if someone breathes in aerosolized bacteria.

Bubonic plague is characterized by swollen lymph glands, known as buboes, a type of boil, and is the most common form of plague. It occurs when an infected flea bites a person or when materials contaminated with Y. pestis enter through a break in a person’s skin. Patients develop swollen, tender lymph glands, called buboes, and fever, headache, chills, and weakness. Bubonic plague does not spread from person to person.

A third type of plague, septicemic plague occurs when plague bacteria multiply in the blood. It does not spread from person-to-person.

Novel influenza A(H1N1) hit parts of Northern Manitoba hard in 2009, especially south of Thompson, in places like the Island Lake First Nations of Wasagamack, St. Theresa Point, Red Sucker Lake and Garden Hill.

The novel H1N1 influenza pandemic, which started in Mexico in March 2009, albeit with relatively mild symptoms in most cases, was the first pandemic since the Hong Kong Flu of 1968. It originated in Guangdong Province in southeast China, but the first record of the outbreak was in Hong Kong on July 13, 1968.

By the end of July, extensive outbreaks were reported in Vietnam and Singapore. By September 1968, Hong Kong Flu reached India, Philippines, northern Australia and Europe. That same month, the virus entered California via returning Vietnam War troops but did not become widespread in North America until December 1968.

A vaccine became available in 1969 one month after the Hong Kong flu pandemic peaked in North America. About a million people died worldwide in what are described as “excess” death beyond what be expected in a normal flu season, but still only half the mortality rate of the Asian flu a decade earlier. H1N1 swine flu is the first worldwide influenza pandemic since the Hong Flu of 1968-69.

A decade earlier, the Asian Flu pandemic of 1957 was an outbreak of avian-origin H2N2 influenza that originated in China in early 1956 and lasted until 1958. It originated from mutation in wild ducks combining with a pre-existing human strain. The virus was first identified in Guizhou and spread to Singapore in February 1957, reaching Hong Kong by April and the United States and Canada by June 1957. Estimates of worldwide deaths caused by the Asian Flu pandemic vary, but the World Health Organization believes it is about two million.

The Asian Flu strain later mutated through antigenic drift into H3N2, resulting in the milder Hong Kong Flu pandemic of 1968 and 1969.

Three subtypes of haemagglutinin (H1, H2 and H3) and two subtypes of neuraminidase (N1 and N2) are recognized among influenza A viruses that have caused widespread human disease, says the Public Health Agency of Canada. “Since 1977 the human H3N2 and human H1N1 influenza A subtypes have contributed to influenza illness to varying degrees each year.”

Influenza B viruses have evolved into two antigenically distinct lineages since the mid-1980s, represented by B/Yamagata/16/88-like and B/Victoria/2/87-like viruses. Viruses of the B/Yamagata lineage accounted for the majority of isolates in most countries between 1990 and 2001. Viruses belonging to the B/Victoria lineage were not identified outside of Asia between 1991 and 2001, but in March 2001 they re-emerged for the first time in a decade in North America. Since then, viruses from both the B/Yamagata and B/Victoria lineages have variously contributed to influenza illness each year.

In Canada, the Public Health Agency of Canada (PHAC) reports:

  • Influenza A(H3N2), A(H1N1) and B continue to co-circulate;
  • Influenza A remains the predominant circulating type and influenza B continues to circulate at higher levels than usual;
  • A(H1N1) and A(H3N2) are circulating in almost equal proportions. For the season to date, there is a slight majority (53 per cent) of A(H1N1), due to an increase in detections in recent weeks;
  • The highest cumulative hospitalization rates are among children under five years of age and adults 65 years of age and older.

Although influenza A remains the predominant laboratory-confirmed circulating type, influenza B continues to circulate at higher levels than usual. In addition, while A(H3N2) remains the predominant subtype for the season to date, the proportion of A(H1N1) appears to be increasing.

Differences in the predominant circulating type/subtype by age-group are observed. The majority (90 per cent) of sentinel site hospitalizations among adults are associated with influenza A, while pediatric sentinel hospitalizations are a mix of influenza A (46 per cent and B (54 per cent).

Influenza A viruses are classified into subtypes based on two surface proteins: haemagglutinin (HA) and neuraminidase (NA).

Of these, the influenza A viruses that have caused widespread human disease over the decades are:

Three subtypes of HA (H1, H2 and H3)

Two subtypes of NA (N1 and N2)

Influenza B has evolved into two lineages:

B/Yamagata/16/88-like viruses

B/Victoria/2/87-like viruses

Over time, antigenic variation (antigenic drift) of strains occurs within an influenza A subtype or B lineage. The ever-present possibility of antigenic drift requires seasonal influenza vaccines to be reformulated annually. Antigenic drift may occur in one or more influenza virus strains.

The global mortality rate from the 1918/1919 “Spanish Flu” pandemic is not known, but it is estimated that 10 to 20 per cent of those who were infected died.

2019-nCoV is a novel coronavirus, the first such outbreak in eight years.

Middle East Respiratory Syndrome (MERS-CoV), was first reported in Saudi Arabia, but later retrospectively identified and traced to the first known index case of MERS-CoV having occurred on the Arabian Peninsula in Jordan in April 2012; most people infected developed severe respiratory illness, including fever, cough, and shortness of breath. About three or four of every 10 patients reported with MERS-CoV died, a 30 to 40 per cent mortality rate.

Almost 10 years earlier, in November 2002, the first known case of an atypical pneumonia, later identified as Severe acute respiratory syndrome (SARS–CoV) occurred in Foshan City, Guangdong Province, China. According to the World Health Organization (WHO), a total of 8,098 people worldwide became sick with SARS during the 2002-2003 outbreak. Of these, 774 died. Since 2004, there have not been any known cases of SARS reported anywhere in the world, but on Oct. 5, 2012, the Federal Select Agent Program, a national registry program jointly comprised of the U.S. Centers for Disease Control and Prevention/Division of Select Agents and Toxins, and the Animal and Plant Health Inspection Service/Agriculture Select Agent Services, published a final rule declaring SARS coronavirus a select agent. A select agent is a bacterium, virus or toxin that has the potential to pose a severe threat to public health and safety. The program oversees the possession, use and transfer of biological select agents and toxins, which have the potential to pose a severe threat to public, animal or plant health or to animal or plant products.

2019-nCoV, which shows signs of being far worse than SARS-CoV, has resulted in lockdowns today in two Chinese cities, Wuhan and Huanggang.

Yi Guan, a Chinese virologist, who played an important role in tracing the development of SARS-CoV, said, “I’ve experienced so much and I’ve never felt scared before. But this time I’m scared,” Nathan Vanderklippe, Asia correspondent for the Globe and Mail, and Alexandra Li, in Beijing, reported today.

“’Conservative estimates suggest that the scale of infection may eventually be 10 times higher than SARS,’ said Dr. Guan, director of the State Key Laboratory of Emerging Infectious Diseases at the University of Hong Kong, told China’s Caixin media group on Thursday,” the Toronto-based paper reported. Dr. Guan spent two days in Wuhan this week.

2019-nCoV was first detected last month in Wuhan City, Hubei Province, China, and the virus did not match any other known virus. The U.S. Centers for Disease Control and Prevention describes it as “an emerging, rapidly evolving situation.” Elizabeth Cohen, CNN’s senior medical correspondent, reports that a single patient, what’s called a “super spreader” or “super shredder,” has infected 14 health care workers (https://www.cnn.com/2020/01/23/health/wuhan-virus-super-spreader/index.html?).

The Geneva-based World Health Organization said earlier today that “now is not the time” to call a global health emergency related to a new coronavirus that has left 17 dead and more than 500 others infected in China, according to reports from the Associated Press, CTV News Channel, and other media.

The World Health Organization made the announcement in Geneva at a press conference after the second meeting this week of a WHO emergency advisory committee on the new virus.

It was “a bit too early to consider that this event is a public health emergency of international concern,” said Didier Houssin, the chair of the emergency advisory committee, noting that there remained strong divisions during discussions.

“The emergency committee members were very divided, almost 50-50,” he said. Some felt the severity of the disease and increase in cases warranted a global health emergency, he added.

“Several others say that it is too early because of limited number of cases abroad and also considering the efforts which are presently made by Chinese authorities in order to try to contain the disease,” he continued. “Declaring a public health emergency of international concern is an important step in the history of an epidemic.”

A “public health emergency of international concern” (PHEIC) must be an “extraordinary event” that poses a global risk and requires co-ordinated international action, according to WHO. Global emergencies have been declared before, including for the Zika virus outbreak in the Americas, the swine flu and polio.

Key to the announcement were recent extraordinary precautions already in place around China. Beijing announced it would cancel public celebrations of Lunar New Year, which is typically one of the busiest travel seasons of the year.

“They’re making a very concerted effort in China to try and contain things. We’re making efforts worldwide. That’s the most important thing,” said Susy Hota, the medical director of Infection Prevention and Control at the University Health Network in Toronto, on CTV News Channel. The committee was likely attempting to strike a “balance” to avoid negative consequences, Hota added.

Global health emergencies often prompt foreign governments to restrict travel and trade to affected countries. In 2003, WHO issued travel warnings for Toronto during the outbreak of severe acute respiratory syndrome (SARS), which impacted the Greater Toronto Area economy at the time. Hotels in the area lost $39 million in revenue in one month, according to the Canadian Tourism Commission.

“It would be very similar for China,” said infectious disease physician Michael Gardam on CTV’s Your Morning. “People would definitely avoid the country.”

There are still a number of “unknowns” to be probed, the WHO said at the Thursday press conference, including the possible animal source of the virus, its mode of transmission and the quality of containment measures.

The WHO announcement was encouraging for Neil Rau, an infectious disease specialist and assistant professor at the University of Toronto.

“If they had said it was an emergency, it would mean they were more concerned,” he said, adding that the announcement underscored the fact that the committee still needs more information on two key things:

First, how deadly is the virus? “What percentage of people who get this infection actually die from it? Based on my calculations it looks like it’s only about two per cent.”

Second, how contagious is the virus? “It’s looking right now that there are no chains of transmission beyond what we call a secondary chain,” he said. “In other words, a person has it, then a person in close contact with them gets it, but it doesn’t keep transmitting person-to-person after that.”

The committee added Thursday that they would be prepared to convene again “as soon as necessary” as more information emerges.

A global health emergency likely would not have changed much in Canada, according to Gardam, much in thanks to 17 years of preparation for another outbreak after SARS.

“We learned a lot from SARS. We also went through the H1N1 pandemic in 2009. So there’s been a lot of preparation done quietly in the background,” he said.

In Canada, travellers from Wuhan are screened, others are put in isolation who have symptoms, and hospitals have stockpiled necessary equipment for an outbreak. Those procedures would continue, said Gardam. It’s possible that a broader screening process to include travellers from Beijing or China in general may be implemented, he added. But that is less about the declaration from WHO, and more about where the virus is linked to in China.

“We may start to broaden our screening criteria. As we do that, we’re going to start screening a lot more people,” he said.

On the ground, that process would have a major impact for health care workers. “That’s going to be quite disruptive for the running of our hospitals,” he said. “We’re already pretty full dealing with all the other respiratory viruses.”

You can also follow me on Twitter at: https://twitter.com/jwbarker22

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Christian Cinema, Ideas, Popular Culture

Your best life: Life in Christian cinema is often a game of Friday night high school football

 

The problem with sports being a metaphor for life is not that the claim is inaccurate: sports truly is a metaphor for life. The problem is the terrain of what constitutes a metaphor for life is a vast landscape. Within sports, virtually everything can and is described as being a metaphor for life.

When it comes to comparing values and ideals taken from sports and applied cinematically to life, I have a fondness for golf and high school and college football movies. While I don’t play golf (at least not yet) I did play a bit of high school football some many decades ago.

There’s strong evidence that sport strongly reinforces certain personal characteristics such as responsibility, courage, teamwork, mental focus, persistence, humility, commitment and self-discipline.

While there are all kinds of things that can rightly divide secular moviemaking from films made by Christian genre movie producers, high school football is the game field they both play, often scoring box office touchdowns on. Perhaps in no small part because Friday night high school football is in some ways best thought of as a secular religion south of the Mason Dixon Line. High school football teams usually play between eight and 10 games in a season, starting after Labor Day. If teams have successful league seasons, they advance to regional or state playoff tournaments. Some schools in Texas play as many as 15 games if they advance to the state championship game. Most high school teams play in a regional league, although some travel 50 to 100 miles to play opponents.

Among my favourite golf movies are Tin Cup from 1996, starring Kevin Costner and Rene Russo; The Legend of Bagger Vance, with Will Smith, Matt Damon and Charlize Theron, released in 2000; and Seven Days in Utopia, released in 2011, starring Robert Duvall and Lucas Black, based on the book Golf’s Sacred Journey: Seven Days at the Links of Utopia by Dr. David Lamar Cook, a psychologist who lives in the Hill Country of Texas, where the book and movie are set.

As for American high school football movies, Ranker, the social consumer web platform launched in August 2009, designed around collaborative linked datasets, individual list-making and voting, which attracts 20 million unique visitors per month, in fact, has a category simply called “The Best High School Football Movies.”

Ranked number one is Friday Night Lights the 2004 film directed by Peter Berg, which documents the coach and players of the 1988 season Permian High School Panthers football team in Odessa, Texas and their run for the state championship, based on the 1990 book, Friday Night Lights: A Town, a Team, and a Dream by H. G. Bissinger. The film won the Best Sports Movie ESPY Award.

Number two on Ranker’s list is Remember the Titans, made in 2000, and based on the true story of African-American coach Herman Boone, portrayed by Denzel Washington as he tries to introduce a racially diverse team at recently but voluntarily integrated T. C. Williams High School in Alexandria, Virginia in 1971. It was produced by Jerry Bruckheimer.

In 2006, Alex and Stephen Kendrick, who are both associate pastors on the staff of Sherwood Baptist Church in Albany, made Facing the Giants, their second Sherwood Pictures movie, about high school football and resilient faith. While the movie is admired and often still shown 11 years after it was made at Christian church movie nights, secular cinema critics have been less effusive in their praise.  Still, two scenes stand out for me, and are widely available on YouTube. The first is lineman and Shiloh Eagles team captain Brock Kelley’s 100-plus yard blindfolded “Death Crawl” (https://www.youtube.com/watch?v=-sUKoKQlEC4) with his 160-pound teammate Jeremy Johnson on his back, and soccer kicker turned placekicker David Childers’ 51-yard game-winning field goal in the Eagle’s 24-23 victory over the Richmond Giants (https://www.youtube.com/watch?v=4uCj5_a3nbw).

When the Game Stands Tall was released in 2014. It stars Jim Caviezel, best known for portraying Jesus in Mel Gibson’s blockbuster 2004 film The Passion of the Christ, here playing Catholic De La Salle High School Spartans’ football coach Bob Ladouceur (with Laura Dern as his wife, Bev Ladouceur), and telling the story of what comes after the record-setting 151-game 1992–2003 winning streak by De La Salle, a Catholic boys’ high school in Concord, California, just east of San Francisco. The movie is an adaptation of the 2003 book of the same name by Neil Hayes, then a columnist with the Contra Costa Times.  The movie was filmed in Louisiana.

Released a year later in 2015 is Woodlawn is also a true story and in some ways a faith-based version of Remember the Titans, although Woodlawn is set slightly later (two years) and is situated in at Woodlawn High School in Birmingham, Alabama in 1973, a decade after Birmingham had Bull Connor as commissioner of public safety in 1961 when the civil rights “Freedom Riders” bused to the South, and where on Sept. 15, 1963 a bomb exploded before Sunday morning services at the 16th Street Baptist Church, with a predominantly black congregation that served as a meeting place for civil rights leaders. Four young girls were killed and many other people injured.

Woodlawn opens with a prologue set three years earlier on Sept. 12, 1970 where legendary University of Alabama football coach Paul “Bear” Bryant, the Crimson Tide’s iconic fedora-wearing legend, well played by Jon Voight, tries to ease tensions by inviting John McKay and his University of Southern California (USC) Trojans team to play at Legion Field in Birmingham, marking the first time a fully integrated team had come to play Alabama in the South. The Crimson Tide had one black player at the time. The game was a 42-21 Trojans rout.

Cut to three years later, when Woodlawn High School becomes integrated, with football coach Tandy Gerelds, played by Nic Bishop, welcoming the arrival of such talented black players as Tony Nathan, played by Caleb Castille.

Hank Erwin, played by Sean Astin, just sort of shows up at Woodlawn High School, introducing himself as a “sports chaplain” and asking to address the team. Tandy Gerelds reluctantly agrees. In his impassioned speech Hank asks the players to “choose Jesus” and, much to the coach’s amazement, most of the players agree, including Tony Nathan, who would go onto become a tailback for Alabama and later the Miami Dolphins. Erwin’s sons, Birmingham brothers Jon and Andrew Erwin, directed Woodlawn.

To understand the somewhat enigmatic self-proclaimed sports chaplain Hank Erwin, it is helpful to know something of the “Jesus movement,” which began on the west coast of the United States in the late 1960s and early 1970s, spreading primarily throughout North America, Europe, and Central America. Members of the movement were often called “Jesus people,” or “Jesus freaks.”

Its predecessor, the charismatic movement, had already been in full swing for about a decade. It involved mainline Protestants and Roman Catholics who testified to supernatural experiences similar to those recorded in the Acts of the Apostles, especially speaking in tongues. Both these movements were calling the church back to what they called early Christianity and recovery of the gifts of the Spirit.

TIME magazine had a 1966 cover asking “Is God Dead?” They had another cover story in 1971 on “The Jesus Revolution.” And just one year later, in June 1972, more than 80,000 high school and college students gathered in the Cotton Bowl Stadium in Dallas for Explo ’72, organized by Campus Crusade for Christ (now known as Cru) to celebrate the person of Christ and mobilize youth to take the Good News to friends and family when they returned to their hometowns. Bill Bright, founder of Campus Crusade for Christ, led the initiative and Billy Graham, now 98, and the most important Christian crusade and revival evangelist of the latter half of the 2oth century, preached at it. And Hank Erwin was there for it.

The dramatic tension on and off the field is elevated by events such as Nathan refusing to shake Alabama governor George Wallace’s hand during an awards dinner, citing Wallace’s opposition to school integration, and Tandy getting in trouble with the local school board because of the team’s religious activities, including Hank Erwin getting the microphone plug pulled while delivering the Lord’s Prayer before the history-making 1973 game that attracted 42,000 spectators (another 20,000 were turned away), only to have the thousands of spectators spontaneously recite it for him.

Peter J. Leithart, a teaching elder in the Presbyterian Church in America, who lives in Birmingham, Alabama, and is president of the Theopolis Institute, wrote in a review in September 2015, after an advance screening of the film in Birmingham, in the Catholic journal First Things that “the acting is good, especially Jon Voight as Bear Bryant, Nic Bishop as Woodlawn’s coach, Tandy Gerelds, and Caleb Castille who plays Nathan in his first film. Technically, evangelical films have come a long way.”

Caleb Castille was originally hired as a stunt double for the British actor who was picked to play Tony Nathan, but visa complications left the Erwins scrambling to find a last-minute replacement. Only then did they discover Caleb’s audition tape.

Caleb Castille won two national championship rings with the University of Alabama before he sensed God was calling him out of football to pursue an acting career instead. His father, Jeremiah Castille, played with Tony Nathan on the 1979 Alabama Crimson Tide national championship team.

Still, Leithart was left dissatisfied by Woodlawn. “I think there are a number of reasons for that dissatisfaction, but at base the problem is theological (ain’t it always).

“Evangelicalism is a word religion. I’m a big fan of words, but even talking pictures aren’t fundamentally about words. It’s no accident that the hall of fame for directors has a large share of Catholics (Fellini, Hitchcock, Scorsese), Orthodox (Tarkovsky, Eisenstein), and sacramental Protestants (Bergman, Malick). This can’t be the whole story, of course, since aniconic Judaism has produced some of the world’s great filmmakers. But there’s something to it: Evangelical films over-explain, over-talk. They don’t trust the images to do the work.

“I suspect a more sacramentally oriented evangelicalism, an evangelicalism more attuned to types and symbols in scripture, would make better films.

“Evangelicalism is also a conversionist faith. The key crisis of life is the moment of commitment to Christ. In Woodlawn, most of the characters convert early in the film, necessarily so because the story is about the effect of the revival on race relations. But that means that the line of character development is flat. The really crucial character development has taken place in the moment of conversion. The main exception is Coach Gerelds, and not surprisingly, it’s Coach Gerelds who ends up being the dramatic focus of the film, the character whose emotions and motivations we get to know best.

“Theologically speaking, character development is ‘sanctification.’ A conversionist form of Christianity places less emphasis on sanctification than on conversion and justification. In films, that translates into drastic oversimplification of human psychology. For evangelicals, there are only two sets of motivations, as there are two kinds of people: Saved and unsaved. While that is ultimately true, it is not the whole story.”

Woodlawn, distributed by Pure Flix Entertainment, owned by David. A.R. White, raised in a small Mennonite farming town outside of Dodge City, Kansas, brothers Kevin and Bobby Downes, and Michael Scott, did impressively better perhaps with the very secular Rotten Tomatoes, which is by no means always kind to either evangelical or high school football films, and is the leading online aggregator of movie reviews from a mix of professional critics and its community of users, with an overall score of 77 per cent, and an audience score of 82 per cent (earning a “full popcorn bucket”) meaning the movie received 3.5 stars or higher by Flixster and Rotten Tomatoes users. Rotten Tomatoes noted under “Critics consensus: No consensus yet.” Rotten Tomatoes is part of Fandango’s portfolio of digital properties.

Next up for me perhaps is the college football movie from 2006, We are Marshall, which depicts the aftermath of the Nov. 14, 1970 airplane crash that killed 37 football players on the Huntington, West Virginia Marshall University Thundering Herd, along with five coaches, two athletic trainers, the athletic director, 25 boosters, and a crew of five. New coach Jack Lengye, played by Matthew McConaughey, arrives on the scene four months later in March 1971, determined to rebuild Marshall’s Thundering Herd and heal a grieving community in the process (https://www.youtube.com/watch?v=YU4QBR-V79I).

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Netflix, Popular Culture and Ideas, Television

The metrics of Netflix binge-watching: Autoplay and synthesizing the zeitgeist

making-a-murdererMcMillanlucifer

The big entertainment news last weekend was that Netflix, the California company founded in 1997 and famous for riding the tide from its original core business model of mailing out DVDs to customers for rental to becoming a huge provider of video-on-demand via the Internet when the DVD business died one day in 2011, has announced it has 15 new original series debuting in 2016.

As CBS News noted Jan. 1, “With shows like House of Cards and Orange Is the New Black, Netflix has led the pack when it comes to original streaming series. The streaming service picked up several Golden Globe nominations recently for Narcos, Orange Is the New Black, Grace & Frankie and House of Cards.”

And if that’ not enough, Forbes magazine ran a story Jan. 3  headlined, “Why ‘Making a Murderer’ Is Netflix’s Most Significant Show Ever” and “not just because the genre has switched from scripted drama and comedy to a true crime documentary,” says Paul Tassi, a Forbes contributor who writes usually about video games for the magazine, but rather “because this is the first Netflix show that seems to have completely consumed its viewerbase from top to bottom. Though many of the shows mentioned above are popular, they have pretty specific audiences. But Making a Murderer? The story of Steve Avery has seemed to hook pretty much everyone who has laid eyes on it.”

Moira Demos and Laura Ricciardi, co-executive producers, writers and directors at Synthesis Films LLC, a Los Angeles-based film production company, spent a decade whittling down over 700 hours of footage to craft the 10-part Making a Murderer documentary series released on Netflix Dec. 18.

With serious long-form true-crime documentary being the hottest genre of the moment, the Making a Murderer documentary series is perfect for its legendary binge-watching autoplay audience that Netflix has made a science of creating and studying with series episodes that run one right after the other before you have time to even get up from the couch and refill the bowl with Cheetos®. The phenomenon is so profound at the moment that UK-based Collins English Dictionary picked “binge-watch” in November as its 2015 Word of the Year. Usage of the verb – defined as “to watch a large number of television programs (especially all the shows from one series) in succession” – has tripled since the previous year, according to the publisher.

“Although not a new coinage, the word was a runaway winner due to a sharp rise in its usage, which reflected a change in behavior,” Elaine Higgleton, international publisher at Collins Learning, told CNN.

“It’s actually been around since the 1990s, and binge is an old Lincolnshire dialect word that made its way into common English in the 19th century,” she said. Helen Newstead, head of language content at Collins, told BBC News: “The rise in usage of ‘binge-watch’ is clearly linked to the biggest sea change in our viewing habits since the advent of the video recorder nearly 40 years ago.”

Netflix really has all this down to a science. Variety reported last September the company has “crunched cold, hard viewing data for more than two dozen TV shows and says it has determined which specific episode grabbed most subscribers to the point where 70 per cent of viewers went onto watch the entire first season.

“However, none of the shows Netflix looked at, which included originals and licensed series, hooked viewers with the pilot,” Variety observed. “In the traditional TV biz, conventional wisdom holds that a show’s pilot is the most critical linchpin to igniting viewer interest, given the nature of how new television programs debut.” Netflix  “sees the metrics as validation of its binge-release strategy of delivering all episodes of a season at once.”

For Orange Is the New Black, which Netflix has said is its most-watched original series, the magic number was Episode 3. Same for House of Cards, the American political thriller developed and produced by Beau Willimon and now in its fourth season. It is an adaptation of the four-episode serial 1990 BBC mini-series of the same name, set after the end of Margaret Thatcher’s tenure as prime minister and which aired from Nov. 18 to Dec. 9, 1990. Both the British and American series are based on the novel by Michael Dobbs, former chief of staff of the Conservative Party. The entire first American season on Netflix, comprising 13 episodes, premiered on Feb. 1, 2013.

Set in present-day Washington, House of Cards is the story of the fictional Frank Underwood, played brilliantly by Kevin Spacey, as a Democrat from South Carolina’s 5th congressional district, who is the House majority whip, and who after being passed over for appointment as Secretary of State, initiates an elaborate plan to get even and more.

In researching more than 20 shows across 16 markets, Netflix found that no one was ever hooked on the pilot, although they did find slight geographic differences in the “hook” study, which analyzed data from the accounts of subscribers who started watching season one of the selected series between January and July 2015 in Brazil, Belgium, Canada, Denmark, Finland, France, Germany, Ireland, Mexico, Netherlands, Norway, Sweden, the United Kingdom and the United States, and between April and July 2015 for Australia and New Zealand. The company noted that the hooked episode had no correlation to overall viewership numbers or viewer attrition for a particular series.

While all the Netflix hyperbole is fine – or at least is what it is – regular readers will know by now I’m something of a counterintuitive contrarian curmudgeon, so my enthusiasm for all-things Netflix, including Making a Murderer, autoplay and binge-watching  is, well, limited, truth be told. While the story of Manitowoc County, Wisconsin’s Steve Avery, the real-life character at the centre of Making a Murderer, is indeed strangely compelling, it’s compelling in the way one can’t take their eyes off a slow-motion train wreck or accident-in-progress. Perhaps I just spent too many years sitting in courtrooms every day as court beat reporter for the Peterborough Examiner to ever need to hear again yet another defence lawyer methodically ask prosecution witnesses under cross-examination those questions which must admittedly be asked methodically. Questions such as, “Officer, are these your notes and were they made contemporaneously (sometimes rephrased as at the time or shortly after) you attended at the scene?” Or perhaps, “Do you have any independent recollection, aside from your notes, officer, of the events in question?” Or maybe, “Have there been any additions or deletions, officer, to your notes, since they were made?”

Me? I’m looking forward to setting my personal video recorder (PVR), while I’m working at the University College of the North library here, for 8 p.m. CST Thursday, Jan. 7 on Vision TV, which is airing reruns of McMillan & Wife, the now unintentionally ironic but still delicious (well, if you like beige and the faux-wood paneling such as maybe you knew growing up) 1970’s American police procedural, set in San Francisco, of course, which aired originally on NBC from Sept. 17, 1971, to April 24, 1977, as a popular original partner in the NBC Mystery Movie trio, which also included initially Columbo and McCloud.

As Vision TV notes on its website: “It was Rock Hudson’s first foray into our living rooms on the small screen and he was paired with the luminescent and ultra-charming Susan Saint James to create the most popular crime fighting couple of the ’70s. Throwback Thursdays are about to get even more mysterious and exciting than ever before!”

And after I have had a good hit of 1970’s pop culture nostalgia? Well, maybe a trip over to Fox TV (did I really write that?) to check out Lucifer, as the devil, Prince of this World, is about to get his due debuting Monday, Jan. 25 at 8 p.m. CST.

The new DC Comics-based Fox TV high-concept genre series where Lucifer Morningstar “bored and unhappy as the Lord of Hell, resigns his throne and abandons his kingdom for the gorgeous, shimmering insanity of Los Angeles, where he opens an exclusive piano bar called Lux” admittedly may give new meaning to the dangers of glamorizing evil, something we Catholics get a refresher course in every Easter through the renewal of our baptismal promises where the priest asks us, “Do you renounce Satan and all his works, and all his empty show; do you renounce the glamour of evil, and refuse to be mastered by sin; do you renounce Satan, the author and prince of sin?”

While the production of Lucifer is incredibly slick and well done, watching a three-minute trailer on YouTube (https://www.youtube.com/watch?v=X4bF_quwNtw), I couldn’t help laughing near the end of the trailer when Lucifer, played by Tom Ellis, baffled, asks the female L.A.P.D. homicide detective, Chloe Dancer (played by Lauren German) who unlike almost all the other women who are charmed by him, while she isn’t, “Did my father send you?”

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Koselig

Life in the Circumpolar North: Winter living with a sense of joie de vivre and koselig

uarcticmembersmap-2014Hotel d'Angleterre

Monday, Monday. Winter is set to arrive here in Northern Manitoba on winter solstice, Monday, Dec. 21 at 10:49 p.m. Central Standard Time (CST) – which is just eight minutes shy of seven hours after sunset at 3:57 p.m. that day.

The term solstice comes from the Latin word solstitium, meaning “the sun stands still.” This is because on this day, the sun reaches its southern-most position as seen from the Earth. The sun seems to stand still at the Tropic of Capricorn and then reverses its direction. It’s also known as the day the Sun turns around, and in the Northern Hemisphere, astronomers and scientists use the winter solstice Dec. 21 to mark the start of winter season, which ends with the spring equinox Saturday, March 19 at 11:31 p.m. Central Daylight Time (CDT).

Here in Thompson at 55.7433° N latitude, no matter what the official dates for the winter solstice and spring equinox may be, we know quite literally in our bones that we have really long, cold winters and on average there are about 140 frost-free days each year. New arrivals to Thompson and environs are sometimes surprised their first year here to learn Feb. 2 (Groundhog Day), the day when those furry prognosticators – Punxsutawney Phil in Gobbler’s Knob, Pennsylvania, Shubenacadie Sam in Nova Scotia and Wiarton Willie in Ontario – predict either four or six more weeks of winter, depending on whether they see their shadows when they emerge from their burrows, really doesn’t have any resonance beyond wishful thinking here. Winter ending in early or late March in Thompson? Six more weeks of winter only from Feb. 2? Yes, bring it on.

As Thompson oldtimers sometimes tell newcomers: “You might want to consider making friends with winter since it lasts about eight months of the year here.” A slight – but not great – exaggeration. Having spent most of the 21st century living to date in Yellowknife in the Northwest Territories and Thompson in Manitoba, which Macleans magazine, using  Environment Canada, dated, ranked respectively as being number one and number two on their list of “The 10 coldest cities in Canada,” I have some notion of what it means to live in the North.

The North can be defined several ways. Quite often it is quite simply referred to as just that – the North. There is also the Canadian Arctic Archipelago, consisting of 94 major islands and 36,469 minor islands, which aside from Greenland that is almost entirely ice covered, forms the world’s largest High Arctic land area. There is also the Circumpolar North.

The idea of a Circumpolar North was something that caught my imagination in 2001 after I moved from Halifax in Nova Scotia to Yellowknife in Canada’s Northwest Territories. While the Arctic Circle, which I’ve crossed en route to places in the Mackenzie Delta, including the historically-Gwich’in founded community of Tetlit’Zheh (Fort McPherson) at 67.4353° N, Inuvik at 68.3617° and Tuktoyaktuk at 69.4428° N, is rather clearly defined as a circle of latitude that runs 66°33′45.9 N north of the equator, marking the southernmost latitude where the sun can stay continuously below or above the horizon for 24 hours – phenomena known as the Midnight Sun in summer and Polar Night in the depths of a deep and dark December, the Circumpolar North is partly a land of the imagination and a state of being, not quite so precisely defined by geographic lines of latitude, although it generally includes in Canada all that is North of 60, including the islands of the High Arctic, and the remainder of the Yukon, Northwest and Nunavut territories, plus those parts of northeastern Quebec and central Labrador settled by the Innu.

In the United States, the Circumpolar North is defined to include Alaska, except for the Southeast Alaska Panhandle. The Circumpolar North also is made up of Denmark, including Greenland, and the Faroe Islands; Iceland; Norway, including the archipelago of Svalbard; Sweden; Finland; the European Arctic south to the Arctic Circle; and the Russian Federation south to 63°N in European Russia and to 57° N in Asia, including all of the Kamchatka peninsula and Sakhalin Island.

Copenhagen at 55.6761° N is incredibly close latitudinally to Thompson, Manitoba at 55.7433° N, but neither are quite part of the Circumpolar North geographically. But imaginatively, one might make the argument. In winter, Northern Manitoba is vast land of isolation, ice roads, early sunsets and late sunrises. Copenhagen is not so different with short days during the winter with sunrise coming around 9:30 a.m. and sunset about 4:30 p.m.

One December day in 2001, living within sight of the western shore of Great Slave Lake in Yellowknife, I got a sense of how imaginatively the lives of the peoples of the Circumpolar North are weaved together, between glances out my balcony window before 3 p.m. darkness fell and watching Smilla’s Sense of Snow, the delightful 1997 Danish thriller starring Julia Ormond, Gabriel Byrne, and Richard Harris, based on the 1992 novel Frøken Smillas fornemmelse by Danish author Peter Høeg, with both the book and the film telling the story of a transplanted Greenlander, Smilla Jasperson, who investigates the mysterious death of a small Inuit boy who lived in her housing complex in Copenhagen. Clues send her not just around Copenhagen, including the Hotel d’Angleterre, but also to Kiruna, the northernmost town in Sweden in Lapland, and Ilulissat in western Greenland.

And while American poet T.S. Eliot told us that “April is the cruelest month” when he wrote The Waste Land, he seems to have been silent on the issue of November, which the Meteorological Service of Canada at Environment Canada in Winnipeg assures is still usually the snowiest month of the year with one average 35.4 centimetres of snow. At least on average. Usually.

When it comes to permafrost, there was no evidence of the existence of it here in Thompson until work started on the townsite in 1957. Then there was plenty of evidence, as permafrost was encountered at many locations in “scattered islands underlying somewhat less than 50 per cent of the townsite,” as noted by Robert M. Hardy, originally from Winnipeg, and co-founder of R.M. Hardy and Associates Ltd. in Edmonton, the only engineering firm in Alberta to offer geotechnical services at the time, and K.S. Goodman, manager of K.S. Goodman, Materials Testing Laboratories Ltd. in Calgary, in their paper “Permafrost Occurrence and Associated Problems at Thompson, Manitoba.”

Hardy and Goodman’s paper was presented at the National Research Council of Canada’s Associate Committee on Soil and Snow Mechanics Proceedings of the First Canadian Conference on Permafrost in Ottawa on April 17-18, 1962.

We are roughly 240 kilometres south of the line, which approximates the southern limit of continuous permafrost, as shown in the Climatological Atlas of Canada, and about 80 kilometres north of the southern limit of permafrost. But global warming may be causing the southern limit of permafrost to shift further north, meaning less permafrost here in Thompson, making some additional homebuilding on Wekusko Street, Arctic Drive and Char Bay, considered inadvisable 20 years ago, finally feasible within the last six or seven years.

How about the “average weather” for Thompson? Over the course of a year, the temperature typically varies from -29°C to 23°C and is rarely below -39°C or above 28°C. Remember, we’re talking averages now, not temperatures for a specific winter.

The “warm season” (again, a relative term) lasts from May 24 to Sept. 11 with an average daily high temperature above 15°C. The hottest day of the year is on average July 20, with an average high of 23°C and low of 10°C. The coldest day of the year on average is Jan. 15, with an average low of -29°C and high of -19°C

James Diebel, an American, and Jacob Norda, a Swede, who both live in the San Francisco Bay area, can be thanked for these fascinating Thompson weather facts available through their WeatherSpark website at: http://weatherspark.com/averages/28377/Thompson-Manitoba-Canada. Diebel, born and raised in Wisconsin, who has a bachelor’s degree in engineering mechanics and astronautics, and mathematics from University of Wisconsin, and a PhD in aeronautics and astronautics from Stanford University, and Norda, born and raised in Sweden, who holds a master’s degree in electrical engineering and applied physics from Linköping Institute of Technology, teamed up and started Vector Magic, now known as Cedar Lake Ventures, Inc., in December 2007. The weather facts are based on historical records from 1988 to 2012.

How best to live in the Circumpolar North or the North, however, one wishes to define it? With a sense of joie de vivre – joy of living, I think.

Oulu in Finland, which at 65.0167° N is about 1,600 kilometres farther north than Thompson and located just 200 kilometres below the Arctic Circle, is the sixth largest city in Finland with 141,000 residents, and played host to the first-ever two-day international Winter Cycling Congress in 2013. The second congress was in Winnipeg in February 2014.

I remember back in February 2011 reading about Bruce Krentz’s bet with Harold Smith, a former City of Thompson councillor and executive director for Manitoba Housing and Community Development’s northern housing operations, who challenged him to use active transportation commensurate with getting to his new job as health promotion co-ordinator with the Burntwood Regional Health Authority (now the Northern Regional Health Authority). “He said, ‘Really, you should walk the walk,’” Krentz said at the time. “I sort of made the commitment that I would bike all year.” Smith said he didn’t expect Krentz to use a bike as his method of transportation. “To be honest, when I threw down that challenge I was really thinking about him walking, not cycling,” said Smith, who noted in 2011 he wasn’t surprised that Krentz had stuck with the plan. “Bruce has a history of sticking with things, especially the crazier ones.”

That’s interesting, I thought. Sounds like Bruce. And Harold. Frankly, it didn’t hold any appeal to me personally, although I had been doing a good deal of fair weather riding from mid-April through early November since my arrival in Thompson in 2007.

Circumstances, however, can change and so last year when my circumstances changed, I changed my mind about winter biking in Thompson. Which is why you might spot me wearing my trademark-like red helmet, white front and rear red MEC lights flashing, courtesy of Jeanette, as I at first carefully nudge my way over the short city-owned public footpath connecting the 200-block of Juniper Drive to the back of Southwood Shopping Plaza on Thompson Drive South, before reaching the paved two-lane multi-use boulevard pathway for pedestrians and cyclists that delivers me to work at the Thompson campus library of the University College of the North (UCN).

The Norwegians, Circumpolar North residents that they are, have something to teach us, too.

Laura Vanderkam, in a Nov. 6 Fast Company online magazine piece headlined “The Norwegian Secret To Enjoying A Long Winter: Residents of Norway view their long dark winters as something to celebrate. How it’s possible to be cheerful for the next four months,” outlined the Norwegian notion of koselig, “that means a sense of coziness. It’s like the best parts of Christmas, without all the stress. People light candles, light fires, drink warm beverages, and sit under fuzzy blankets. There’s a community aspect to it too; it’s not just an excuse to sit on the couch watching Netflix.”  You can link to the article here at: http://www.fastcompany.com/3052970/how-to-be-a-success-at-everything/the-norwegian-secret-to-enjoying-a-long-winter

Lorelou Desjardins, who pens the Norwegian Frog in the Fjord blog, says, in fact, koselig is more even then being cosy. “Most English speakers translate it by ‘cosy’ but that term doesn’t even begin to cover everything that ‘koselig’ can express,” Desjardins writes at: http://afroginthefjord.com/2014/02/02/how-to-make-things-koselig/

“This concept is difficult to translate to those who do not live here, but basically anything can (and should) be koselig: a house, a conversation, a dinner, a person. It defines something/someone /an atmosphere that makes you feel a sense of warmth very deep inside in a way that all things should be: simple and comforting.”

Kari Leibowitz, a PhD student at Stanford University, spent August 2014 to last June on a Fulbright scholarship in Tromsø in northern Norway – a place “so far north that from late November to late January, the sun never climbs above the horizon,” Vanderkam notes in her Fast Company article.

Leibowitz studied the residents’ overall mental health, because rates of seasonal depression were lower than one might expect.

“At first, she was asking ‘Why aren’t people here more depressed?’ and if there were lessons that could be taken elsewhere. But once she was there, ‘I sort of realized that that was the wrong question to be asking,’ she says. When she asked people ‘Why don’t you have seasonal depression?’ the answer was “Why would we?'”

Vanderkam says that Leibowitz found that it “turns out that in northern Norway, ‘people view winter as something to be enjoyed, not something to be endured,’ and that makes all the difference.

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Catholicism, Eschatology

Rejoice: Canadian Catholic author Michael D. O’Brien’s Elijah in Jerusalem, the long-awaited sequel to Father Elijah: An Apocalypse, has just been published

Elijah in JerusalemFather ElijahobrienPlagueJournal

Michael D. O’Brien, the Ottawa-born Roman Catholic author and painter, has just had Elijah in Jerusalem, his long-awaited sequel to Father Elijah: An Apocalypse, published by San Francisco’s Ignatius Press, one of the largest American publishers of Catholic books, which was founded by Father Joseph Fessio, a Jesuit, in 1978.

He has worked as a professional artist since 1970 when he had his first one-man exhibit at a major gallery in Ottawa. Since 1976, O’Brien has painted religious imagery exclusively.

When one says Elijah in Jerusalem is the long-awaited to Father Elijah: An Apocalypse, they should perhaps qualify that by making it clear long awaited by readers. Not necessarily O’Brien, who told Joan Frawley Desmond, senior editor of the National Catholic Register in an Oct. 15 interview, that he had not originally intended to write a sequel to Father Elijah: An Apocalypse, published in 1996:

“No, I didn’t,” O’Brien told Frawley, in response to her question asking if he had intended from the beginning almost 20 years ago to write a sequel? “Though the idea of a sequel was often suggested to me by readers, I rejected it for many years,” O’Brien said. “However, during the past few years, powerful images and scenes for the continuing story kept arising in my imagination, begging to be set down on paper. So I prayed and waited. Then came a moment when it was clear that I should write the book – and that the time was now.”

The father of six children, O’Brien, and his wife, Sheila, live in the village of Combermere in eastern Ontario’s scenic, historic, and very rural, Madawaska Valley, about 125 miles west of Ottawa.

I have known about O’Brien, who was briefly both an agnostic and an atheist as a young man, and his work since at least the mid-to-late 1990s, around the time Father Elijah: An Apocalypse, was published, but only got around to reading the novel a couple of years ago. It was a true delight from cover-to-cover. A few years earlier, I had read Plague Journal, one of the novels in his apocalyptic and dystopian 1990s’ trilogy, which also includes Strangers and Sojourners and Eclipse of the Sun. Plague Journal is set in the near future, composed of both written and mental notes made by Nathaniel Delaney, who is the editor of a small town newspaper. The story takes place over a five-day period as he flees arrest by a federal government agency during the preliminary stage of the rise of a totalitarian state in North America. Delaney is one of the few voices left in the media who is willing to speak the whole truth about what is happening, and as a result the full force of the government is brought against him.

O’Brien is an original yet orthodox thinker, writing a novel again with themes rooted in a Catholic view of spiritual warfare, the end times and the Second Coming. While it is not quite uncharted Catholic writing territory, eschatological and apocalyptic themes are often more associated with Protestant premillennial dispensationalist evangelical writers, say Tim LaHaye and Jerry B. Jenkins, and their best-selling 16-book Left Behind series.

O’Brien is interested in exploring the battle between good and evil in history, but also through the souls of individuals, and God’s desire for human beings to choose to love him through an act of free will. Father Elijah: An Apocalypse, Notre Dame-educated Chicago Catholic writer Thomas O’Toole has written, “follows not the simplest interpretations that ‘Revelation’ refers solely to John’s own time,” or “it is exclusively a meditation on the end of things,” or even “a map of the Church’s history.” Rather, it is the interpretation ‘favored by most of the Church Fathers … a theological vision of a spiritual landscape’ that combines all three.”

O’Brien himself, in a talk given by him on Sept. 20, 2005 at Saint Patrick’s Basilica in Ottawa, said, “There is always a battle over every soul. Even if our times prove not to be the times toward which St. John’s Revelation is pointing, each of us must go through a kind of small ‘a’ apocalypse. Each of us certainly will be given a capital ‘R’ revelation at the moment of our deaths when we experience our personal judgment, when all that we are, all that we have done or neglected to do will be revealed.

“The Greek word apokalypsis means a revealing or unveiling. During our lives in this world each of us will indeed face the beast, which is the devil, our ancient adversary, the enemy of our individual souls and of mankind as a whole. In some form or other we must learn to personally resist him and to overcome him in Christ. At the same time we must understand that there will come a point in history when all his malice, all his devices, all his rage will be released in a final vicious attack upon the entire Body of Christ. It will be intense; it will be brief. If we find ourselves in the midst of those three and a half years of total persecution, it will not feel so brief. Yet we must always keep in mind that his time is coming to an end; indeed he is already defeated by the sacrifice of Jesus on the Cross and there remains only the final battle through which the Church and the world must pass.

“We are in the final battle, we are in the apocalypse, we are in the book of Revelation, which the Church, beginning with most of the Church Fathers, believes to be a vision of the entire unfolding of salvation history after the Incarnation, culminating in the total victory of Christ over the entire cosmos and its restoration to the Father. The book of Revelation is not a schematic diagram or a flat blueprint or a purely linear timeline. It is a mysterious multidimensional vision which surely contains linear-chronological aspects, but that is not the whole thing. Indeed it is not the main thing.”

O’Brien told Frawley earlier this month: “Satan attempts to mesmerize, like a serpent paralyzing its victim with fear before devouring it. The many fronts of evil are components in the vast and complex war between good and evil  the war that will last until the end of time. As the forces of evil, visible and invisible, appear to spread and grow ever stronger, we who follow Jesus must keep before the eyes of our hearts the ultimate truth of his coming victory. A healthy balance is needed in our pondering of ‘end times’ questions. We should remain prayerfully alert, but we should never allow ourselves to become obsessively over-focused on the darkness. Again, the eyes of the serpent can delude us into discouragement and even despair.”

In the Protestant premillennial dispensationalist interpretation of Bible prophecy, which posits a pretribulation secret Rapture – there is a belief that Christians will be taken up from earth in a sudden, silent removal of true believers by God prior to a time of tribulation and the Second Coming. For this belief, pre-tribbers rely heavily on Saint Paul and 1 Thessalonians: “For the Lord himself will descend from heaven with a cry of command, with the archangel’s call, and with the sound of the trumpet of God. And the dead in Christ will rise first; then we who are alive, who are left, shall be caught up together with them in the clouds to meet the Lord in the air; and so we shall always be with the Lord.”

That, to be clear, is not a Catholic reading, nor would it be O’Brien’s reading, of 1 Thessalonians or Catholic theology, as the passage describes a very loud and public event, not a secret Rapture. We do, as does O’Brien, however, believe in a future Antichrist, and a coming trial and time of apostasy before the Second Coming.

While some of the Apostolic Fathers of the early church, including Papias, Justin Martyr, Irenaeus, Tertullian, Hippolytus, Methodius, Commodianus and Lactanitus – were premillennialists who believed that Christ’s Second Coming would lead to a visible, earthly reign – the pretribulational Rapture espoused by the Protestant premillennial dispensationalist end times writers is premised on the notion that Christ sought to establish a material and earthly kingdom, but the Jews rejected him, so the Church by necessity is a parenthetical insert into history, created as a result of Jews rejecting Christ, resulting in the existence of two people of God: the Jews, the “earthly” people, and the Christians, the “heavenly” people. This is all alien to both Catholic theology and even the premillennialist views of some of the early Apostolic Fathers.

The premillennial dispensationalism on display in recent years is of a much more recent vintage and is for the most part the creation of John Nelson Darby, an Anglo-Irish curate with of the Anglican Church of Ireland, who would eventually leave that church and in the early 1830s with a small group of men form what would come to be known as the Plymouth Brethren. It was Darby who postulated the secret Rapture and much of what premillennial dispensationalism today teaches about 190 years ago.

Elijah in Jerusalem, published earlier this month, is the continuing story of Father Elijah, formerly David Schäfer, a convert from Judaism and survivor of the Holocaust, who has for nearly two decades been a Carmelite friar at a monastery on Mount Carmel, the mountain of the prophet Elijah, overlooking the Bay of Haifa in Israel.

In the earlier novel, Father Elijah: An Apocalypse, Father (later Bishop) Elijah Schäfer confronted the president of the European Union, a man rising toward global control as president of a soon-to- be-realized world government – a man who displays certain anti-Christ-like qualities – and calls him to repentance as he attempts to sow the seeds to transform the heart of this “Man of Sin” on a secret papal mission that will take him from Israel to Vatican City and Rome, and to other cities in Italy, Poland and Turkey.

In Elijah in Jerusalem, Bishop Elijah Schäfer, appointed by the Pope in pectore as the titular bishop of the ancient Titular Episcopal See of Panaya Kapulu near Selçuk, in Central Aegean Turkey, about 200 miles from Constantinople in western Asia Minor, near Ephesus, and travelling incognito, accompanied by his fellow friar, Brother Enoch, enter Jerusalem just as the president arrives in the city to inaugurate a new stage of his rise to power. They hope to unmask him as the Antichrist prophesied by scripture and to warn the world of the imminent spiritual danger to mankind.

As the story unfolds in Jerusalem, people meet the secretly episcopally-ordained Bishop Elijah Schäfer, and in the process their souls are revealed and tested, bringing about change for good or for evil.

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Christianity, Movies, Popular Culture and Ideas

The Devil, Prince of this World, is not surprisingly about to get his pop culture due on Fox Television as Lucifer Morningstar, recently retired as Lord of Hell and running a piano bar in Los Angeles, the City of Angels

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Some movie film buffs are attracted to 1940’s and 1950’s Hollywood film noir, the stylish but low-key black-and-white German expressionist influenced flicks that emphasize cynicism and sex as motivations for murder and other deadly sins (not necessarily in that order). Think Howard Hawks’ The Big Sleep in 1946, with Lauren Bacall and Humphrey Bogart, based on Raymond Chandler’s 1939 novel of the same name. Or perhaps the 1950 classic, D.O.A., starring Edmond O’Brien and Pamela Britton.

Both are fine films, as are many others of the genre. But I wouldn’t say I am quite an aficionado of film noir. Rather, I appreciate it on its artistic merits.

The same is true for TV series science fiction or sci-fi. While I am a sucker for a good story with elements of time travel or parallel universes (“The City on the Edge of Forever,” the second to last episode of the first season of Star Trek, first broadcast on Thursday, April 6, 1967, which was awarded the 1968 Hugo Award for Best Dramatic Presentation, remains in a league of its own in my mind), I’m not  quite a diehard Trekkie, although I think the original series, which ran on NBC Television for three seasons from 1966 to 1969 is superb, albeit cheesy. But cheesy is OK. Popular culture is made up of a rich cornucopia of cheesy television and movies that almost require a mandatory bowl of Cheetos® to consume such classics as the black-and-white a double-bill of The Brain That Wouldn’t Die, also known as The Head That Wouldn’t Die, a 1959 science-fiction-horror film, directed by Joseph Green (made for $62,000 but not released until 1962), and Plan 9 from Outer Space, the 1959 American science-fiction thriller film, written and directed by Ed Wood on a $60,000 budget, and dubbed by some critics as the worst movie ever made.

While it took me a while to warm up to it, I also came to like Star Trek: The Next Generation, which aired from 1987 to 1994. I’ve also seen most, although probably not all, of the movies from the seemingly endless Star Trek-spawned movie franchise.

Three additional Star Trek spin-offs, Star Trek: Deep Space Nine, Star Trek: Voyager, and Star Trek: Enterprise; well, I could probably count on the fingers of one hand how many episodes of the combined series I’ve ever watched, although knowing Star Trek: Enterprise, which aired originally between 2001 and 2005 and was titled simply as Enterprise for its first two seasons, features Scott Bakula of Quantum Leap fame as Capt. Jonathan Archer, and there is a recurring plot device based on the Temporal Cold War, in which a mysterious entity from the 27th century uses the Cabal, a group of genetically upgraded Suliban, to manipulate the timeline and change past events, I probably will have to give in and start watching its 98 episodes at some point.

Then there is the Christian movie genre. We discover things where we discover them. While I had seen The Rapture, a rather odd but interesting movie starring Mimi Rogers and David Duchovny, later of The X-Files and Californication fame, on VHS videotape cassette in Durham, North Carolina shortly after it was released in 1991, for me, my first real introduction into what I would call the Christian movie genre took place a decade later in Yellowknife, of all places (when I lived in Yellowknife a standard observation was that there were more bars than churches, although that’s hardly unique to Yk).

I remember seeing A Walk to Remember, an American coming-of-age teen romantic drama, when it was released in 2002 downtown at the Capitol Theatre on 52 Street, starring Shane West and Mandy Moore as Landon Carter and Jamie Sullivan, based on the 1999 novel of the same name by the Catholic romance fiction writer Nicholas Sparks. That would be the Nicholas Sparks whose earlier 1996 book, The Notebook, was released as a movie of the same name in 2004, two years after A Walk to Remember came to film screens. I can’t recall exactly how I came to find myself in the Capitol Theatre to watch A Walk to Remember. I don’t recall any of my colleagues going with me, although more than one expressed incredulity the next day when they asked me and I said I enjoyed the movie. I saw it again a couple of years ago for the first time on DVD, and I still enjoyed it.

I won’t spoil the plot for you; the summary is on the Internet and easy enough to find and the ideas, to be honest, are not exactly original. Cheesy? You bet. Pass the Cheetos®. But I’m happy to say the movie was made for about $11 million and has taken in about $47.5 million at the box office. Not a particularly big budget film and far from record box office, but OK.

I wrote a piece here in soundingsjohnbarker (https://soundingsjohnbarker.wordpress.com/2014/09/15/flying-largely-under-the-mainstream-cinematic-radar-christian-movie-genre-is-hot/) last Sept. 15 headlined, “Flying largely under the mainstream cinematic radar: Christian movie genre is ‘hot’” where I mentioned just a few of last year’s Christian movie offerings, including The Giver, starring three-time Academy award winner Meryl Streep and Jeff Bridges, which is set in a fictional post-war 2048 where the community has decided to get rid of colors and, as a consequence, different races and feelings. All citizens have had the memories from before erased from their minds.

I also talked a bit about Heaven Is for Real, directed by Randall Wallace and written by Christopher Parker, based on Pastor Todd Burpo and Lynn Vincent’s 2010 book of the same name, and starring Greg Kinnear, Kelly Reilly, Jacob Vargas and Nancy Sorel, which tells the story of  three-year-old Imperial, Nebraska, native Colton Burpo, the son of Pastor Burpo, and what he says he experienced heaven during emergency surgery; and When the Game Stands Tall, starring Jim Caviezel, best known for portraying Jesus in Mel Gibson’s blockbuster 2004 film The Passion of the Christ, now playing Catholic De La Salle High School Spartans’ football coach Bob Ladouceur (with Laura Dern as his wife, Bev Ladouceur), and telling the story of the record-setting 151-game 1992–2003 winning streak by De La Salle of Concord, California, just east of San Francisco. The movie is an adaptation of the 2003 book of the same name by Neil Hayes, then a columnist with the Contra Costa Times.  The movie was filmed in Louisiana.

As well, I mentioned Tim Chey’s movie, Final: The Rapture, released in 2013 in theatres, but on DVD just last November, starring Jah Shams, Mary Grace, Carman, Masashi Nagadoi and Dave Edwards. While there have been generally cheesy church-sponsored, Halloween “Hell Houses” videos in the past, Final: The Rapture is an unusual sub-genre of Christian horror movie or Christian disaster movie. The movie’s poster promise, “When the Rapture strikes … all of hell will break loose.”

Chey said his purpose is “to scare the living daylights out of nonbelievers … If it means I have to make a horror film to make it realistic to win people to Christ, then so be it.”

Online Maranatha News of Toronto calls Final: The Rapture “the scariest Christian movie ever.”

Final: The Rapture depicts the apocalyptic chaos that ensues for four nonbelievers – an African-American, an Asian, a Hispanic and a Caucasian man living in Los Angeles, Tokyo, Buenos Aires and on a South Pacific island, after the Rapture occurs. “In Los Angeles, Colin Nelson desperately attempts to flee to Bora Bora. Keenly aware that he’s in the Tribulation period, his only hope is in a mysterious man. In Tokyo, a journalist, Masashi, tries to unravel the disappearance of millions of people as the government closes in on him. In Buenos Aires, Marie searches for her final relative as time runs out. And on a deserted island in the South Pacific, Tom Wiseman, an avowed atheist, attempts to be rescued after his plane goes down.”

The film was shot in six countries over five months for about $7 million, Final: The Rapture, raised the necessary production money across a spectrum of investors, ranging from faith-based to hedge funds.

Just in passing, I wrote about God’s Not Dead with Kevin Sorbo; Noah with Russell Crowe; Son of God, produced by evangelical Mark Burnett from Survivor, and his Catholic wife, Roma Downey (whose A.D.: The Bible Continues miniseries based on the early church, as described in the first 10 chapters of the Acts of the Apostles is airing on NBC currently); and the “new” Left Behind movie about the Rapture by Paul Lalonde and Stoney Lake Entertainment, with Nicolas Cage starring as Rayford Steele, and Civil Twilight’s song “Letters from the Sky” being used in the trailer, released in North American theatres last October.

The interesting thing is if I was to revisit the genre today nine months later for a comprehensive update, I’d be saying the Christian movie genre is not just hot, it is on fire, churning out television miniseries and movies at a pace that would be better suited to a book than a blog post.

Mind you, the devil, Prince of this World, is not surprisingly about to get his due as well. Such is the nature of the supernatural and spiritual warfare.

A new DC Comics-based Fox TV high-concept genre series Lucifer where Lucifer Morningstar “bored and unhappy as the Lord of Hell, resigns his throne and abandons his kingdom for the gorgeous, shimmering insanity of Los Angeles, where he opens an exclusive piano bar called Lux” is set to air on Fox next year.

It gives new meaning to the dangers of glamorizing evil, something we Catholics get a refresher course in every Easter through the renewal of our baptismal promises where the priest asks us, “Do you renounce Satan and all his works, and all his empty show; do you renounce the glamour of evil, and refuse to be mastered by sin; do you renounce Satan, the author and prince of sin?”

The production of Lucifer is incredibly slick and well done. That said, watching a three-minute trailer on YouTube (https://www.youtube.com/watch?v=X4bF_quwNtw), I couldn’t help laughing near the end of the trailer when Lucifer, played by Tom Ellis, baffled, asks the female L.A.P.D. homicide detective, Chloe Dancer (played by Lauren German) who unlike almost all the other women who are charmed by him, while she isn’t, “Did my father send you?”

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Christian Cinema

Tim Chey and the Christian cinema ‘cheese’ factor

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There was much consternation among Tim Chey and his Christian movie fans recently when all of the major Hollywood  movie studios took a pass on releasing his $50-million epic, David and Goliath, shot last year in Morocco and produced by RiverRain Productions.

The usual suspects, including the secular media, were trotted out for a whipping, and Chey and his supporters decided to go ahead and release the film on their own in 31 cities on Good Friday, April 3, while they tried to raise more money to get the film shown on more screens in more cities through Indiegogo, a San Francisco crowdfunding company. The movie earned about $161,000 at the box office over the Easter weekend. When the Indiegogo campaign closed March 12, they had only managed to crowdfund three per cent of their $777,000 USD goal, with 499 donors contributing $19,653 USD. According to the filmmakers, GodVine reported “The Hollywood studios have rejected David and Goliath for being too Bible-based and religious. One studio executive said, ‘You mention God in almost every scene.'”

Godvine
went onto quote Chey as reportedly saying, “We were constantly being ridiculed by the secular media.” Contrast that with the upbeat tone Chey took in a Beverly Hills, California-based Ripple Effect Communications media advisory on April 21, 2014, just weeks before shooting was set to get under way for David and Goliath in Morocco.  “Chey, who just finishing location scouting in Morocco, is jubilant,” according to Carol Edwards’ media advisory for Ripple Effect Communications. “We’re going to have thousands of extras, A-list special effects, and it will exceed the epic-look of ‘Noah,’ Chey was quoted as saying. “The $50 million dollar film comes at a perfect time. Hollywood is embracing faith-based films as of late and the audiences are growing at a record pace according to reports.”

What a difference a year can make.

Martin Stillion, reviewing David and Goliath in Peter T. Chattaway’s “Filmchat” on the religion blog Patheos April 5, wrote that Chey “undertook a mendacious, self-pitying marketing campaign to position the film as the ultimate underdog, “rejected by Hollywood for being too ‘God-centered’ – a claim based on an alleged remark from one of those potential distributors.

“This may seem a little puzzling. Why wouldn’t distributors be interested? After all, David and Goliath comes along at a time when a lot of attention is being paid to both “faith-based” films (God’s Not Dead, Old Fashioned, Do You Believe?) and Bible epics (Noah, Exodus: Gods and Kings, Son of God), and several of those films have done well financially. So Chey’s film, a faith-based Bible epic that retells one of the most archetypal biblical stories, is in the right place at the right time.

“But it forgot to bring the right stuff.

“I could give you a dozen reasons that distributors wouldn’t want to touch this film, and none of them have anything to do with its being ‘God-centered.’ They have to do with its being a very, very bad movie. I know that’s a common criticism of faith-based films, but seriously, this one makes God’s Not Dead look like Blade Runner.”

Chey has directed 10 feature films, including the $20 million Carry Me Home with Cuba Gooding, Jr., Suing the Devil with Malcolm McDowell, Genius Club with Stephen Baldwin and Final: The Rapture, starring Jah Shams, Mary Grace, Carman, Masashi Nagadoi and Dave Edwards, which depicts the apocalyptic chaos that ensues for four nonbelievers – an African-American, an Asian, a Hispanic and a white man living in Los Angeles, Tokyo, Buenos Aires and on a South Pacific island, after the Rapture occurs.

Trotting out the secular media – or even other Christians – as a whipping boy is not exactly a new theme for Chey. In an April 25, 2014  Christian Post story by Stoyan Zaimov, headlined  “CP Exclusive: ‘David and Goliath’ Director Assures Big-Budget Movie Will Be ‘Biblically Correct in Every Way,’ Chey is quoted as saying, “We were constantly being ridiculed by the secular media, our films were being sabotaged by online piracy, and fellow jealous Christians were mocking us saying the acting was bad, script was horrible, etc., etc.

“Thousands of people were coming to Christ so why did I let that bother me? I don’t know. The Lord showed me clearly it was a spiritual attack. I repented and began to trust the Lord again. Within two months, we raised millions of dollars and made the $20 million dollar Carry Me Home on the early life of John Newton, writer of Amazing Grace and now David and Goliath.”

Bad scripts and bad acting are hardly new criticisms when it comes to the Christian movie genre. Nor are they ones without merit. As I observed in a blog post last Sept. 15 headlined “Flying largely under the mainstream cinematic radar: Christian movie genre is ‘hot’” the “big knock against the Christian movie genre for more secular moviegoers  aside from the fact the films are Christian  has long been heavy-handed theological scripts, clunky acting and cheesy sets, with mainly bad films, which, to be charitable, do little more than preach to the choir, there hasn’t been, aside from the occasional blockbuster, much for broader audiences to judge such films on if they were done, well, well. You know, decent scripts, good actors, high production values, that sort of thing.” You can read the piece here at: https://soundingsjohnbarker.wordpress.com/2014/09/15/flying-largely-under-the-mainstream-cinematic-radar-christian-movie-genre-is-hot/

The story of Chey’s conversion from atheist to born-again believer has been oft told in many places, but the shorthand goes something like this. Chey was born and raised in Los Angeles and  “once threw his mother’s Bible in the trash and hectored his Christian friends,” noted Matt Soergel in a generally flattering piece in the Florida Times-Union when Suing the Devil was released in 2011. Chey was educated at Harvard University, University of Southern California (USC) School of Cinematic Arts in Los Angeles and Boston University School of Law. He practiced law for three years, but “realized I just didn’t have a heart for law,” he told interviewer Nathan Jones of The Christ in Prophecy Journal of David Reagan’s Princeton, Texas-based Lamb & Lion Ministries in a Jan. 20, 2014 broadcast interview. “I was an artist, caught up in something that really meant nothing to me,” he told Soergel of the Florida Times-Union.

His first film, which he wrote and directed was, Fakin’ Da Funk, a 1997 comedy starring Pam Grier and Dante Basco about a Chinese son adopted by black parents who relocates to South Central Los Angeles. A second story involves Mai-Ling, an exchange student played by Margaret Cho, who by another twist, gets sent to the wrong ‘hood.'”

The film was nominated for the Golden Starfish Award at the 1997 Hamptons International Film Festival and won the Audience Award at the 1997 Urbanworld Film Festival.

In 2001, Chey was in his mid-30s, single, and in the Philippines scouting locations for his next movie. After a busy night boozing at strip clubs,” Soergel wrote in his May 23, 2011 piece for the Florida Times-Union, he picked up the Gideon Bible in his hotel room and began reading: “”I got down on my knees and accepted Jesus Christ right there,” Chey said.

He was back in the Philippines in 2002 in Manila, Pasig City, Bataan, Manila Bay, and Antipolo to direct Gone, his first Christian-themed film, a post-apocalyptic thriller based on his screenplay, starring Dirk Been and Joel Klug star as tenacious lawyers who are sent to Manila to defend a multinational corporation, but instead, meet their fate in the Last Days after the Rapture.

Suing the Devil, released in August 2011, was his fifth Christian-themed movie and set in Australia, where he obtained much of the financing for it. It’s about a young law student who files an $8- trillion dollar civil lawsuit against Satan for all the misery he’s caused humanity. Corbin Bernsen, played divorce lawyer Arnie Becker on TV’s L.A. Law, which ran from for eight seasons on NBC from 1986 to 1994, and is a long-time evangelical Christian, plays a TV news host.

To law student Luke O’Brien’s (played by Bart Bronson) surprise, a loquacious Satan – in the form of Malcolm McDowell, star of the 1971 film A Clockwork Orange – shows up to defend himself.

Describing McDowell to Soergel, Chey said, “He’s a seeker. We had great talks. We talked a lot about God, a lot about life. He’s a spiritual person.”

In a June 2010 interview, about 14 months before Suing the Devil was released, McDowell had this to say about the movie: “From my point of view – I play the Devil – [the film] is about a loser that can’t get his act together or his life together and blames everybody else for his loser-ness. He’s a big loser, and so he, of course, blames the Devil and he goes to court to sue the Devil. And I answer the summons. And so it’s really a comedy in a courtroom.

“You know, I’m not into the religious connotations of what good and evil are. In fact the Devil I played is not really evil. I mean, the Devil really is charming, seductive. I mean, it’s like Nazism … charming, seductive, all these things. It’s just the underbelly of angst … but it was really actually a terrific script and I had a ball.”

How that fits in with Chey’s observations 11 months later in the Florida Times-Union, I leave for you to decide.

You can also follow me on Twitter at: https://twitter.com/jwbarker22

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Blogosphere, Journalism

Versioning Weblog World 2.75: Dish no more

Justin Halldish

A “weblog is a website where a person writes regularly about recent events or topics that interest them, usually with photos and links to other websites that they find interesting.” So says Oxforddictionaries.com, helpfully describing the origins of the word as dating back to the 1990s “from web in the sense ‘World Wide Web’ + log in the sense ‘regular record of incidents.’” In recent years, Oxford also points out, weblog is almost always abbreviated simply to blog.

Wikipedia will tell you that as of Feb. 20, 2014, there were around 172 million Tumblr and 75.8 million WordPress blogs in existence worldwide. Origins are always a bit of a murky business, but Justin Hall, who began posting online in 1994, while working as a student intern at San Francisco-based Wired magazine in the summer of his sophomore year at Swarthmore College, just outside Philadelphia, was among the pioneers of online diarists and web loggers who started personal blogging.

In a Jan. 28 note to his readers, Andrew Sullivan announced he was shuttering his blog after almost 15 years. Originally known as The Daily Dish (later called simply the Dish), it had been online since the summer of 2000. “Biased and Balanced” became the blog’s motto in January 2012.

Sullivan wrote the blog alone for the first six years, “for no pay, apart from two pledge drives. In 2006 he took the blog to time.com and then to theatlantic.com, where he was able to employ interns for the first time to handle the ever-expanding web of content,” the Dish reported at http://dish.andrewsullivan.com/about/

In explaining his decision to end the Dish, Sullivan wrote:

“Why [end the Dish]? Two reasons. The first is one I hope anyone can understand: although it has been the most rewarding experience in my writing career, I’ve now been blogging daily for fifteen years straight (well kinda straight). That’s long enough to do any single job. In some ways, it’s as simple as that. There comes a time when you have to move on to new things, shake your world up, or recognize before you crash that burn-out does happen.

“The second is that I am saturated in digital life and I want to return to the actual world again. I’m a human being before I am a writer; and a writer before I am a blogger, and although it’s been a joy and a privilege to have helped pioneer a genuinely new form of writing, I yearn for other, older forms. I want to read again, slowly, carefully. I want to absorb a difficult book and walk around in my own thoughts with it for a while. I want to have an idea and let it slowly take shape, rather than be instantly blogged. I want to write long essays that can answer more deeply and subtly the many questions that the Dish years have presented to me. I want to write a book.”

His last blog post, “The Years Of Writing Dangerously,” written by Sullivan, was posted Feb. 6 “@ 3:00pm.”

In that post, Sullivan points readers back to a Sept. 3, 2002 post of his, “Are Weblogs Changing Our Culture?” published in Slate’s “Webhead. Inside the Internet” section. Wrote Sullivan more than a dozen years ago: “[T]he speed with which an idea in your head reaches thousands of other people’s eyes has another deflating effect, this time in reverse: It ensures that you will occasionally blurt out things that are offensive, dumb, brilliant, or in tune with the way people actually think and speak in private. That means bloggers put themselves out there in far more ballsy fashion than many officially sanctioned pundits do, and they make fools of themselves more often, too. The only way to correct your mistakes or foolishness is in public, on the blog, in front of your readers. You are far more naked than when clothed in the protective garments of a media entity.

“But, somehow, you’re liberated as well as nude: blogging as a media form of streaking. I notice this when I write my blog, as opposed to when I write for the old media. I take less time, worry less about polish, and care less about the consequences on my blog. That makes for more honest writing. It may not be ‘serious’ in the way, say, a 12-page review of 14th-century Bulgarian poetry in the New Republic is serious. But it’s serious inasmuch as it conveys real ideas and feelings in as unvarnished and honest a form as possible. I think journalism could do with more of that kind of seriousness. It’s democratic in the best sense of the word. It helps expose the wizard behind the media curtain.”

Closing down a blog has always been part of the life cycle of the web. “I’ve seen this happen a thousand times,” said Rebecca Blood, author of The Weblog Handbook: Practical Advice on Creating and Maintaining Your Blog, which was published in July 2002. Blood has been blogging since April 1999 and can be found at http://www.rebeccablood.com

“It’s usually people have a baby, or get married, or get a new job – interests changed, and they stop posting.” Blood wrote those words more than a decade ago. She still blogs herself at Rebecca’s Pocket, and her most recent posting on Feb. 28 was on season three of BBC One’s Sherlock, starring Benedict Cumberbatch as Sherlock Holmes, and Martin Freeman as Dr. John Watson. Rupert Graves plays Detective Inspector (D.I.) Greg Lestrade.

Mind you, Sullivan was not much of a fan of Blood’s book, The Weblog Handbook: Practical Advice on Creating and Maintaining Your Blog. In his Sept. 3, 2002 post “Are Weblogs Changing Our Culture?” published in Slate, Sullivan refers to Blood’s book published earlier that summer in July: “It’s almost silly to write a dead-tree book about blogs anyway, don’t you think? The critical language of blogging—the hypertext links to other Web pages, for example – cannot even be translated into book form, and you end up with lame appendixes and footnotes crammed with web addresses. There were a few amusing essays in We’ve Got Blog – Julian Dibbell’s ‘Portrait of the Blogger as a Young Man,’ and Tim Cavanaugh’s ‘Let Slip the Blogs of War,’ for example – but both these tomes struck me as products of old media thinking: ‘Hey, there are all these blogs out there. Let’s Do a Book.’ How about ‘Let’s Not Do a Book?’”

Bloomberg View columnist Megan McArdle, whose Asymmetrical Information blog appeared in Newsweek and the Daily Beast, and who has also written for the Atlantic and the Economist magazines, wrote in a Feb. 5 Bloomberg View story – the day before Sullivan’s departure from blogging – “Journalism is a lecture; blogging is a conversation … My industry faces two big challenges. The first is to find a business model that will pay for journalism — which is not being killed off by bloggers, but by giant web companies that sell lots of ads without doing any of that expensive reporting. Andrew was the pioneer of one possible model – subscriptions – and I think his experience has shown that this model won’t work. The Dish got an amazing amount of support from loyal readers, far more than anyone else could hope for, and it pulled in enough money to cover the cost of operations, but only if those operations operated at an unsustainably high pitch.

“The other challenge is ‘what will journalism careers look like?’ My profession, after grousing about ‘pajama-clad bloggers’ who were allowed to say anything they wanted without editorial interference, has moved toward that model. As ad dollars have died, we have come to rely more and more on armies of people putting out quick content.”

As for me, I write pretty much what I want when I want. Which is about what I did as a print journalist for the most part, some of my critics would no doubt remind me. “Write what you know” remains good advice to writers, I think, although I’d go a bit further and add write what you’re truly interested in and write about things you may want to know more about. Then let the chips fall where they may. As I wrote in a blog post last Sept. 11, “In the old days, publishers and newspaper owners would from time to time ‘kill’ a writer’s column before publication. Despite their ballyhoo and blather about freedom of the press, publishers and newspaper proprietors are almost universally in my long experience with them a timid lot, if not outright moral cowards at times, always afraid of offending someone. Freedom of the press is the last thing they want when it comes to staff.” (https://soundingsjohnbarker.wordpress.com/2014/09/11/retroactively-spiked-the-post-publication-killing-of-msgr-charles-popes-blog-post-on-new-york-citys-st-patricks-day-parade/)

That latter notion of writing about things that interest you but you may want to know more about is particularly apropos for bloggers where your readers are often more than happy to comment and in some cases are almost guaranteed to have more expertise and background in a particular area than you do, which they may blog about themselves, and are usually happy to share with you and your readers.

Why online commenting on news stories seems so often to bring out the worst in some people is still something of a puzzle that researchers continue to study with some wondering if it is the anonymity afforded them by many commenting modules that don’t require real names, but only pseudonyms as usernames, that causes problems.

Still, it rarely has been a problem for me blogging, with the odd notable exception. While it seems likely much of what is said in online commenting on news stories would never be said face-to-face, person-to-person, it has been only a minor – and even then, exceptional  – annoyance for me. But if you are interested in a broader discussion on some of these issues, you might check out these links: “Robert Fisk: Anonymous comments and why it’s time we all stop drinking this digital poison” at http://www.independent.ie/opinion/comment/robert-fisk-anonymous-comments-and-why-its-time-we-all-stop-drinking-this-digital-poison-3349527.html, or Margaret Sullivan: Seeking a return to civility in online comments at http://fores.blogs.uv.es/2010/06/22/01-seeking-a-return-to-civility-in-online-comments/, or Katie Roiphe’s Slate magazine article, “What’s wrong with angry commenters?” at http://www.slate.com/articles/life/roiphe/2011/12/what_s_wrong_with_angry_commenters_.html

As a generalist, who writes on an eclectic (perhaps even at times eccentric) range of topics and ideas, I find readers who are more than happy to comment and share their expertise and background in a particular area very helpful. And even if they can’t help sometimes, other bloggers and commenters will often offer encouragement.

A couple of days after I posted a piece in part on the Sir Leonard Tilley Building (https://soundingsjohnbarker.wordpress.com/2015/01/28/canadas-other-national-spy-agency-the-communications-security-establishment-used-its-internet-cable-tap-program-atomic-banjo-for-http-metadata-monitoring-and-collection-from-free-file-upl/), the old Communications Security Establishment (CSE) five-storey headquarters at 719 Heron Rd., near Carleton University, and well known to the intelligence community as “The Farm,” located at the corner of Riverside Drive and Heron Road, within the boundaries of the federal government’s Confederation Heights campus, in Ottawa, I serendipitously came across Bill Robinson’s Lux Ex Umbra blog, which bills (pun intended) itself as “monitoring Canadian signals intelligence (SIGINT) activities past and present.”

The Sir Leonard Tilley Building was built in 1961 and custom designed for use by intelligence services. The building’s exterior elevations conceal specialized features linked to intelligence gathering such as the design of “slippers” beneath the floor plates and the electrical and mechanical systems. The Communications Security Establishment’s $1.2 billion new headquarters at 1929 Ogilvie Rd., completed last July, dubbed “Camelot” in official Department of National Defence documents, is the most expensive federal building ever constructed in Canada, and located next door to the only slightly better known Canadian Security Intelligence Service (CSIS), which also has its headquarters in Gloucester in east-end Ottawa.

Bill, as it turned out, had written in some detail on the Sir Leonard Tilley Building about three years ago on April 7, 2012 (http://luxexumbra.blogspot.ca/2012/04/cse-facilities-sir-leonard-tilley.html), so I sent him an e-mail query Jan. 30 asking if subsequent to writing his post he “had any success discovering more about the ‘slippers’ beneath the floor plates and the electrical and mechanical systems in the Sir Leonard Tilley Building in Ottawa?”

Bill replied Feb. 1: “Sadly, I haven’t learned anything more about the Tilley building’s systems. I wonder if we’ll learn more about the building after CSE finishes vacating the premises (assuming they haven’t already).”

You can also follow me on Twitter at: https://twitter.com/jwbarker22

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